The record label/mailorder haven Experimedia gives us Woven Tide, Dag Rosenqvist and Aaron Martin’s debut as From The Mouth of The Sun. I wrote previously about the Experimedia release from Lawrence English, which feels like a nice prelude to Woven Tide and particularly the track “Like Shadows In An Empty Cathedral.” Both conjure a certain physical weight through drifting bass tones and a beautiful higher register that never quite settles into a melodic context. In iTunes, the album’s genre tag is ‘Ambient Classical,’ and there is a certain kinship here to the hyper-consonant modern classical works that flourished in the 20th century. I think the notion that the sorrowful, strictly tonal billows of sound stand as a testament to ‘purity’ in the face of extreme dissonance is important to keep in mind. Though I’m not really sure what Rosenqvist and Martin set out to accomplish. I’m probably full of shit.