Coyote Clean Up x Daytime Television

“McKayla Scowl”

Best cam-version movie I ever downloaded was Crank 2. That grainy camera filter matched the movie’s ambition to continually one-up itself, with a digital smear serving as a reminder of the brash content in this day and age, as well as a subconscious visual censor. The sound was so blown out — holy shit, the limo shootout scene was pure noise: guns spitting, yelling, music on music, squealing tires, glass breaking… they were all “cam’d” at the same volume level.

It’s triply my favorite when musicians do this type of thing. Usually it’s in a sound-mash sort of way, as it is here with “McKayla Scowl” by Coyote Clean Up and Daytime Television, but they went that extra visual step, and that’s exciting. Having musician expression beyond my ears, especially for a song without lyrical direction, is always risky. The visual experience should remain just as personal in thought as the track, but still provide some sort of creative direction in the viewer’s/listener’s thoughts. So bring on the beat and trance, smear it with a little (LOT) of digital presentation doubt, and we’ve the perfect example: “McKayla Scowl.” Also, my boii Daytime Television here is from my hometown Dayton, OH. #Ibereppinmycity

• Coyote Clean Up: http://coyotecleanup.bandcamp.com
• Daytime Television: http://daytimetelevision.tumblr.com

Animal Collective

Centipede Hz [album stream]

Well it didn’t take long for the live stream of the new Animal Collective album, Centipede Hz, to be ripped, split, zipped, and shared across the vast surf city of the internet. But you didn’t hear it from me.

People called Animal Collective’s 2005 album, Feels, their rock record. Probably because it was the closest they’ve ever come to relying on the “traditional” rock combination of drums, guitars, and yelling. It still didn’t sound like rock music, and 7 years later, they haven’t gotten any closer. Which isn’t to say that Centipede Hz isn’t heavier than the castle-bounce lightness of Strawberry Jam and Merriweather Post Pavilion. The boys are once again embracing distortion. And weird time signatures. And spaceships?

This is old news by now, but worth reminding: listen to Centipede Hz at the mysterious Animal Collective website for the full album stream.

It’s good to hear Panda Bear hit that crash cymbal again.

• Animal Collective: http://myanimalhome.net

Tough Fuzz

“For What It’s Worth”

You know, everyone is putting out beat tapes these days. Clams Casino. Constrobuz. That dude from Wavves has that Sweet Valley beat-making side project. Basically every release on Astro Nautico. It’s like this medium that used to be circulated around, picked apart, and repurposed is suddenly being released to the general public as albums, and standing up surprisingly well considering we’ve been trained to expect some mad lyrical poetry over beats this good.

“For What It’s Worth,” from Portland’s Tough Fuzz, is one of the most complete non-rapped beats I’ve heard. With some serious Good Vibration orchestration, it progresses like it’s split into movements rather than verses and choruses. It throws every knob twist, twirl, and click at you along the way, and when that perfect beat fades in at the end, bouncing like a bunch of kids jumping on a trampoline, I just want it to last forever, but it fades as quickly as the summer sun.

While everyone is putting out mixtapes and playlists to try and keep the summer alive, maybe this one is coming out at the perfect time to top off all the summer vibes and to put all this beach-obsessed pop music back into the bedroom in the comfort of air conditioning and the glow of the computer screen.

Listen to “For What It’s Worth” below and look for the full tape in September on Portland’s EWE OF NOW RECORDS.

• Tough Fuzz: http://toughfuzz.bandcamp.com

spf5Ø

“Strange Daze” [feat. ☪♀co ᴐaᴚᴃ☉ᵯᴃ]

Really channeling them Angels in America noise pop vibrations and nut-wave vocals, spf5Ø gives their best impression of snuff film straight-face. That’s jood, I’m jood, we jood with that witch-house backsplash, yeah? I like — no, love — what ☪♀co ᴐaᴚᴃ☉ᵯᴃ did on this track too. Menacing and/or garnishing spf5Ø’s brand of brand in branding darkness. Shadowy shit should shed skin @salamander @shhh. But back to all this witch-house revival. Errp, wait. Is everyone past witch-house now? Can we pull out post-witch or witch-dub? None of that applies to this. Just throwing it all out there, in a general “I can’t handle all this micro-genre shit, but I want it inside me, oh my gawwwd.” Let spf5Ø handle you with their mass amounts of releases here-here-here:

• spf5Ø: http://spf50.bandcamp.com

Mykki Blanco

“Wavvy”

No days off is right, because this video kills it. Check it out: Mykki Blanco scores some pills from a dude in Chinatown and proceeds to go ham in back of a truck and back of a club. She’s seriously unfuckwithable right here, and that means the haters gonna be coming out the woodwork in a minute, just watch. They all gonna be like, “[hateful content redacted]!” But it doesn’t matter. This music is alive, it makes people come alive, it’s made by a person who’s come alive. Comma-splicing enthusiasmmmm. Queer (/queer-friendly) or GTFO! If you’re not at least considering dressing in clothes that you’re supposedly not supposed to be dressing in by the end of this video, you got the wrong feeling, ya feel me? Just dance, already.

• Mykki Blanco: http://soundcloud.com/mykkiblanco

  

CHOCOLATE GRINDER is our audio/visual section, with an emphasis on the lesser heard and lesser known. We aim to dig deep, but we'll post any song or video we find interesting, big or small.