“In the A”
Big Boi is more generous than Santa Claus. Here’s yet another cut from his upcoming sophomore solo release, Vicious Lies and Dangerous Rumors. If the hook sounds familiar, that’s because it is — the rapper repurposes a line from his classic Sir Lucious Left Foot classic “Shutterbugg” for this love letter to Hotlanta. This is no “Welcome to Atlanta,” though; there are traces of sinister brass throughout and a snappy, snare-heavy beat. TI and Ludacris make guest appearances too, with entertaining results (Luda’s verse is particularly funny: “My weed need a chaperon,” he boasts, before hypothesizing that his ganj habit is responsible for the California brush-fires.) While it’s not as boundary-pushing as the previously-unveiled “Lines,” “In the A” is a solid slice of good ol’ fashioned dirty south rap. Yet another reason to get excited for what is shaping up to be one of the most impressive hip-hop albums of the year.
You walk up to the arcade prize counter with a handful of flopping strands of red paper tickets. You have to choose: Do you want the happy face lamp? Yeah, but you can get two yo-yos, a Chinese fingertrap, five peace sign erasers, eight tootsie rolls, and a parachute man for the same amount!
That’s the memory I recall when I watch this new video for “Stasis,” a new track from Montreal producer WINDOW. A happy face and a yin-yang sign join together for a terrifying acid trip; we watch them slowly melt on an abandoned plane somewhere in the depths of cyber space. Trippy breakbeats and bright syncopated rhythms accompany the hallucinations.
• WINDOW: http://soundcloud.com/windowmiusic
There have existed varying degrees of anonymity in musical output throughout 2012. The staggeringly vast estrangement of vaporwave artists from their work presumably originated as a means of distancing credibility from each release while also allowing for curious meta-contexts to take on the guise of a creative force. Meanwhile, others have tried to distance themselves from the music they create through (dub)stepping out of the limelight in allowing for the tunes they produce to speak for themselves, void of any excess contextual baggage.
Hanetration falls into the latter category: an anonymous musician with a slowly emerging back-catalogue of EPs and a recent release on Vulpiano Records that has already sunk its teeth into the gloomy, tribal realm in which it operates. The music comfortably nestles itself in an autumnal glow of rippling drone and spiked percussion that is looped, scuffed, and corroded across the breadth of the eight tracks that are currently available for free download at the artist’s Bandcamp.
Whatever we might expect to see emerging from Hanetration in 2013, there is little doubt that it will come soaked in an obscurity that is, in this instance, secondary to the music. For as long as the artist keeps pumping these sorrowful, resilient tones out of Vulpiano, Bandcamp, or wherever else, there is sure to be an audience peering in from afar. This distinctive producer is one to look out for in the new year — though at this stage, there is little indication as to the clandestine direction they might be coming from.
Unreleased Unfinished Unpleasant
Looks like people’s champ Lil B isn’t the only one to have dropped a strange and oblong load on your family bird this past Turkey Day: Mr. Oizo, the original French touch provocateur, went ahead and brought his own seamy ‘n steamy .zip to the table. Titled Unreleased Unfinished Unpleasant, the collection delivers exactly what’s labeled on the tin, at last loosing a dozen costive holdovers from the past nine years of his career. Most of it’s actually perfectly listenable, and it can be slowly extracted from the cold dead hard drive of Oizo’s bullshit website, graciously free of charge.
And let’s see the Based God try to make a feature length film, huh? Oizo, known at your local cinema/criminal records service as Quentin Dupieux (TMT interview), has been hard at work on a couple of films this year — including the highly Ben Pearson-anticipated Wrong Cops. It stars Marilyn Manson, about whom Lil B has in fact noted a physical resemblance to himself. Which makes us wonder: what might happen were he and this wily Frenchman actually to share a meal?
• Mr. Oizo: http://oizo3000.com
“Paisley & Pastel”
Freelove Fenner is the Montreal trio I so unabashedly declared my like for in a letter that was somehow published on Tiny Mix Tapes. Well, for all you gossipers out there: it’s been a little over a month, and I’m happy to say that I’m still in like with them. Actually, it’s getting pretty serious, guys. Hangouts with the Pineapple Hair EP are on the daily, and even after all this time, it’s like we still have new things to show each other. Like this video for “Paisley & Pastel,” one of the short tape’s strongest moments, with those melodies curling through the crimson hue like ribbons of sweet clove smoke. Just more greatness from a great tape that is unsurprisingly out of stock from the label, but is available digitally. The band has a full-length in the works, so keep a keen eye out for big things to come.
So, jDean originally requested to cover 18+’s 2012 mixtape MIXTA2E, but after he said “i already did one for New Dreams Ltd. today. i can’t do everything,” I decided to write it in lieu. In the past, I’ve written about 18+ in broad and confusing prose, a style inspired by the music. And I’ve always been obsessed with how musicians/artists remain anonymous within an information-ensnared age; in the case of 18+, the enamoring effect that took over my sense of reality was believing the music to be organic and cool/calm. There is little context or background to 18+, only random robotic, distorted images on their homepage and CEE-GEE-EYE and/or manipulated visual videos. I’m absorbed in 18+ as music rather than thinking of it being something physically real. Always situational. While MIXTA2E provides a little more context, it’s still straight-up blank-faced/vacant for more than 54 minutes. Yes. Finally. Hi!!!
Find the album’s trailer below, and download MIXTA2E here.