Diamond Terrifier
The Subtle Body Wears A Shadow

The music that is Diamond Terrifier has narrated my time growing within the confines of New York City, Brooklyn, and Long Island. Not only is it sonically reminiscent of how my father mused my creativity as a child, but it feels as though Sam Hillmer’s music as <>T is the perfect soundtrack to the highs and lows of being surrounded by a million things working at once. As is New York: meeting new people you admire, finding meaning within an overabundance of variety, hearing music in the subway as the train transitions to a screech, saving moments and smiles more than money, fluttering from hunger to shock to joy to insomnia, and being a being within a bigger being.

Picking up from last year’s album Kill The Self That Wants To Kill Yourself, Diamond Terrifier brings to you four long-burner tracks out today called The Subtle Body Wears A Shadow. The intro track, “Shrine Flu,” was first heard in its early stages last year on the Words+Dreams tape Shrine Flu. But as an album opener, the track really sets the tone of Sam’s brass-beaten breath and love of seared electronics, which wake-waves listeners into “Two Witnesses,” baring an array of furiously flying fingers, wailing out cries of disparity and joy, anticipation and daunt. Flip to the B-side to hear “Triple Gem” and the title track. “The Subtle Body Wears A Shadow” is a fantastic closer to the intensity that is this release, finding calm within Sam’s storm of sax, harmonizing with the electronic hum and glittered tingles of metallic drips.

The Subtle Body Wears A Shadow is out today via Terrible Records on LP/CD/digital formats. I pre-ordered a copy as soon as I knew it existed and can’t wait to go to my Grams’ house and spin it like a mad man! DO NOT sleep on this.

• Diamond Terrifier: http://www.diamondterrifier.com
• Terrible Records: http://www.terriblerecordsus.com

Roc Marciano

“Ruff Town” ft. Cormega

Hempstead’s Roc Marciano and Queensbridge’s Cormega have teamed up before on the posse cuts “Tricks of the Street” and “M.A.R.S.,” but this is their first pairing to date, which is kind of surprising considering they came up around the same time within 30 miles of one another and clearly share many of the same influences. Plus, they’re both short guys, who, in spite of their stature, sound like they could kill you without batting an eyelash.

No word yet on whether this track is off Roc’s forthcoming production album, Marci Beaucoup, or just a loosie. Either way, look out for that album as well as Corey’s Mega Philosophy, which is produced entirely by living legend Large Professor.

• Roc Marciano: https://twitter.com/rocmarci
• Cormega: http://www.legalhustle.net
• Man Bites Dog Records: http://www.manbitesdogrecords.com

18+

“BITCH” [ft. C Powers]

AND WHEN I LIKE YOU TO GET MORE / GOT A LOT OF MY PUSSY
AND WHEN I LIKE YOU TO GET MORE / GOT A LOT OF MY PUSSY
AND WHEN I LIKE YOU TO GET MORE / GOT A LOT OF MY PUSSY

IN THE BACK OF THE SLEEPSACK/ SINGLE CELL WISH IT WELL/ OMG
IN THE BACK OF THE SLEEPSACK/ SINGLE CELL WISH IT WELL/ OMG
IN THE BACK OF THE SLEEPSACK/ SINGLE CELL WISH IT WELL/ OMG

I LIKE YOU / I LIKE YOU A LOT. MORE MORE MORE MORE MORE MORE.
I LIKE YOU / I LIKE YOU A LOT. MORE MORE MORE MORE MORE MORE.
I LIKE YOU / I LIKE YOU A LOT. MORE MORE MORE MORE MORE MORE.

18+ are playing live on May 30 at the opening of an exhibition titled oO at Palasport in Venice. Go if you can.

• 18+: http://18plus18plus18plus.tumblr.com

Zoos of Berlin

“Open The Wine”

A toast! Pour some wine! Sip to your health! Okay, so, the first thing Detroit-based Zoos Of Berlin told me is that they were really into Scott Walker. Soon after, we sipped fine wine and not-so-fine beer inside their professionally-designed, well-equipped studio-rehearsal space tucked up into re-purposed Recycling Center down a somewhat desolate street of a lonelier pocket of the Motor City, exuding proclivities towards the “cinematic” and the poignantly “atmospheric” elements of pop music.

