The third Kranky long player from Best Bandname contenders Disappears is coming out on the first of March, son. Recognize that solid back beat? Yeah, it’s Steve Shelley; he’s a full-time member now. So tack a post-it on your “I <3 Steve” bulletin board that says Pre Language right next to Two Dollar Guitar and Mosquito. Oh, dope guitar tone? Well, these tracks were recorded in Hoboken at Sonic Youth’s Echo Canyon West studio and mixed by John Congleton, so this album has quite a resume. Apparently there are direct references to Philip K. Dick and Joan of Arc in there somewhere. You had me in the first few seconds of this psych-ripper!
“With Its Slow Decay”
California’s William Ryan Fritch has a driving passion for music. Since the age of 12, he taught himself to play over 40 instruments, finding enough time therein to develop his talent as a composer. Between 2007 and 2011, he eponymously issued Music For Honey and Bile as part of Asthmatic Kitty’s groundbreaking Library Catalog Music Series, contributed to several Sole and/or The Skyrider Band and Tokyo Bloodworm releases, and released two full-length albums under the name Vieo Abiungo.
Maintaining his momentum, he’s kickstarting 2012 with a, um, Kickstarter pledge drive, set up in the hopes of funding his latest Vieo Abiungo endeavor, a CD/DVD release titled Thunder May Have Ruined the Moment. If the video for “With Its Slow Decay” is any indication, this will be a mesmerizing mix of softly psychedelic visuals and Fritch’s tasteful brand of experimental orchestral music. If it does indeed get funded, the project will see release by Lost Tribe Sound sometime in March.
My friend has a tattoo of Leonard Cohen, so it is with his sexy body in mind that I post about “Darkness,” a new track off his new album, Old Ideas. It’s out January 31 on Columbia. Listen to “Darkness” here, friends:
Shit gets quique in Spain (maybe). Like hearing the foreign version of “Call Me.” Only Blonde sung that in Spanish, and Beach House don’t do Catalan as good as Granit. The Barcelonian base group is made up of Alba (Extraperlo, Albaialeix) and Cristina (vocalist for El Guincho’s Pop Negro), and they self-releasing 300 copies of a four-song 10-inch engineered by Eloi Caballé. They super fresh too, having only played five shows, one with Diva Dompe. That’s it. Hii-byye!
• Granit: http://granit.bandcamp.com
Ever since the release of Flight Muzik (TMT Review) in August, DJ Diamond seemed to be straying away from the footwork sound. First, there was a track called “Lab Rat,” which sought to combine “grime, experimental, dubstep, acid house, electronica, and footwork all in one,” and soon after there was “What You Want,” Diamond’s take on trip-hop. But today he released a new footwork track called “Randomness,” and it’s fucking freaky. Check it out here:
Meanwhile, expect another release from the Flight Muzik crew — DJ Diamond, Young Smoke, DJ Metro — soon. Details forthcoming.
Oneohtrix Point Never
Despite rebounding phenom Kevin Love proving he wasn’t just a pretty good player on a shit team, last year was a terrible year for the Minnesota Timberwolves. A big part of the problem was the point guard position: we had Jonny Flynn and Luke Ridnour, but both of them were better at turning over the ball than at creating plays. But this year, like a Spanish angel descending from the heavens, 21-year-old Ricky Rubio (and his beautiful brown hair) has finally made his way from Barcelona to Minneapolis. Sure, our current record’s at 3 wins, 5 losses; we’re the last in our division; and we’re near the bottom of our conference. But Rubio, who’s currently coming off the bench, has already shown how amazing he can be when given a chance.
Daniel Lopatin, who also sports beautiful brown hair, has likewise shown how amazing he can be when given a chance. And today, the two phenoms collide, as Lopatin posted a demo version of a song that is, no shit, dedicated to Rubio. It’s called “Rubio.” Check it out here: