Crash Symbols have been on an interesting tangent lately: full-on 90s-style beat-making, digital Dreamcast thumping, padded house music, more synth squabbling, a wild mashup of low and high fidelity. Actually, I’m just describing Cosmic Sound’s VHS Vision, the somewhat schizo-project of producer Stephen Ferris (which was actually released in 2010, but is now finding a proper new home). Like I said, the mix of more vintage sounds with a digital sheen creates an interesting effect, kind of like when movies put a quiet sad song over a huge action scene — you know what I’m talking about. Maybe that technique can only be used so much before it becomes a total cliché, but the musical equivalent is still working wonders. As a result, a lot of VHS Vision feels like a sound collage, even though it might not be. I’m into not knowing.