Chocolate Grinder Mix 47
Slower Combing Eggs
Chris Corsano is on some crazy shit. Maybe I just made this cause I wanted to start a mix off with a drum solo? It’s weird, though, because White Suns come in right after “Famously Short Arms” stops, but their metal chug almost sounds like it could be from the same band. Maybe all music is more or less the same, at least to alien ears. That is, if aliens were landing on earth. They’d demand to hear native humanoid music, and we’d show them Francis Bebey and Dean Blunt (because it’s the future, and that shit has become legendary), and they’d be like “What is this primitive timbre-based waveform? All humans are equally stupid.” Then they would blow our minds open with pure psychic projections that render our concepts of music obsolete. Until then, we can keep banging on drums and playing “slap bass” and “synth shit.”
Stream below, and subscribe to our podcast here.
[00:00] Chris Corsano - “Famously Short Arms”
[04:19] White Suns - “Footprints Filled”
[08:46] Starring - “The Best”
[13:58] Colin Webster & Mark Holub - “The Claw”
[15:58] Dean Blunt & Igna Copeland - “12”
[18:32] Blanche Blanche Blanche - “Jason’s List”
[21:37] Paborsk - “The Nest”
[25:28] Francis Bebey - “Savanah Georgia”
[28:53] Axxess - “Slow Combing Eggs”
[31:20] Suzanne Ciani - “Eighth Wave”
[34:35] Tyme. x Tujiko - “world 世界”
“your hands/ moo .3”
Yyu, fronted by a guy named Ben from California, has released a bizarre yet cozy little album, TIMETIMETIME&TIME. The release sees Yyu mashing samples sourced from both himself and presumably not-himself, fucking with their temporal logic, and then cut-and-pasting it all together in a sample-/loop-based record that sounds satisfyingly warm, playful, and performative. Beats jerk around and discontinuities abound, sure, but there’s a well-defined, honed-in aesthetic that sounds at once incredibly disciplined and incredibly out of control: one moment you’re gently nudged forward with a delicate buzz of guitar strings, the next you’re trapped in a loop going nowhere but in circles.
Listen to the album’s first track, “your hands/ moo .3,” here:
|||||||| DISCLOSURE |||||||| YES |||||||| FUN |||||||| DUST |||||||| HARSH |||||||| APPLY |||||||| FREE |||||||| SUMMER |||||||| CRYSTAL |||||||| HELLO |||||||| VIEW |||||||| MANIC |||||||| BUTTON |||||||| TRAFFIC |||||||| CH’SHH |||||||| ANTIQUITY ||||||||
Also, be on the look out for more goofin’s of Sir Jesse Briata (Lockbox) on Animal Image Search July 1.
“Dance For You”
Dirty Projectors just released a second track from their forthcoming album, Swing Lo Magellan (out July 10 on Domino). It’s called “Dance For You” and has an amazing video to go with it. PLEASE watch it full screen:
“Dr. Oblivion Soundcheck”
Oh, yeah! Remember last year when TMT sucked NNA dry? Well, the juice was worth the squeeze, because they keep on rockin’ it. Not only are they pimping Ryan Power, KFW, and Dolphins into the Future already, but here’s a new Co La release, Soft Power Memento. ON TAPE! (Or CD if ya in love with the format @Hands In The Dark). And it’s an EP, ya heard. Only, no you haven’t. Unless you bought it already and it’s come to ya house. If ya haven’t, “Dr. Oblivion Soundcheck” is your taste (supreme). It’s nice. Like, same old CD-scratched mixing, but way more mellow, less abrasive than before. The whole EP is that. This’ll probz be my summer EP. It’s all one-sided too, so just flip a bitch and replay that sex-talk. Find it now on NNA before they all out and you all like :( …Er you can pop it as a CD off Hands In The Dark’s new website!
“Garifuna Field Recordings”
“Twenty four minutes of haunting legitimacy”. That’s how we at the TMT offices described Stephen Molyneux’s previous endeavors into field recordings. In 2010, when Molyneux was working and living out in Thailand, he made excursions through Cambodia, picking up distant snippets of activity and music. The result was an enticing sort of half-engagement: the feeling of being a visitor in awe of the fleeting sounds of daily life, but without being able to be directly involved or to fully appreciate it.
This latest release has been described by No Kings as a “follow up of sorts,” yet I’m inclined to think of it differently. This year, Molyneux hopped over to Belize where he met the LeBeha Men and recorded the ensemble in single, uninterrupted takes. The LeBeha drumming centre is a project in Belize that teaches local kids traditional drumming skills and is patently successful at doing so, since their graduates were nominated for a Grammy in 2006. So, for me, both projects are intriguing in their own separate ways: one is an exercise in traditional field recording, tracking the messy and meandering sounds of life in a specific environment; the other is an intimate portrait of incredible talent.