Terror Bird have a new LP out on Night People called Human Culture. Check out the opening track, “Married Woman,” with its front and center piano and throwback rhythm section. It took me a few listens to get hooked on this track, but there is a certain breezy, poppy appeal to the whole thing.
C Spencer Yeh
“In The Blink Of An Eye”
The prolific and – now that he’s making pop music – diverse C Spencer Yeh will release his new songwriting 7” March 15 on De Stijl Records. But what is songwriting, man? Taking hundred year old classical tropes concerning harmonic movement and condensing them into their simplest form within a rigid, segmented structure that lasts 2 to 4 minutes and is accompanied by repeated quad-beat percussive phrases? What isn’t songwriting? I wish C Spencer would answer these questions, and many more.
• C Spencer Yeh: http://www.dronedisco.com/
• De Stijl: http://www.facebook.com/pages/De-Stijl-Records/254039376413
“Bad Rubycon Sequent”
Emerald’s John Elliot, performing as Outer Space, gives us another pointilistic synth journey through outer space. Vangelis is pissed.
Ponytail make music that we like.
The group’s latest, Do Whatever You Want All The Time, is due April 12 on We Are Free. (via P4k)
Skeletons’ new album, PEOPLE, is due April 26 on Shinkoyo/Crammed Discs. There’s a song called “Barack Obama Blues” on it. Another one’s called “Walmart and the Ghost of Jimmy Damour.” :)
I suppose it’s only natural that 8-bit synths would become increasingly popular in a realm of music so dominated by nostalgia these days. It seems like every week I read about a new ‘chiptune’ artist trying their hand at manipulating some 20-something’s heartstrings. But, “Cuspcake,” the most recent reveal from Time Wharp’s upcoming debut, later., is much more than reminiscing afternoons spent with an NES. Jazzy hooks, arpeggio rainbows, and a stutter-strut will make this a go-to 2011 Summer Jam.