Sam Prekop of The Sea and Cake has written several songs for a film titled PAVILION, the debut feature by director Tim Sutton (who had previously worked with Prekop on the video for The Sea and Cake’s “Weekend”). We shared a couple songs, “The Eve” and “Arizona,” back in March for the film’s SXSW premiere, but now PAVILION is having its New York premiere this Thursday at BAM, and we have been graciously asked to premiere the film’s title theme. It’s certainly short, but it’s wavering keyboard, sighing vocals, and stretched-out harmonies would seem to perfectly complement the film’s “mesmerizing imagery of hot summer bike rides and cool lakebound dives.” Check out the track here:
Like the SXSW premiere, the screening this Thursday will be followed by a performance from Sam Prekop and Archer Preweitt, who will be playing tracks from the soundtrack and select Sea and Cake songs. There will also be a Q&A with Tim Sutton. It all starts at 7 PM, as part of the BAMcinemaFest. Plan your life accordingly. Purchase tickets here, and check out the film’s trailer here:
Dean Blunt and Inga Copeland
“Stalker 5, NJ, 2012”
The last two (1, 2) blurbs we posted about Dean Blunt and Inga Copeland were of (I think) fantastic tracks that I can now barely (half-)remember (hypnagogically, etc.), since the duo almost immediately took them down after posting. In fact, it happened earlier this year too with a track posted on SoundCloud.
But as much as we seem to be stalking Blunt and Copeland, perhaps they have been watching us all along. Yesterday, the duo posted the fifth installment in their “Stalker” series, and it’s the longest of the bunch. While the first several videos — each of which feature the same song — seemed to set the scene with static shots (the first of Copeland, the second of Blunt, the third of Blunt and a gun, and the fourth of an unknown cityscape), the latest stalker video reveals not only the time (2012) and place (New Jersey) of the story, but also the stalkee, who is apparently chilling on the rooftop above a convenience store next to a fair ride.
But what I wonder is: Does Blunt still have that gun?
“My Arms Are The Brooklyn Bridge”
Lil B calls his new clip for “My Arms Are the Brooklyn Bridge,” and I quote, “HISTORICAL FIRST TIME EVER.” The video is pretty self-explanatory: a poorly-edited set of smudgy shots of the rapper in — surprise — Brooklyn, where BasedGod bestows some lucky fans with holy $w@g Hug$. Given the strange line breaks in the video’s description, chances are good that His Grace has blessed us with a poem to accompany his historical film. It reads as follows:
WOW I MADE THIS SONG BECAUSE I WANNA SAY I LOVE YOU, I LOVE YOUR PARENTS BECAUSE YOU ARE HERE ALIVE,
SOMETIMES WE MAY NOT EVEN BEEN WANTED TO BE BORN FROM OUR PARENTS AND THEY STILL GAVE US A CHANCE AT LIFE,
AND THIS IS MY TIME TO TELL YOU I LOVE YOU AND BE HAPPY..
PLANT YOUR SEEDS OR HELP OTHERS.
The track is off Lil B’s new mixtape, Green Flame, which you can stream below. Meanwhile, check out C’s mix of 2012 Lil B tracks here.
• Lil B: http://www.basedworld.com
DREAMS 3D [album stream]
The mysterious entity known as INTERNET CLUB has been releasing a steady stream of screwed shopping mall jams, PowerPoint presentation pop, and elevator trap anthems for the past [insert period of time here]. Part of an emerging microscene variously called webwave, vaporwave, doswave, and eccojams — an outcropping that also includes artists like Laserdisc Visions and MEDIAFIRED — INTERNET CLUB takes sampling several steps further, into the realm of pure appropriation. Snatches of incidental music, library tunes, and other unidentifiable sources are extended, looped, and treated in a way that leaves their essential structure intact, extracting the weirdly hypnotic, meditative unconscious of even the most bland and disposable music. There’s an analogy here to the strategies of artists like Richard Prince and Sherrie Levine, but more on that later.
Right now, you can stream or download a brand new INTERNET CLUB joint entitled DREAMS 3D for free via Ailanthus Recordings. The album is one of several releases this year, with another called VANISHING VISION due next month. In the words of INTERNET CLUB: “留在我身边.”
Chocolate Grinder Mix 48
“Can I Get It In A Box?”
First time my pal Mickey listened to Lil B/The BasedGod, he told me he spit out his coffee at work. And I love it when P all dropping BasedWorld quotes on me midday random-style. Or trollin’ the way a young whodie should with br’ohs on the IntRAHnets. Yo, remember his 2xLP on Weird Forest? Now I’m getting “There are too many songs; I don’t know where to start.” So, maybe it’s the camaraderie I like. Maybe just because he’s folk. Neo-folk. #werrrrrrrrrrp
But I don’t believe in that shit. It comes down to the gravity of Lil B/The BasedGod. If one were to make a mix, sorting through all of Lil B’s/The BasedGod’s tracks, one could create their own character/theory/idea of who Lil B/The BasedGod represents to them. This mix is how Lil B/The BasedGod represents himself to me in 2012 (so far): a character built upon lies. It goes beyond lying to one’s self driving home or walking they’s dog; his constant self-doubt, belligerent machismo, and confused charm transform him into whatever he wants. Lil B/The BasedGod has found the end energy. This is pure. Complete and vast.
Stream below, and subscribe to our podcast here.
[00:00] “Shooting Star” (Water Is D.m.g. Pt.1)
[02:50] “Lil B Speaks Out About Getting Sucker Punched And What Happened” (Blue Eyes)
[03:05] “When I Write” (Blue Eyes)
[07:11] “Whodie Whodie” (#1 Bitch)
[09:41] “Real Hip Hop 2012” (God’s Father)
[13:43] “BasedGod Fucked My Bitches” (White Flame)
[18:35] “Rare Lil B Age of Information UC Berkeley College Lecture About Lil B Topics and Music” (Blue Eyes)
[20:35] “I Aint Neva Won Remix” (The Basedprint 2)
[23:30] “Ski Mask Thuggin” (Trapped In Basedworld)
[25:49] “I’m Fabio” (White Flame)
[28:16] “Ima Eat Her Ass Based Freestyle” (#1 Bitch)
[33:05] “The BasedGods Layer” (God’s Father)
“In Waking Dreams”
Last week, Lisa McGee released her debut album, Forever Falling Toward the Sky, as Vestals. In contrast to her dense drone work in Higuma (with Evan Caminiti) and Portraits (a group ensemble that includes Caminiti and Jon Porras from Barn Owl, Jefre Cantu-Ledesma, Gregg Kowalsky, Maxwell Croy, and many more), the album sees McGee adopting a fractured shoegaze-esque approach, in which her cavernous vocals, processed guitars, and the surrounding ambiance produce a sluggish backdrop to an aesthetic that keeps on trudging forward. “In Waking Dreams,” the album’s closing track, is a good example of this struggle: the core melodies continually promise liftoff, but the thick noise weigh the track down to a hover, ending with angelic harmonies just barely floating above distorted, wavering feedback. Check it out here:
Forever Falling Toward the Sky is out now on Root Strata. Caminiti’s new Dust Editions imprint will release Vestals’ follow-up, due sometime “in the distant future.”