Goldrush Music Festival
2013 Companion Cassette [Side B]
One of the most earnest things you can experience is witnessing people converse in a language neither party is native to speaking. The situation is so genuinely endearing that the development of the conversation becomes that of voyeuristic intrigue, and then you pump your gas full, drop the cap, bend over to pick it up, and your Goldrush Festival 2013 Companion Cassette pops out your shirt pocket, landing on Side B. And helllll yes, it’s reeled to and ready to begin.
SMASH CUT TO: September 27 and 28, 2013, sittin’ on a stool at Sidewinder Tavern or Crash 45, and you trying to talk to your best new pal while ringing rips through your ears after [anyone on this list] just pummeled your psyche, and neither of you know whether it’s noon or midnight. But it don’t matter, ‘cause the language of smiling and laughing is way deeper than just observation. Yet, making the trip out to Colorado and being a part of a culture that people are all in and out and transient feels good in connection to natural enjoyment, happily honing in new auras and vibrations.
So, in continuation with last week’s Side A of the Goldrush Festival 2013 Companion Cassette — Goldrush Music Festival, by the way, is being put on by our very own Strauss and features the likes of Cop Circles, Giant Claw, Lee Noble, Derek Rogers, Thollem Electric’s Keyngdrum Overdrive, and a birth-load more — Tiny Mix Tapes is proud to introduce Side B! Two-day passes are still available, which includes a free Goldrush Festival 2013 Companion Cassette, but iffin’ ya can’t make it out and still wanna grip a tape, hit up Planted Tapes to pre-order one now, shipping October 1!
In the meantime, hit up that young Side B below:
[00:00] Cop Circles - “Sound Delivery”
[04:00] Accordion Crimes - “Ivey”
[07:32] Lee Dockery - “Drop”
[11:40] Saguache - “Discovery Bell”
[18:04] Giant Claw - “Jersey Christ”
[24:29] Pythian Whispers - “Séance Frequency”
[29:20] The Kevin Costner Suicide Pact feat. Crawford Philleo - “Vibe Drone 2”
[36:20] MV & EE - “Green is the Colour”
“Song for the People of Syria”
Here at Tiny Mix Tapes, we tend to talk about social, political, and cultural contexts as much as “the music itself,” but in the case of Dustin Wong’s “Song for the People of Syria,” the work has been done for us. It’s in the title, and the depth of meaning and emotion behind the track, with regard to the crisis to which it refers, is communicated through Wong’s rare reliance on vocal loops to form the song. That choice alone makes the song a standout, both musically and worldly. Listen to it here:
Wong’s latest album, Mediation of Ecstatic Energy (TMT Review), is out this week on Thrill Jockey.
“The Loin King”
Like smashing your nose, blood rushes to your head/face immediately and immensely. A blur of this magnitude hasn’t happened since ‘02. But dancing like you’re drowning helps take the pressure off your mind. Feeling the frenzy has never been so overwhelming on all muscles in your body. Your sinews and proteins are ripping together, building a tensely hard ball of groove in your core as sweat beads pool in a crown around your head; eyes roll back and submit your mind to song. You have become “The Loin King” on this club floor.
Instead of bowing, attendees and witnesses are all following your moves and creating an aura of heat through all the movement. White tees become nipples. Head bands melt. Chest paint was once on faces. Shoes are off and elsewhere. Something is yelled about cocktails by the back bar, but the exclamation fades like a sample within the music. Nobody moves in any specific direction. Everyone is both stationary and flailing. And it’s more than art or movement. It’s life in the fullest. It’s PARADISE 100.
100% Silk won’t stop until they got the whole world dancing. PARADISE 100’s four-track 12-inch comes out on October 1. Also, scope the new pink silk vinyl cover art!
• 100% Silk: http://www.listentosilk.com
Half Measures [mixtape]
Historically speaking, Armand Hammer was a wealthy industrialist and art collector who chaired Occidental Petroleum, pissed off his PR agent, and rubbed shoulders with numerous Soviet and American politicians, surely hatching many a nefarious self-serving scheme in the process; conspiracy theorists be damned.
Today and from here on out, Armand Hammer is a Brooklyn rap duo consisting of billy woods and Elucid, who — between Dour Candy and For Madmen Only — are already individually responsible for two of 2013’s best albums.
Today, I will repeatedly stream their debut mixtape Half Measures, wondering if the title comes from that Breaking Bad episode. It must, right?
Tomorrow, I will continue eagerly anticipating their debut album Race Music, coming October 22 on Backwoodz.
Shut the fuck up, Danny Brown! JK JK JK. But doesn’t it seem like we’re posting about another new Danny Brown track or collaboration every week? But hey, it’s cool. It’s not like Danny’s long-awaited follow-up, Old, is out yet or anything. So, in the meantime, we have a video for album track “Dip,” produced by his partner in crime and Bruiser Brigade associate Skywlkr (“the white guy at all the Danny Brown shows”). And, of course, it all sounds very Skywlkr. So Skywlkr in fact that it sorta kinda lovingly regurgitates the frenetic beats from “Witit” and reconstitutes them into a club-friendly party jam.
Old is out on September 30 via Spotify. It’ll hit stores on October 8.
Nine Inch Nails
“Find My Way (Oneohtrix Point Never Remix)”
Nine Inch Nails, who released Hesitation Marks earlier this month, tapped Oneohtrix Point Never for a remix of “Find My Way,” and, predictably enough, the result is fantastic. Instead of abstracting the song, Daniel Lopatin remixes the track in a way that further accentuates the melody and articulates the chord progressions, replacing the crunchy drum programming with an adventurous set of sounds that alternate between pointillistic synth pulses and beautiful organ washes, heightening the drama considerably by the remix’s midpoint. The latter half, however, inverts the original by stripping away the noise that otherwise obscures the vocals and again emphasizes Reznor’s lyrics, letting the song finish peacefully and spiritually. Check it out here: