Teenage rap phenom Joey Bada$$ is back with Rejex, his first mixtape since this summer’s buzzworthy 1999. The compilation consists of tracks that didn’t make the cut the first time around, as well as some cuts (“Little Rachel,” “Indubitable”) that the young MC wrote when he was 15 while the rest of you were taking your PSATs. Elsewhere, he raps over beats by the likes of Madlib and DOOM, a refreshing change from the Top 20 leanings of most mixtape freestyles. Bada$$ may not have his degree yet, but he’s definitely schooling a lot of rappers out there.
Listen to the mix here.
• Joey Bada$$: http://badassjoey.tumblr.com
“Vaporware.” I looked it up. In case you’re too busy to click the link to the left of this sentence, I’ll just give you the quick summary. The term is used to describe a product (typically computer hardware or software) that never comes to fruition and is never officially dismissed. Essentially, it’s the idea that the idea always remains just that: the idea. So in the case of this stunning excerpt from Chris Madak’s Bee Mask project, the computer-theme prevails with these many 1’s and 0’s and their infinitesimal-point iterations fluttering about while remaining strikingly stationary. A gyroscope of atomic particles electromagnetically pulling themselves close together, sounds never trailing too far out, floating in a cloud of synth. Staccato, focused, and incredibly precise, but the whole itself — the product — that’s what is both there and impossible to fully see/feel/experience at the same time. A maddening paradox that is reduced to a beautiful utopian vision of the future with closed eyes, slow breaths, a deep imagination, and the simple click of a play button.
Fresh off a recent tour in Australia, this excerpt, which we in fact posted earlier this year, has subsequently found a nice home on the SoundCloud page of Room40 (owned and operated by thee Lawrence English, from Australia — imagine!), who we have confirmed will be releasing a Bee Mask 12-inch on September 28.
Oneohtrix Point Never
Starz’ Boss show, which stars Kelsey Grammer as Mayor Tom Kane, has roped in a TMT star for the fourth episode of its star-studded second season. His name is Daniel Lopatin a.k.a. Oneohtrix Point Never, and yes, we already posted a track from him earlier today. But so what! That’s not going to stop us from posting another new OPN song on the same day. The embed is being a little screwy right now, so click here to listen to “Ceiba” at Boss’ website.
Meanwhile, check your local listings to see when Frasier airs in your city.
Allotrope [album stream]
Such is our commitment to high-quality investigative music journalism here at Tiny Mix Tapes that I just went ahead and Wikipedia’d the word “allotrope” for you. For realz. No need to thank me. Here’s what I discovered: it has something to do with science and is an etymological descendant of the Ancient Greek άλλοτροπἱα, meaning “changeableness,” which Wikipedia is pretending is a real word. Apparently, diamond and graphite are both allotropes of carbon.
This record, the latest from Melbourne composer Peter Knight on Aussie “new” and experimental music label Listen/Hear, offers a bunch of different allotropes of the trumpet. “Electroacoustic adventures” Knight calls them, created using the trumpet, flugelhorn, laptop electronics, amplifier, and pedals. They’re all pretty sweet, but I’m gonna go ahead and single out “Trumpet Latop Amplifier 1” and “CD and Contact 1” just for kicks. Joe Talia, most well-known for his work with fellow Aussie Oren Ambarchi, as well as Keiji Haino and Jim O’Rourke, features on the mixing desk.
Okay, let me half-ass this really quick because I have a lunch date in like five minutes: Death Grips closes the 2012 Adult Swim Singles Program with “@DEATHGRIPZ,” an unreleased track from The Money Store (TMT Review). The song, premiered by VICE, can be downloaded here and streamed right here:
And remember: Death Grips’ second album of the year, NO LOVE DEEP WEB, is due in October. Bye! See you at Applebee’s!
Oneohtrix Point Never
“Music For Reliquary House”
Music without distinct lyrics makes the most creative mindset for the listener. Leaving the listener lost within the creativity of sound, rather than vocalized direction, provides building blocks to a completely original, personal narration or daydream. Which mildly explains the direction of some of my posts (just don’t want y’all reading the same thing over and over again; stick with Tiny Mix Tapes, please).
Oneohtrix Point Never seems to take this [non]vocal concept one step further in “Music For Reliquary House.” Set, in my mind, against the backdrop of a viral computer left plugged in on the 24th floor of an abandoned office building, a software choir of stuttering avatars harken a digital spell to decode their virtual existence and hack their way into the real world. Tugging at wires, warping sound from a dimension within human dimension, beyond natural mindset, these avatars are determined to become the next life form. What they didn’t expect is mainframe cowboy Daniel Lopatin to wrangle their mantra into a collected and concise piece of art, which Toby and Matt (of NNA Tapes) bossed and pressed split-style with Rene Hell.
Read more about “Music For Reliquary House” here, and listen to part of Oneohtrix Point Never’s side here (including its source material):
Pre-order now. LP available in eight days.