Surfy guitars lap upon the foamy shores of your idyllic getaway, charmed by a softly smiling moonlight wreathed warmly by a starry azure glow; you dance/march your way along the promenade toward a mystical mansion, every window radiant with tawny chandelier-light spilling out, and suddenly you’re inside, bouncing on your toes to those shuffling organs, intoxicated by the waves of reverb, the fluttery flumes of those synthetic-harps and the breathily crooned harmonies. It’s all a whirl, and suddenly the corks back on and the dream snaps and shutters away. “Cinematic…” indeed! That’s the movie that just played inside my head while listening to the new single from Zoos Of Berlin, an all-too-welcomed if terrible tease of what lies ahead for our ears, on July 15, when they release their 2nd proper full-length Lucifer In The Rain on Time No Place.

Listen here.

• Zoos of Berlin: http://zoosofberlin.bandcamp.com
• Time No Place: http://timenoplace.com

Chocolate Grinder Mix 79

Foscam FI8910W Pan & Tilt IP/Network Camera with Two-Way Audio and Night Vision

This isn’t a mix of music that I enjoy listening to. In fact, with the exception of Charles Bradley and kitty, this is a mix of music that I either have no interest in (Destiny’s Child), am indifferent to (Bibio), might like if I put more effort in (Mikal Cronin), or flat-out don’t enjoy listening to (Tegan and Sara). But rather than stringing these songs together in some sort of masochistic mix, I decided to heavily edit them instead, looping, time-stretching/-compressing, modulating, rearranging, pitch-shifting, and eccojamming/plunderphonic-ing/chopping+screwing to the point where Vampire Weekend’s “Hudson” becomes a moody electronic track, Bibio’s “Mirroring All” turns into an ambient piece, Beach Fossils’ “Sleep Apnea” is deconstructed into a glitchy jam, and the entirety of Foxygen’s We Are the 21st Century Ambassadors of Peace & Magic is reduced to less than three minutes.

Stream below, and subscribe to our podcast here.

[00:00] Vampire Weekend - “Hudson”
[02:32] Charles Bradley - “Crying In The Chapel”
[04:17] Bibio - “Mirroring All”
[06:18] Destiny’s Child - “Nuclear”
[10:22] Mikal Cronin - “Weight”
[13:44] Tegan and Sara - “How Come You Don’t Want Me”
[16:01] kitty - “ay shawty 3.0 (feat. lakutis)”
[20:38] Beach Fossils - “Sleep Apnea”
[22:28] Foxygen - “In The Darkness”
[22:30] Foxygen - “No Destruction”
[22:32] Foxygen - “On Blue Mountain”
[22:35] Foxygen - “San Francisco”
[22:37] Foxygen - “Bowling Trophies”
[22:39] Foxygen - “Shuggie”
[22:41] Foxygen - “Oh Yeah”
[22:43] Foxygen - “We Are the 21st Century Ambassadors of Peace & Magic”
[22:45] Foxygen - “Oh No 2”

Matthewdavid + Diva

“Live @Mercado Negro in Aveiro, Portugal”

Fresh off they’s European tour, Matthewdavid and Diva bring you a heavy six-minute and 45-minute pair of songs. The first song reels that warped Matthewdavid absorption power around Diva’s wandering bass lines, and listeners are all thinking about tapping out, but the sheerness of their mutual immersion of sound keeps minds grounded and at peace. The second, MD lays down the tastiest of vocals, bassed by Diva’s intuitive rhythmic variations, encircling nods and ears: “[Live @Mercado Negro in Aveiro, Portugal].” Ooo, boii, MD really brings it toward the end here, too. Like the mellowist amp-up track ever! Can’t wait for a release of Matthewdavid’s vocal debut and (please, please, please) recorded/released documentation of his pairing with Diva. Diva has always crushed, both with her two prior releases, The Glitter End and Moon Moods, but that’s mostly her own stylized stuff. Diva on bass is an entirely different goddess. Both beings belong making music. <3

• Matthewdavid: https://soundcloud.com/matthewdavid
• Diva: http://divaprojections.blogspot.com

  

CHOCOLATE GRINDER is our audio/visual section, with an emphasis on the lesser heard and lesser known. We aim to dig deep, but we'll post any song or video we find interesting, big or small.