Keys To The Suite
SIIIIIIIIIIIGH for one more g’aught damn time. Ya huuurd that Sunup Diskette Romances tape IRL-style? ‘Cause at first glance, it looks like a C60, but turns out the music plays for about 10 minutes, and then it’s about 55 minutes of silence, which I raw mic-recorded over with two AM stations meshing together while driving along the harbor. Yet, here comes release #2 for Diskette Romances this year, entitled Keys To The Suite, and it’s slightly longer than the self-titled. It’s the same old-style elevator [slash] office bathroom jamming. “Champagne in Hong Kong” is my personal favorite, defining exactly what I think Diskette Romances sounds like: dingy post-consumer aura’d ambiance that breaks into searing paradise, while “slush” closes the Suite’s program on the exact note it started on. That note being consummately developed around something once listened to, as if Keys To The Suite has been played in your head before but you’re not quite able to put your finger on it. Push>pinch>plop>flush and download the new joint from Diskette Romances meow!
• Diskette Romances: http://soundcloud.com/diskette-romances
Trap God [mixtape]
I don’t know if it would be blasphemy to call Gucci Mane a trap god, since Lil B is god of all things based, which undoubtedly includes the trap world. That said, Gucci’s new mixtape is a real treat: production from 808 Mafia and Zaytoven; guest spots from Wacka Flocka Flame, Young Scooter, and T-PAIN!!; and a lot of the woozy flow you’ve come to expect. “Rolly Up” is a standout (what is a rolly, though?), as well as what I refer to as the “Fawk” suite: “Fawk the World,” “Fawk Something,” and “I Fawk With That.” If you’re jonesing for some fresh trap rap, Gucci’s your man.
Download the mixtape here.
• Gucci Mane - http://www.guccimaneonline.com
Chocolate Grinder Mix 64
This casual segway tour focuses on some wonderfully frayed house music. Of particular note is the amazing diversity of destructive approaches emerging in the last few weeks. Gerry Read batters his music until it sounds like it’s been fed through this. Pete Swanson submerges everything but the slightest kick drum in smears of noise. Hnny augment their productions with tape-saturated bongo fills and bit-crushed hi-hats. Austin Cesear crams in grainy static and a deeply distorted vocal. Affie Yusuf just keeps it old school.
Elsewhere, there’s new batch from the ever exciting Senufo Editions label that includes recordings from a sonically enhanced halogen bulb, which is as disorientating as it sounds. There’s also some Dro Carey freebies that he somehow created between tossing out tapes on microlabels and lining up plenty of vinyl to release. If you aren’t exhausted, there’s also some gorgeous ambience, some choppin’ and screwin’, and the icy echoes of a former BBC broadcasting house. Git yer lugs round it, eh?
Stream below, and subscribe to our podcast here.
[00:00] Gerry Read - “Evidence (Single Edit)”
[02:17] Hnny - “Trummor”
[02:42] Austin Cesear - “The Groove”
[05:24] Marcel Fengler - “Mosaique”
[08:30] Affie Yusuf - “I’m Free”
[09:49] Kane Ikin - “In The Arc”
[13:58] Hypno - “Kancourde”
[14:24] Chris Corsano - “The Attendant”
[17.01] Pete Swanson - “College View”
[21:12] Dro Carey - “Suade Automata”
[23:22] Pearson Sound - “Underdog”
[24:58] Ssaliva - “ADFH1”
[26:43] Minoru Sato - “Irregularity/Homogeneity: Emerging from the Perturbation Field”
[27:50] KRTS - “Fire”
[30:40] Robin The Fog - “Part 3 - Cold Space and Peeling Oxide”
“Temper of the Age”
Technology is inherently human. Whether you judge this now or 500 years from now, there will always be human characteristics in technology. Thus, playing an acoustic guitar through the most effects-absorbed production makes Villages something of tomorrow’s sensitive songwriter. “Temper of the Age,” and most noted by the video, presents a time and art once passed, still struggling to project through the softest and most delicate environment. Fragility is key here, as sound is carefully swelled and molded into a sculpture of acute ear massage. “Temper of the Age” is off Villages (Ross Gentry, Asheville, NC resident droner)’s Theories of Ageing LP on Bathetic Records. He also released a tape on Bathetic this year and a 3-inch CD-R on KimDawn. Hit it all up now before you hear it from someone two years from now and physical shit’s all expensive. Dig?
The other day, Mike Reid over at the news section made us all excited about FORMA’s upcoming release, OFF/ON. Well, now we all can enjoy the lead-off title track until the real thing is released all proper-like. The track teases Mr. Reid’s postulation that this molten lava-covered album is somewhat “darker” or more “aggressive” than FORMA’s previous recordings, yet it also feels significantly more straightforward and sober than my recollection of FORMA’s self-titled debut last year. Hear for yourself, and keep anticipating the release.
OFF/ON is due November 12 on Spectrum Spools.
Math The Band
Math The Band is HUGE supporters of pizza. First and foremost. They sound like, like if the Ninja Turtles aged to around 30, went back in time, and tried to make peace with Horse The Band. (Oh, holy shit: Horse The Band is still around.) More specifically, Math The Band’s track “Horses” is reminiscent of that cutie gurl/boii ought-period keyboard-smashing that grew and grew until it became something like Matt & Kim, and I’m all like, “Math The Band, please pull through. You’re not lame and could do some wild shit. Thank you for going on tour with Andrew W.K. Oh my g-oooooooooooooooo-dness.” Anyway, check out the video for “Horses” here:
And, on the real, also check out both their tourdates — fuck! — and they’s truth-bomb album Get Real, out now on CD/LP formats via Anchor Brain. Then get a little juvenile, bring it straight to the heart, and pound out some jams.