Following his Contrail EP on 12k, Kane Ikin (of duo Solo Andata) is set to release his debut full-length this month, Sublunar. On this album, Ikin seems to be taking a particular interest in the awareness of being tied down to mythology (“Titan,” “Oberon,” “Hyperion”) while desiring to go beyond it (“Slow Waves,” “Ebbing,”). If his track “Prometheus’ Trail” is explicitly intended to signify this feeling of striving (Prometheus being a Greek mythological figure who represented a quest for knowledge), then perhaps opening track “Europa” (the sixth closest moon to Jupiter) represents the destination. But Ikin’s emphasis on “Europa” is not on the deterritorialization and subsequent reterritorialization of its music, but on the processes through which these acts are materialized. In other words, the music on “Europa” doesn’t sound like what one might imagine the music on Europa to be: by taking choral music and deconstructed club beats into darker, bleaker, desolate realms and situating them in the context of failed transmissions and interrupted communication, Ikin is instead foregrounding static, obfuscated rhythms, warped textures, the process of reification itself. It sounds at once futile and noble, and it’s all paralleled beautifully in the video below for “Europa”:
Look for Kane Ikin’s Sublunar September 18 on 12k.