Dive Hard Trilogy
Joao Costa Gonçalves, the man who brought you Mediafired and Sofa Pits, returns with his latest addition to The Exhalers enterprise. The Dive Hard trilogy is based on an animal personification concept illustrated sonically through the experiences of a dolphin, which may or may not have something to do with the amount of time this diligent artist spends underwater. According to Gonçalves, the sea is a most fitting environment to explore these themes because of its impossible density and inscrutable expanse, which crystallizes the perfect setting for his most recent efforts; a delightful catalogue of boundless musical lucidity crushed by ambient echo, Delphinidae clicks, and Casio keys.
November was a busy period for The Exhalers, who supported Former Selves, Lace Bows and Branches on the Iberian leg of their European tour at the beginning of the month. The Dive Hard trilogy has since sold out on Exo Tapes in physical form, but was recently uploaded on the project’s SoundCloud.
Have a listen to Part Two in the trilogy below, and keep your ear to the (ocean)floor with plenty more soon to follow from Exo Tapes.
“End Ordovician” [excerpt]
Now THIS is what I call creative vision. Behind Kraken Mare (Adam Harris, owner of Retrograde Tapes)’s new 30-minute cassette tape Iapetus Ocean on Skell LLC is a world of mystery. Now, I heard the pre-pre production of a track or two off this, and it was NOT the same sound. There was much more fuzz, and I wasn’t into it. But “End Ordovician” is so crisp in sight and personal journey for the listener that’s it’s impossible to not envision something dramatic: Sounds created from what emerges as the world within mountains. Echoing insects never seen by the human eye but heard by ear. Coelenterata-like creatures softly caressing the sides and walls and cracks within, brushing tails against brine and sharp fragile and breaking rocks and minerals. As the cover art suggests, I personally see a slow blight from the dingy depths of darkness to murky sullen light at the top. Reaching toward the cloud floor. It’s all in effect. And Skell Recodings released Iapetus Ocean on the first of this month, so… WHAT ARE YOU STILL READING THIS FOR???
“In the A”
Big Boi is more generous than Santa Claus. Here’s yet another cut from his upcoming sophomore solo release, Vicious Lies and Dangerous Rumors. If the hook sounds familiar, that’s because it is — the rapper repurposes a line from his classic Sir Lucious Left Foot classic “Shutterbugg” for this love letter to Hotlanta. This is no “Welcome to Atlanta,” though; there are traces of sinister brass throughout and a snappy, snare-heavy beat. TI and Ludacris make guest appearances too, with entertaining results (Luda’s verse is particularly funny: “My weed need a chaperon,” he boasts, before hypothesizing that his ganj habit is responsible for the California brush-fires.) While it’s not as boundary-pushing as the previously-unveiled “Lines,” “In the A” is a solid slice of good ol’ fashioned dirty south rap. Yet another reason to get excited for what is shaping up to be one of the most impressive hip-hop albums of the year.
You walk up to the arcade prize counter with a handful of flopping strands of red paper tickets. You have to choose: Do you want the happy face lamp? Yeah, but you can get two yo-yos, a Chinese fingertrap, five peace sign erasers, eight tootsie rolls, and a parachute man for the same amount!
That’s the memory I recall when I watch this new video for “Stasis,” a new track from Montreal producer WINDOW. A happy face and a yin-yang sign join together for a terrifying acid trip; we watch them slowly melt on an abandoned plane somewhere in the depths of cyber space. Trippy breakbeats and bright syncopated rhythms accompany the hallucinations.
• WINDOW: http://soundcloud.com/windowmiusic
There have existed varying degrees of anonymity in musical output throughout 2012. The staggeringly vast estrangement of vaporwave artists from their work presumably originated as a means of distancing credibility from each release while also allowing for curious meta-contexts to take on the guise of a creative force. Meanwhile, others have tried to distance themselves from the music they create through (dub)stepping out of the limelight in allowing for the tunes they produce to speak for themselves, void of any excess contextual baggage.
Hanetration falls into the latter category: an anonymous musician with a slowly emerging back-catalogue of EPs and a recent release on Vulpiano Records that has already sunk its teeth into the gloomy, tribal realm in which it operates. The music comfortably nestles itself in an autumnal glow of rippling drone and spiked percussion that is looped, scuffed, and corroded across the breadth of the eight tracks that are currently available for free download at the artist’s Bandcamp.
Whatever we might expect to see emerging from Hanetration in 2013, there is little doubt that it will come soaked in an obscurity that is, in this instance, secondary to the music. For as long as the artist keeps pumping these sorrowful, resilient tones out of Vulpiano, Bandcamp, or wherever else, there is sure to be an audience peering in from afar. This distinctive producer is one to look out for in the new year — though at this stage, there is little indication as to the clandestine direction they might be coming from.