Guest Mix: LAMPGOD
From postmodern wi-fi graffiti to the VHS to pure unknown territory, LAMPGOD flares off that trans-[itions, dimensions, timelines] swag. However, this post-deity of light and sound absorption masks/shades: music is there for LAMPGOD to re-appropriate by massively eschewing all interest in genre or fervor. The program aggregated by LAMPGOD has detached itself off from under the train-car high-rise, drone flew up the tallest building in your nearest city, and is now projecting signals directly into your brain. Kinda like that Batman with Jim Carrey, minus [everything bugged out about the flick]. This short-but-sweet SENSITIZING NOTIONS mix will not only open your mind to this coming weekend, but will also entrance you forever in 12 minutes of purity of thought, by way of sound collage. Grip SENSITIZING NOTIONS by LAMPGOD below, and enjoy your weekend!
• LAMPGOD: http://t.co/fznQcEGI9b
The Savage Young Taterbug
Where haven’t you been, Mr. Free? To what lengths shall the imagination of Journeymans Cheddar be stretched? “Percy’s Transmission” ended too soon, and the face clawing laughter of “Hillbilly French” could wreck any human psyche. Strolling along the town docks, kicking pebbles into the port; just meandering “Togetherman.” Feelings “Ain’t Razor Blade” my thoughts with rubbished pain in a bombastic or two. The “Working Juice” fueling straight to my brain into ignition. However, “Ungummed Son & Meltwax Soul” will ultimately be the saddest of all expositions, considering the rewind button and a reel’s life expectancy. And no matter the “Small Sour Ballast” – in the way it warps you aboard – following the “Disc Jockey Inside Corona Bottle” with his pal Tracey Trance into an adventures of exploration. But that “Jacking Boy I Never Knew” is earnestly the most pleasing of thoughts in the most fingered up [guitar] neck lick at the end.
The Savage Young Taterbug has and will continue to ALWAYS satiate his followers. Pipering in his fifth tape on Night People, Journeymans Cheddar rips at the core of Charles Free’s travels across America and sound. Not only of the mind, but soul and existence has mushed itself in a comforting way with The Savage Young Taterbug, seemingly drawing from a plethora of genres, artists, cultures, etc. Though, the case (along with silk screened Night People j-card) is made time and time again that it’s merely deep musical archeology of the ear. And this lyrics are to die for, if you can get past the warp and scratch. Word is, on The Savage Young Taterbug’s upcoming 12-inch on Night People, his voice is surprisingly cleaner sounding, and the lyrics are more revealing than anything he’s done before! Stream Journeymans Cheddar below, and grip it from Night People to complete and/or start the adventure of collecting you Chuckles le Free sounds:
• Night People: http://raccoo-oo-oon.org/np
“Slingers” feat. Knowlege The Pirate
“I’m not a trapper, I’m a slinger,” raps Roc Marciano at 1:39; the distinction being that while a trapper finds (loses?) himself trapped in a perpetual cycle of crime and punishment, a slinger slyly evades capture to continue flourishing in his chosen trade so he can enjoy the finer things in life, like “sapphire on the finger [or] a crib in Antigua.” To an upper-middle crust-bred academic it might seem a sinister, materialistic end game, but then, as Roc himself said on “Strive,” “Anything besides being rich is excuses.” Watch the gorgeously greenish video for “Slingers” above and download the song, along with the rest of The Pimpire Strikes Back mixtape from which it was taken, here.
Vol. 3 [teaser]
Shiiit. Don’t listen to this at work. I was sitting in the office thumping this new TOUGH FUZZ out of the speakers while my fingers crackled over old, faded keyboard. Nodding my head a bit too hard for the office of a retail store, where, you know, other people are just trying to do their jobs. “Are you having a rave in here?” my boss asked.
“Nah… I’m just…” I thought about trying to explain beat music and 404 to her, and decided against it. “Yeah, it’s kind of ravey.”
Shiiit. Coffee shops neither. Don’t do it.
If there’s one thing my grandmother has continually wished upon me, “Good luck.” There are a number of ways in which I could posit that her wishing has served me well, but being introduced to “Patrón” by Alpha Chris has made me feel blessed as a young baby boi on his bar-mitzvah day. As furthered by a beautifully shot video, Alpha Chris has a phenomenal aura which bursts like sunlight through the seams of an unceasingly fresh windbreaker. Like a preacher of love, Chris channels refreshing themes of bliss, genuine emotion, care-free club dreams, and Patrón. Alternating between next-level hype and peaceful repose, Alpha Chris is nothing short of a young god in the field. Listening to “Patrón” is a breath of fresh mountain air on a cool spring day with a fat Juicy-Juice in my right hand. I’m surprised at how low-key the track is right now, but can certainly vouch for its’ golden nature. Peep it if you please. You won’t be disappointed.
• Alpha Chris: http://www.chrisowensofficial.tumblr.com
There’s a playful layer of filth smothering Opal Tape’s newest release Hantasive, by Lyon’s Kaumwald. It’s a panic room carved out with spades in the midst of an e-waste mega-dump. These sounds wrap their INDUSTRY in an over glove, they giggle and burble at you with rotten teeth. The plastic spools and reeling materiality of Opal Tape’s preferred medium and mineraloid moniker shine through, even over Bandcamp, as they have across the label’s increasinglyacclaimed output. Obviously, T Heavyz ears were pricked up well in advance to the mystery and wonder which has since come to anchor each OT release. Here we have a further addition to an assemblage (yes, I mean record label) that hits just the right balance between individually challenging artistic excursions and curatorial common ground. European fans can currently try and catch this ‘Label’ as they tour around the continent. Stream Hantasive by Kaumwald below: