Stoned: fresh insomniac house from New Delhi. Hashback Hashish is the emphatically pro-ganja moniker of Ashish Sachan, who’s been churning out thoughtful dance-floor bangers since 2005. Stoned is his second full-length, getting its release after deep-hazed, sleepless nights, and intercontinental time zone drifts between appearances at SXSW and IndiEarth Xchange last year. Sure enough, the release starts off slow within that zone between dusk and dawn, where the occasional rude scrape of an analog synth along the eardrum reminds that you’re still conscious in the dreamscape of canned piano licks and stock four-on-the-floor subs. Highlights include the album’s centerpiece “Burn,” a murky low-end slowburner done with Serbian producer Minitronik, and “Comfort,” a disassembled arp-funk jam co-produced by fellow Delhi sonic sculptor Audio Pervert of Teddy Boy Kill.
Stoned dropped online at the end of 2013, and gets a worldwide release January 31. Keep an eye on Hashback’s label REProduce for updates and more far-out sounds from the Subcontinent.
Early next month, 200 LPs and 100 cassettes will be released into the wild by short-run label Soild Gold Recordings. The records and tapes will contain music made by multi-instrumentalist Eric Slick, who’s probably most recognizable as the drummer for Philadelphia rock outfit Dr. Dog, but has played in countless other groups and has a sizeable catalog of solo work. This time, he’s not on his native drum set, but has picked up a dusty old steel-string and is going all Americana ape-shit on it. Our first taste of his new release Out Of Habit is a track called “Release” and is accompanied by a splendid video that was created with the help of Zia Anger (who has directed fantastic videos for TMT-faves like Julianna Barwick, Jenny Hval, and Angel Olsen). A breakfast-time daydream features classic American scenes of misty farmlands, grungy girls dancing, creepy masks, and good ol’ close-up footage of people getting pied in the face. Slick’s free, intuitive handle of the guitar is comforting and natural. Get on the Soild Gold Recordings email list and find out when you can snag a copy for yourself.
• Erick Slick: http://ericslick.com
• PIAPTK & Soild Gold Recordings: http://piaptk.limitedrun.com/products/521264-soild-gold-00001-eric-slick…
Blackhoods await in lethargic patience. Violent wind whips around their robs and dark cloth snap and echo in abandon. Dirt scrapes along the forest floor. Crickets chirp, but are heard merely as a feint steady rhythm to the blasting wind. Screeching notes seer in pensive fury around limbs, trunks, and branches, Blackhoods stand firm in the gust of weather. Then outcries the “Doomhound.”
All at once, their robes are caught from under their legs and are ripped off them both. And as a match catches light on the rough-strike pad, Blackhoods – once robed – are now ablaze, raising their hands open, beholding the moon between fingertips. Flames flicker into blue and white as their skin sizzles and silence swelters. Being is believing when the “Doomhound” sirens for a kill: roasted.
Stream”Doomhound” track tease below off the new Blackhood’s tape Sunk on Not Not Fun that came out close to the end of the year.
“Forward Action” / “This Kind Of Setup”
Parisian-club gawd French Fries has released two (inter)stellar sneak-peaks promoting his forthcoming LP release Kepler. The two tracks “This Kind Of Setup” and “Forward Action” propel French Fries’ delicate and heavy-hitting style, manifested in favorites like “Hugz (feat. Bambonou)” and “Yo Vogue,” into the extra-terrestrial. Perhaps alluding to the developing Night Slugs aesthetic overseas, “This Kind Of Setup” and “Forward Action” employ corrosive galactic percussion grooves and eerie high end synth decor. In “Forward Action,” a driving boom pushes the track steadily through a marching, computerized chant. As with the rest of French Fries’ œuvre, “Forward Action” and “This Kind of Setup” provoke a powerful inclination to dance. Kepler will be available Feb 24 through Clek Clek Boom, a label co-piloted by Fries himself. Listen to the two sneak-peaks below:
Chocolate Grinder Mix 100
Meeting people is like kicking yourself in the face. It’s like, “Hey, this is how fucking weird I am. Can you get down with that, or (inevitably; without question; don’t stop me from asking) will I walk away with a crippled mentality?” The liar is completely comfortable in new situations. Depending upon how much ego you can excrete upon your mind grapes, fluctuation in reality is sheer mystery. ‘Cause there’s never any way that happened, nahh. Creativity is all about placating a collective world view. Let’s be this person. I want to have interests. Can I understand what you’re saying? Probably, on a level of, “Okay, what does it matter?”
Venting, meanwhile, is like the juice one squeezes into laughter on an iffy day. Is it chill if we just pumped? Put down the pen and get along with the crowd around. Unless you’ve breathing problems. I can understand that. Wet boxes. More than 200 lbs. of metal to lift up 20 steps at a width of [exact size]. Sweat dripping and sticking to the fat around your ventricles. Heartburn is entirely different when the organ is making its way up and out your throat/body. Internal evacuation has nothing to do with Loa and is entirely involved with the meaning of disembowelment. Sacrifice is the ultimate form of flattery. Hi!
Stream below, and subscribe to our podcast here.
[00:00] Future X Mike WiLL - “Bugatti Interlude”
[00:36] Lil B - “Twerk Sum”
[03:00] Gunge - “I Am Sorry
[04:43] New Dreams Ltd. - “Gone”
[05:19] French Montana - “Ballin”
[05:47] AHNNU vs D/P/I - “WST.00”
[06:38] Boy Fruit - “GROWN A$$ MAN”
[07:36] PARTY TRASH - scrapped - 18 knockin
[08:29] Tink - “The Confession”
[09:29] Anne Guthrie - “Branching Low and Spreading”
[09:29] Nicola Ritta - “b2 1015”
[09:40] Arrington de Dionyso - “Insect Sounds in Central Sulawesi”
[09:42] Atrocious Neighbour - “Tama Night Crawling”
[09:42] C L E A N E R S - “Slumtown Symfunny”
[11:03] Jared Leto - “Golden Globes [Intro]”
[11:13] The Savage Young Taterbug - “Hillbilly French”
[11:17] Infinity Frequencies - “Flesh”
[13:18] BONES - “Lightning”
[14:46] D/P/I - “STON E”
[15:45] Beat Detectives - “The Sickness”
[16:51] Bookfa - “PRESS BOOKFA PRESS”
[18:24] Signor Benedick The Moor - “Nihilistic Neoclassical Narcissist: American Beauty Part One”
[20:01] The Crystal Method - “Over It (feat. Dia Frampton of Meg & Dia)”
[20:30] Seth Graham - “Describing Keith Rankin”
[20:51] acemo - “Open Close”
[20:59] E-40 - “Stompdown (Skit)”