Tigerwing x Barnaby Bennett


Peering out the wilderness of Canada, ‘xela pops off at lounge-pace relaxation from the minds of Tigerwing x Barnaby Bennett. Which is opposite of what the teaser trailer made listeners think, however, it looks like the two took everything from ‘xela and smashed it into one entire one-minute bit:

In ‘xela, Tigerwing x Barnaby Bennett paint sound with colors used from the unknown, drawing upon vocal technique and collaged melodies to transgress both MC hoarding and mixer mania. There’s a LOT going down in ‘xela, but contrary to how that reads, Tigerwing x Barnaby Bennett stabilize their functions to please listener’s to ears. Most importantly, their plethora of sounds together do not sound like a struggle. Seamless doesn’t even correctly pinpoint their initiative here in collaboration. Though, the intent of this being a collaborative project is all the more valuable to their work together, considering the sheer amount of solo musicians who never reach out to jam with others; ‘xela is the shining example of why working together in music changes/progresses art.

So grip on this major rip ‘xela by Tigerwing x Barnaby Bennett below, and become relaxed as part of the journey unfolding:

• Tigerwing: http://tigerwing.bandcamp.com
• Barnaby Bennett: http://barnabybennett.snack.ws

Rollin Hunt

“I Love You More” / “Whirlpool Girl”

A record that I’ve been pretty obsessed with recently is Rollin Hunt’s The Phoney (TMT Review). On that album, Hunt beautifully focuses on the minutia of everyday life and often renders it darkly humorous with lush arrangements that powerfully punctuate his wry observations. Even though Hunt’s songs on The Phoney are often subtly strange and sarcastic, the songwriter’s two new singles, “I Love You More” and “Whirlpool Girl” fully embrace these elements of his sound.

“I Love You More” is musically similar to the expansive arrangements on The Phoney, but Hunt’s manic vocal performance pushes the song into glorious Ween meets Mercury Rev territory as he croons and yelps the track’s alternately absurd/touching lyrics with equal parts sincerity and silliness.

Meanwhile, “Whirlpool Girl” (a collaboration with Aimee Goguen) is a delightfully goofy slice of bizarro synth pop that builds until it eventually collapses into hyper synth arpeggios. Where The Phoney often found ridiculousness in delicate moments, these two digital singles do the opposite and further illustrate the breadth of Hunt’s singular brand of pop.

• Rollin Hunt http://www.rollinhunt.com

DJ Rashad


As reported by the man himself, a 20 minute DJ Rashad mix from Japan has allegedly leaked. Though it’s totally unclear where, when, and why this heater of a mix comes from, its qualification as a “Japan Mix” is no wonder given the Teklife god’s heroic prominence there. The 20-minute mix seems to be part of a larger set of sorts, relishing any thirst for footwork divinity in a surefire means of body juicing. Followers of Rashad should recognize a few prime cuts popping up in the mix’s progression, though if your not keen on his juke wave, it’s never too late to get your feet wet, and ultimately vibrate uncontrollably. If you’re nice enough, you can catch DJ Rashad on the rest of his glorious international campaign here. Be sure to bring some clean Adidas. Stream DJ Rashad’s “JAPAN 20 MIN WORKOUT” mix below:




Oh, shit! Weird Cry gettin’ a bit “retro” on listeners with this here Fly by Run, recorded in 2002. Takes you back to them harsh nights on the west coast. Garage amp warmth. Sweated out snare pops. Blistering electronics. Harsh zones of reality. Parents screaming down stairs ‘cause you’re not really in the garage, but the basement. The word “scene” is something that still exists as a clique, and y’all revere it. Never accepting anything less than actual album status. Saying no to every chance you got to be put on a compilation. It’s for the art, yo! Fuck off and cry. Weird Cry? ‘Cause that’s who’s unearthing these past-jams of shattered recollections. Now, Run is getting the attention they once deserved: flailing out them riffs after dousing spliffs and feeling the wave of gazed-out fried Ventura charred noise-punk rock. They felt it all together on Fly, and are now sharing it with you. New eras. Old recordings. I don’t see how that’s in any way different. So snag Run’s Fly CD now at Weird Cry and GET SOME BELOW:

• Weird Cry Records: http://weirdcry.bandcamp.com

Jeff Markey

The We Hours

Do not fear the drum, good fellow. The drums are your friends. Go to them, embrace them, let their pulsing beat guide your steps. You will see. Oh yes, you will see … and hear and feel and smell again. The sterile surroundings of corporate quarantine have dulled your senses, especially that of rhythm. There you’re atrophied, paralyzed even, but not yet castrated. There is hope for you yet. Find it in the drum. Trust in it … and for the love of avant-garde, stop trying to convince yourself that vaporwave is good. It’s unlistenable drivel and you know it. Let’s move on already.

OK, now that that’s out of the way: Jeff Markey is a Brooklyn-based beatmaker and one half of the production duo Surface Tension Beekeepers (the other half being Reservoir Sound founder A.M. Breakups). Apart from his instrumental hip-hop work, Mr. Markey’s production credits include Armand Hammer’s “Native Sun” and “Black Ark” and Hype Wonder’s “Wake,” the instrumental version of which rounds out The We Hours EP streaming below. Press play and remember: the drums are your friends. They will love you if you let them.

• Jeff Markey: http://jeffmarkey.bandcamp.com
• Reservoir Sound: http://reservoirsound.com



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CHOCOLATE GRINDER is our audio/visual section, with an emphasis on the lesser heard and lesser known. We aim to dig deep, but we'll post any song or video we find interesting, big or small.