Talibam! x Tom Smith
The Flux Rectorate [preview]
Tom Smith is the founder of the now-defunct music collective To Live and Shave in L.A., a group responsible for the insanely fantastic anomaly (not really) that is 30-Minuten Männercreme (1994) and a group that has featured everyone from Andrew W.K. and Thurston Moore, to Don Fleming and Weasel Walter. Yet despite TLASILA’s quiet yet deep-rooted influence, and despite Smith’s vibrant and multifarious activities of music-making (Rope Cosmetology, Boat Of, Ohne, etc.) and music-releasing (via his imprint Karl Schmidt Verlag), he has always existed in an aesthetic vacuum. Even his latest projects require proactive fans to discover (Did you know, for instance, that he’s in a trio called Psychotic with Kevin Drumm and Aaron Dilloway?).
One of those projects sees Smith looping and manipulating fragments from Talibam!’s 2012 rap album, Puff Up The Volume, a spirited approach to appropriation that Talibam! themselves have been taking to artists like Frank Ocean and My Bloody Valentine in their Launchpad series. In a way vaguely similar to his work in To Live and Shave in L.A., Smith energizes the music “at the juncture of aesthetic revulsion,” the original material itself being a source of distate and repugnance, a sort of revitalization through estrangement.
Listen to a preview from Smith’s upcoming The Flux Rectorate, his “Launchpad” version of Talibam!’s Puff Up The Volume, here:
Meanwhile, stay tuned for more Launchpad versions both from Talibam! and of Talibam!’s music. And like I said, Smith has a lot of things going on, but one of the more visible ones was the recent To Live and Shave in L.A. box set released in April on Monotype.
• To Live and Shave in L.A.: http://toliveandshaveinla.blogspot.com
• Karl Schmidt Verlag: http://karlschmidtverlag.blogspot.com
• Talibam!: http://talibam.bandcamp.com
• Critical Heights: http://www.criticalheights.com
D/P/I = DJ/PURPLE/IMAGE = HEAT WAVE = Alex Gray, and ESPRESSO DIGITAL is his latest offering, a 15-track mixtape that’s so good it hurts. It warbles, fidgets, and pulsates with the best of his music, impressionistic rhythms, flecks of digital ephemera, pitched-down tunes, even a wedding vow punctuating something understatedly moving deep within its core, despite its often minimal and distanced approach. This is Alex Gray (1/2 of Sun Araw) entirely in command and in the zone, the sound of electronic music kicked out of the club, shuffled into a claustrophobic alleyway, and digitally processed to his own redacted frequency.
Lyrics: Right now, as I stand here, you are the other half of me. The better half of me. Since I met you, you’ve been my third arm, my second heart, and my second set of ears. But tonight after we say “I do,” all that will change. The word “other” will no longer exist in our relationship vocabulary. Tonight, we will become one. Our hearts will beat in perfect unison; our eyes will blink the same speed. For the rest of my life when I wake up in the morning, your hair will be the first thing that I smell, and your skin will be the first thing that my lips touch and kiss; and tonight, I am giving you the key that unlocks every door inside of my body. In this moment, I promise to always defend you, and to protect you, and I give you my word that I will always do my very best to make you laugh, and to keep your cheeks sore from smiling so much. I will cook you breakfast and we’ll watch classic movies together. I will be an amazing father to our children one day. I will make sure that they know how much I love their mother. We will travel around the world together. We get to watch thousands of sunsets together. We will grow old together and watch each other’s hair turn grey. I promise you this, that I will always look at you the same as I see you today. I will tell you every day for the rest of your life how gorgeous you are. I will always sing for you until the day that I die. Even when I am 80 years old, I will still ask you to dance with me, when there’s no music in the room.
• D/P/I: http://chanceimag.es
Chocolate Grinder Mix 80
Six-Inch Cold Cut Combo
When I made this Choco Mix, I was thinking about experiencing seasons out of order, wintry songs sustaining their climates in summer, season-less nethersongs, peely stickers on overheating synths, corpse-cold hot licks, sweating through multiple layers, tempo changes as scalding water, hot-flash nostalgia, lukewarm desire, fans in concert halls, air conditioner hum, heating pipe clang, billowing dry ice, chicken soup spilled on tile…
Then I got hungry and upset and walked to Subway.
Stream below, and subscribe to our podcast here.
[00:00] James Ferraro - “Dove”
[03:35] ™CENTURY - “HD Window”
[06:15] Blanche Blanche Blanche - “I Circle Near”
[08:22] Synek - “Oddech” [excerpt]
[09:03] Miaux - “Stare”
[12:15] Jace Clayton - “Gay Guerilla: Part IV”
[15:15] él-g - “Grand Huit”
[18:15] Dean Blunt - “Y3”
[19:46] Stefano Pilia - “Stand Behind the Men Behind the Wire”
[23:01] David Newlyn - “Piano Piece”
[24:30] The Masque - “Mirror Secrets”
From the fertile mind of Spanish producer Albert Zaragoza comes RIA EKIN, a new project that operates as a backward hex against hypercapitalism and global systems of control. Described as “EDM for the huddled masses,” RIA EKIN makes eclectic, exploratory, entheogenic dance music designed to introduce a virus into the multinational corporate military-industrial-entertainment complex. The debut self-titled LP is due out digitally on June 21 via Interscape Records Limited, who provided TMT with an exclusive preview track entitled “SEARCHING FRIENDS.” Stream or download below, and get ready for the album to drop like a 450-pound Predator Drone payload.
“Come Here” (ft. Miguel)
Bet you weren’t expecting this, were you? Instead of going the whole slow-motion, all-white everything, Director-X-helmed visual route for his slinky Miguel collab, “Come Here,” Talib Kweli decided to get a little freaky and call in Galen Pehrson — the animator behind the Disney-on-acid visuals for the Death Grips cartoon “True Vulture.” The painstakingly-crafted result is a love story between two Ancient Egyptian deities, presented in hyper-saturated technicolor. Not to get all mythologically nitpicky here, but I’m pretty sure the two lovers in question are Anubis and Isis, a pairing that is SO NOT CANON. But then again, Pehrson’s version of the Old Kingdom also includes Medusas and drowning emojis, so historical accuracy probably wasn’t his main focus with this clip. And really, I’m not complaining — Kweli’s video for “Come Here” is as much a triumph as the song itself, and the left-of-center approach definitely pays off. Definitely check this one out.