“Chain-Link Fence Around the Sun”
Did they ever call him “Nervy Nerviano” when he was a little kid? OK, that was almost too easy, but I just had to ask after hearing Syracuse musician Andrew Nerviano’s latest project: a lap steel-based, nervous wreck of a tune under the new guise of Telepathy News. The jittery jungle drums, elastic bass, and shredding gyroscopic guitar melodies help sculpt what is (at least that I know of) the second project of Nerviano’s to hit headphones in 2013, the first being an incredible tape release as The Inverted Orange for Prison Art, and all of it on the heels of a stint with the sadly defunct Sarongs. Per his usual MO, things here spin and spiral themselves out of control with an alarming efficiency. But it’s really the vocal melody that hooks it, carrying the track into a black hole of riffs that go ahead and blast it all to hell.
Although this one is sort of flapping out in the breeze of SoundCloud town all by its lonesome, rumors are being encouraged by Nerviano and associates as to the possibility of a release containing this and other brain-benders to come on Velidoxi Records in the near future. So next time you have the ladies over for bridge, you know exactly what to gossip about.
• Telepathy News: https://soundcloud.com/telepathynews
I was too busy on Halloween first chasing after a toddler dressed as Hello Kitty cracked out on sugar and then passing out while watching Cronenberg’s The Fly to eventually notice that Australian creepers Portal slipped a gnarly video out into the world of the track “Curtains” from this year’s badass Vexovoid. Noisy/Vice premiered the video, which is about as dark as you’d expect, given the band’s penchant for spooky theatrics.
Later that evening, under the ocean’s “Mellow Moon,” wetsuits gathered and knelt before a heavily wired, networked, and chipped alter built upon surf boards and wet sand. A bummed-out sermon vibes with lightly crashing waves and someone fuck-plucking their guitar in the SUV. Hands are cut on coral and brought to the temple of PC Worship towering before them, dripping red into the holy electronics. Surges of spastic electricity flicker throughout, and this “Mellow Moon” becomes a beacon of blood-shot shine. Raised hands jazz-out shake, and a reign of increasingly chill shimmering seeks to sway all surrounding surfer mopers.
C. Spencer Yeh / Okkyung Lee / Lasse Marhaug
“The Mermen of Poetry”
In case you haven’t noticed yet, we here at TMT are pretty stoked for C. Spencer Yeh, Lasse Marhaug, and Okkyung Lee’s appropriately named Wake Up Awesome to come out. I know that the day this record gets released will be the day I wake up most awesomely, but for now, the rest of the world and I will just have to settle for waking up to two-fifteenth’s awesome since the trio has dropped another track of sweet brain-frying noise on us.
Continuing with this group’s commitment to awesomeness, the name of this piece is “The Mermen of Poetry,” and it shows a slightly different side of the trio’s work compared to “Throw Down the Fishcake / Anise Tongue and Durian Wet Dream (Edit).” “The Mermen of Poetry” still manages to work the trio’s sounds into a delightfully chaotic amalgam, but there’s much more restraint and space with this work. “The Mermen of Poetry” begins pointillistically, with Yeh’s extended vocal techniques and Marhaug’s skittering electronics blending almost imperceptibly to create a textural bed that Lee proceeds to emerge from. As a result, Lee steals the show on this track in many ways; it’s amazing to hear how she alternates between decidedly soloistic passages and a more textural/gestural role.
Wake Up Awesome is out November 19, but you can preorder the LP or CD now from Software mother-label Mexican Summer.
Tabs Out: Laser Focus #1
Tabs Out is an all-cassette podcast that’s been documenting the prolific tape underground with joyful obsession and humorous expertise since 2012. Tiny Mix Tapes has teamed with Tabs Out for a show called Laser Focus, in which tape aficionados/fetishists Mike Haley, Dave Doyen, and Joe B hone in on a specific label or artist. Check out the archive here.
On the inaugural episode of Laser Focus, Tabs Out talks with Headboggle about his Krautrock past, collaborating with his father, and setting up synthesizers on his bed. We also play a sampling of HB cassettes on Baked, Hyperdelic, Excitebike, A Soundesign Recording, and Tusco/Embassy.
Headboggle doing the sad-face hunch-over at The Lab in San Francisco, CA
More Headboggle gear
“Live at KFJC” cover art by Bonnie Banks
Cover art by John Elliott for self-titled release on Spectrum Spools
DJ Sí Sí Sí Gracias & D/P/I
“HALLO WEE TWENTY THIRTY”
Drawing upon the raw energy of Alex Gray (D/P/I) and the funk-inspired spastic control of Cameron Stallones (DJ Sí Sí Sí Gracias), “HALLO WEE TWENTY THIRTY” comes at you filth-live recording style. It’s nearly 15 minutes of mind gunk intended to clog each creative vessel within your brain’s crevasses. Synaptic nodes snap and spin out of control like a loose fire hose aiming full-blast at the toilet. Mess and mayhem ensue the mind in sheer electronic grime, stretched across a spectrum of universal hearing.
Influence is negated here, the sense of time filters being, and transcendence of the physical breathes in a mode of abstract dance. Catch yourself falling into the circle swaying next to the stage. Slam your head against the nearest speaker, either on purpose or by accident, and finally understand the mentality and deposition of the flow and feel DJ Sí Sí Sí Gracias & D/P/I possess together. Get your best twerk flowing, and feel their live colab “HALLO WEE TWENTY THIRTY” below: