Giuseppe Ielasi injects a bit of soul into complex electroacoustic algorithmic architectonic sound design. He has successfully transformed cement mixers into a sensual sound palette. He has turned sandwich protection into a rhythmic medley. He has manipulated bells and cymbals into an underwater symphony. But what he hasn’t done is compose an untitled piece for l’audible festival in Paris utilizing material from previous releases and with sleeves printed by Ben Owen. Until now.
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