Ford & Lopatin
Daniel Lopatin, the man behind the genius of Oneohtrix Point Never (who is set to release a brand spanking new one in November), also makes music with a guy named Joel Ford. They used to be called Games, remember? As Games, they released a stellar EP called That We Can Play last year, which took the whole 80s revival thing to an entirely new level. Earlier this summer, they released their first full-length album under their new, straight-forward, even more 80s-sounding name, Ford & Lopatin. Channel Pressure (TMT Review) was released on their own Brooklyn-based imprint of Mexican Summer, called Software.
A few days ago, Adult Swim premiered this new video for one of the more catchy tunes from the new release, entitled “I Surrender.” It was directed by Danny Perez (the crazy mo-fo who directed the mind-boggling Animal Collective film, ODDSAC), so of course it’s wacky, weird, and totally trippy. And that psycho girl in it is Natasha Lyonne from American Pie!
• Software: http://www.softwarelabel.net
With the ghost of post-punk lurking underneath the floors, NY duo TJ Richards and Yuchen Lin make focused tumult of shifting styles and segments with drums, blown-out electronics, and plenty of samplers on their debut EP, Slow Pageant. Part The Ex, part Deerhoof, a dash of The Dead C attitude, and the equivalent energy of an entire marching band (you can actually hear it), Trabajo make all their work seem like a lot of fun. That was a Spanish language translation joke there. Forgive me. This thing is available as a 3-inch CD-R on Murfreesboro, TN label Kimberly Dawn.
“Sunday Dumb Day”
At a recent show in L.A. (disclosure: at my house), sneaky snakes George Jensen and Ian James wired up somewhere between five and eight keyboards across a couple tables and chairs with various speakers, mixers, and junk growing up out of the corners — everything that happens to a living room when there’s a house show; they were practically building a fort of keyboards. Then George changed into this frock, looking like a Sherpa about to lead us on a treacherous mountain path, and everybody in the room settles on the floor, staring up as if someone’s going to read us a story; the lights go red, and they let rip… not a screaming assault of noise, not a psychedelic freak out, but a slow-motion sonic river of soft-as-snow notes that lulls us all to trance. In his hat, George is climbing on some piece of furniture and holding up this kaossillator to the sky waiting for a lightning bolt, but it’s just this gentle wash unfolding like jasmine tea pearls. It was a great show.
Sneaky Snake have a new tape called The Sprawl, which they describe as “hot slow jams for the megalopolis,” out this week on Dance Craze Records.
Hans-Joachim Roedelius, the cute half of one of the greatest groups of all time (Cluster, bitch!), is teaming with Stefan Schneider (Mapstation, To Rococo Rot) for a new album, Stunden, due on Hamburg label Bureau B. Read more about the album in Mike Reid’s news post, but for the love of Czukay, listen to “Single Boogie” first.
Girl/Boy bands are as common now as female adult-contemporary singers were in the 90s. Videos involving cinematic melodies like “Two Cousins” need more statement than song or at least contain a stigmatized dance routine. In general, video changes personal perspective of everything. This is why people hate movies adapted from books (duh). Of course, this only shows how everything has some sort of companion (Alexander Slotnick, Lee Michael, Kmmy Gbblr).
None of this is bad, though, concerning “Two Cousins.” I couldn’t remember the aforementioned Annie Lennox link and may have lost sleep over it. Maybe I got so worked up (Sunday into Monday afternoon) that when I found it, everyone at my office had the song stuck in they’s head. Guess what, Slow Club. Ten years from now, someone somewhere in Hempstead, NY will be finally finding this video after five cups of coffee consumed as fast as these dudes’ move they feet. Find Slow Club’s next album Paradise on Moshi Moshi Records (released yesterday, September 13), and let it consume you.