G Sudden and Bookfa
“DPPY004 in Jamaica” [preview doc]
Comin’ attcha once again. It’s a after-hours at TMT too. But fuck it all. I’m still at work waiting for my ride wishin’ I were there in Jamaica with homies (and Duppy Gun founders) M. Geddes Gengras and Cameron Stallones. This time, they went to Spanish Town and Portmore with produced instrumentals from GENESIS HULL (Alex Gray of D/P/I) and NICE-A-BUNKS (Aaron Coyes of Peaking Lights), and recorded the hottest of fire from G-Sudden and Bookfa. The two songs, “Girls Dem Need Mi” and “PRESS BOOKFA PRESS,” recorded that day have been released on a 12-inch as part of the Duppy Gun series via Stones Throw. Scope out the short video above and find them releases at the links below.
The night sky is a shy creature. We cover it’s shame by bathing our streets, neighborhoods, alleyways, and parking lots with the deep orange nicotine stain of street lights. Some flicker ominously, perhaps appearing as a red blinking dot within a virtual grid via the monitor in front of which sleeps an electrician who will fix it next week.
Many won’t even notice the veil, more like a garish hotel room curtain, because they spend their nights inside, where they can live in permanent day. Nighttime prevails darkness. Darkness entangles uncertainty. Uncertainty sheds fear, and anything we fear should be controlled, right? The stars are all still there, they just need to be found. To experience naked, virgin darkness, the kind Crepusculo seeks to capture on tape (SoundCloud), you need to drive until the city is just a glowing red scab in your peripheral. You need to turn off the radio and listen to the air being pushed aside; you gasp every time wind hits a tree along the side of the rode. You need to get out of your car and walk between the bark and try not to pay attention to where you walking until you have no idea where you are. Do it. Being scared is good for you.
• Crepusculo: https://www.facebook.com/crepusculodarkdark?ref=hl
Midi Jazz Bass
Presented with a SurveyMonkey-style matrix of contemporary electronic music, Chicago-based producer Potions licks the tip of his e-pen to get the ink flowing and clicks a ✔ into all the right boxes:
☑ Dense compositions vertically layered with synth lines and rhythms.
☑ Fluid interweaving of genre signifiers from house, ambient techno, IDM, jungle, trip-hop, psytrance.
☑ Individual tracks cross-faded together into a cohesive set.
☑ Exploitation of antiquated preset tones mimicking acoustic instruments.
☑ A rhythmic grid that straddles the line between tracker robotism and “live” “swing.”
Presented with these survey results, without hearing a single beat, a skeptical listener believes to have heard it all before. After keying the glyphs of a shrugging emoticon [ ¯\_(ツ)_/¯ ] he or she presses [ENTER] and slouches as low as possible in the desk chair.
Presented with the IRL audio of MIDI Jazz Bass, streaming in full below, even a skeptical listener lets a, “Whoa. This,” slip out. Eyes open wider than expected. Feet move. Minds pick up new tricks. Melodies hover patiently in the back of the mix before slinking into the spotlight. Sessions evolve into vibrant lead passages over initial loops. Structural surprises lead deeper down the spiraling walkway to Potions’ subterranean bachelor pad, where lava lamps and strobes shine on, day or night. All the chairs there are shaped like eggs and allow for full horizontal recline.
MIDI Jazz Bass is available now in a limited 12” vinyl edition via Chicago’s Lake Paradise Records.
“It’s merely a photograph,” said the engineer, “Photographs were intended to juxtapose reality.” She sets down the floating image in a dark room next to the train station as hanging sheets shake and drip dry; in a pool of water. “Immersion. And like – try this, here. No, try it,” she stretches out her arm and hand and fingers with powder in it. The powder is blown in your face and flowers forever seem to appear before your eyes, scattering thoughts of alleys and backs of buildings from your youth: hanging around town was a trip in itself once you found out the cracks in reality; the bricks serving ladders atop Main Street buildings, the unlocked basement doors at the gym and elementary school and township building, glue left out by the industrial building, and walking along the sidewalk around 3 a.m. “Photographs, you know?”
Flooding in five years after their last full-studio release, Debt Dept, EXCEPTER comes at listeners with a raring visual speed, laying down “Maids,” their first track off Familiar, their new LP being released on BLAST First (petite).
New Dreams Ltd.
Initiation Tape: Isle of Avalon Edition
It may be a little late for your initiation into the monarchy of vaporwave, but the enigmatic producer Vektroid, the force behind Macintosh Plus, Laserdisc Visions, 情報デスクVIRTUAL, New Dreams Ltd., PrismCorp, and [terabytes of] others since 2005, is the queen of the fleeting faux-capitalist genre. But what better time to start getting into vaporwave than right now? It’s 2014, you guys, and vaporwave is still dying out as the day it was born. So it’s time to continue putting down those guitars and microphones. You can stop beating your palms on stretched-out animal hide now. Just go to your computer and never come back. Hi! While you’re here, enjoy Initiation Tape: Isle of Avalon Edition, a 2014 edit of the artist’s pivotal release from 2011 (released under the name New Dreams Ltd.). It’s a bold initiation to 2014 indeed. Like looking at a painting of the future from the 50s, this music is founded in the past, but gives us hope for what is yet to come.
• Vektroid: https://vektroid.bandcamp.com