It’s constant madness to continue building my cassette collection. I want specific sounds/moods, and the length has to be just right. There’s only a specific amount of slots I have on my rack before I have to start selling ‘em off too. Also, if I continue to listen, the further these tapes will degrade and warp; I only buy music that’ll enhance that effect later. So, to make the cut means a lot. Call me biased, but it seems Britt and ‘Manda over at Not Not Fun know my ear bone way well. After scoping Samantha Glass’ 2011 Digitalis and Not Not Fun cassettes, Glass’ fourthcoming release, Midnight Arrival, should be a keeper. Mmm, all this late-night driving music makes my foot heavy. #neonlights #wavingalot #windowcracked
Sun Araw Vs. Heat Wave
“Open”: This Is the Literature Mix - Disco Hermetics
Heat Wave wins! No use telling you why; just hear it for yourself. Even though this is a “versus” mix, it’s more like a pillow fight mashup of your porno soul soundtrack, mom’s smooth jazz, and pop’s funk R&B. But you know this mix was probably made during their last tour in Australia with Prince Rama. Now, I’m not necessarily happy about Sun Araw losing this match. But there’s a mini-depth to Sun Araw: keep Cameron Stallones in Sun Araw and remove Sun Araw as DJ. Though, I’m sure there are plenty of people out there who would want Cameron Stallones working at a new-age crystal shop rather than taking their girlfriends.
A proposition: Sascha + Julienne = Saschienne. Egon Schiele? Nah, but equally intimate! They’re husband and wife, you see, and though their featured track, “Unknown,” blazes through your wifi darkly and with a slightly sexual sheen, there’s a certain romance to the thing. He — the acclaimed Mr. Sascha Funke (Mr. Funke?! Nah, but equally… uh… rhythmic?) — has been hailed as “one of Germany’s greatest Techno auteurs,”, while she — Mrs. Julienne Dessagne — is a contemporary piano player and semi-professional dancer. Together, they sound fully prepared to go head-to-head with Geoff Barrow and Beth Gibbons. Saschienne vs. BGGB. A nice symmetry and balance, no? But back to the track: Saschienne is clearly the project of practiced hands. Mature restraint, subtle mounting sounds, tasteful and tasty timbres. As you listen to “Unknown,” it’ll become clear that somewhere out in the pulsing glow of space, certain stars have aligned, and in that precision Saschienne was born.
The album, also named Unknown, will be out on March 26 from Kompakt.
Odd Future has released the first video from their forthcoming group album, OF Tape Vol. 2. Produced by Left Brain, “Rella” features the beautiful poetry of Domo Genesis, Hodgy Beats, and Tyler, The Creator. The video’s especially safe for work, so consider using the office projector.
• Odd Future: http://www.oddfuture.com
“Grow Each Other”
Last year, Georgia group Bird Names released their fifth album, Metabolism: A Salute to the Energy of the Sun, on Northern Spy. It was a completely unrefined, lo-fi shit-brew of melodic quirk and rhythmic oddbeats, garage-kraut twang and demented-pop. And it was fucking great. “Grow Each Other,” the album’s third track, just got the Vimeo treatment. As you’ll soon see, the video, directed by Francis Carr, is a perfect visual representation of Bird Names’ aesthetic: bright, pulsating, and jarring. Check out the video above, and head over to Northern Spy to pick up Metabolism, as well as new albums released last week from Donovan Quinn and the Charles Gayle Trio.
In 2010, Finnish composer Olli Aarni (cool name) called himself Ous Mal (even cooler) and released a lovely record called Nuojuva Halava (coolest). Apparently, Aarni realized that his album name sounded totally awesome and decided to change his recording name to Nuojuva (super fucking cool). Under this new moniker, Nuojuva will release a new album entitled Valot Kaukaa March 27 on Preservation Records. So this means that sometime in 2014 this guy will call himself “Valot” and release an album called Nivekken Whompidompus… or something.
But until then, we have the cozy aimless bliss of Valot Kaukaa to keep us company. Comfortable lines of flute, piano, and muted horn dance together atop crackling faraway vocals, which are iced with layers of birdsong and delicate guitar in “Laakso” (which reminds me a lot of the fan who sits on the other side of the room from me), and is also streaming on the label’s site.