Editorials [teaser tracks]
Why did people stop talking about Vaporwave? Wait, did people stop talking about Vaporwave? NOBODY knows ‘cause it’s like something you don’t really talk to about. Unless it’s Sarah’s boyfriend “Stoiyven” at Erica’s birthday party in some beer hall on Husdon in the city, and you’re like, “You old, d00d. WHATwave? I ain’t heard of no Mac+.” As I’m wearing that Vektroid/Terminator muscle shirt under my button up, b/c #swag.
Anyhow, I figured as the editor of TMT’s Chocolate Grinder section, it’d be hilariously ironic, or just another day on the WWW, to write about the new release Editorials by The Editor. It’s a clever name too, in terms of a sample-based producer who creates Vaporwave (do I capitalize that?). But WHO makes Vaporwave? Drink another beer. At work. And find out. For yourself. And scope the sample tracks off Editorials by The Editor on Illuminated Paths now. Standard Vape affair. Doesn’t but DOES rip of the ECO VIRTUAL YouTube page at a point. But I’m game. Fuck wit it.
PS: I actually got a vaporizer the other day for my reefer and, like, I think I get the idea that your parents will think your up to ALL good listening to this music ‘cause even if they were to walk in, you’d been vaping, so the smell is that candle you lit by the door, and they’ll offer you a bath and dinner, but you’ll deny the dinner and go straight to that bath for your bikini bod that’s ‘bout to pop the fuck OFF on the beach this summer.
• Illuminated Paths: http://illuminatedpaths.bandcamp.com
“The Clear Realization”
You know John Colpitts from his eternal drum psych-workouts as a member of Oneida, and as the mastermind behind the evolving percussion-oriented ensemble Man Forever — which has featured the likes of Greg Fox and the Yeah Yeah Yeah’s Brian Chase on previous releases of hypnotic extended technique drum performance (e.g., 2012’s luminous Pansophical Cataract). When he’s not clustered around a single snare drum with a friend or two, rolling those sticks unto infinity with improbable discipline, Colpitts stretches out into full kit performance to pour forth his polyrhythmic mantras as the beating heart of a larger ensemble of percussionists.
The video for “The Clear Realization,” a cut from the just-released Man Forever collaborative LP called Ryonen with New England ensemble So Percussion, illustrates the membrane-pounding reality of the conjoined group’s live rhythmic odysseys — complete with gang vocalizations cut loose from the posse. By the end of the clip, you should clearly realize that Colpitts and his collaborators (in this case, the percussion ensemble Tigue) have mastered their instruments, and can toy with intricate rhythms and meters at their own discretion like so much wood putty in so many calloused hands. Directed by Gabe DeLoach, the clip’s concurrent visual distortion jolts the already head-bobbing performance into an even deeper jitter zone. Bob along, and buy Ryonen from Thrill Jockey.
After stepping aside for a Slow Pulse with Xander Harris, Nicolas Nadeau is now back in action under the guise Single Lash. With a lingering guitar, Nadeau croon-haunts his vocals along simultaneously blown-out and crystal-clear drumming as “Dead Inside” builds more like a hollow chant in a shell of a human being. Actually, I heard the fellah built an entire metal statue and recorded “Dead Inside” within it. In Texas. But somewhere remote, you know. It might be still there.
As I digress from what rumors I’ve heard (true or false or non-existent), “Dead Inside” really rings in the moods and harkens some of those classic 4AD dark-tones. It’s like hanging in your favorite graffiti scattered local tunnel/pipe that leads to no water or creek, but is just there in case of a flood. Then you play that new Single Lash joint, Soft as Glass and the shadow of music (music can shadow itself in sound as an echo) begins to swell the obstruction. Don’t fall asleep there on a rainy day, though. DUH! Single Lash’s Soft as Glass will be released May 6 on Pour le Corps Records on tape. Scope out the single “Dead Inside” streaming below:
I was at the show featured in this video for “Katy Perry” with my good pal Mickey Smallz, and met up with Sammy D’Bling and his goons too. There was a dude (or girl, which is still in debate) who was filming the whole time with a GIANT light atop the camera, and Sam mentioned, “Dude looks like a heroine fiend.” S/he did, sorta, but apparently, they were filming for this video here! I thought it was all an elaborate scheme to get the crowd hype, but it’s Lil B, so no-need.
It was my first Lil B show. I was definitely saved. Sam said he enjoyed the spectacle. Mickey ended up with a short stomach flu. The next day he was vomiting with the door closed in my bathroom murmuring, “Task force. Must protect Lil B ‘The BasedGod’ at all times.” *vomits*
Enjoy the spectacular new video for “Katy Perry” by Lil B featuring ME and Sam and pals in the background!!
Neil Reinalda, back to working his ass of to get your ass working its ass off… to ambient music? Sure, why not. As PHORK, the LA-based producer has been sculpting a sound that is as peripherally pleasing as it is intensely focused and detailed, chopping hazy atmospheres and found sounds into restless microbeats for an impressive (if modest) run of cassette releases over the past couple of years. Here, for his debut vinyl affair on NNA (a label he’s worked with twice, previously), that sound is more realized than ever and its intended effect – the tension that comes with the push/pull of aesthetic opposites – is palpably felt; weightlessness feels massive, smoothness feels bumpy, laziness feels like it’s the hardest job in the world. And yes, it is tense, and yes, it is also relaxing: a place where you can break a sweat blinking or where your index finger gets to do its own little dance, disco ball lights strobing across the second knuckle. Today we’ve got the drop on the first taste of High End with the video for “Contact,” a nice visual rendering by Marco Braunschweiler of Reinalda’s rapid fire editing to infer motion, progression, and unity from disparate, dissimilar static building blocks. Peep it below and watch for the record’s release this June. OR scope the SoundCloud here for the “Contact” single.