Constellation Botsu


No matter how nicely an elevator might have been kitted out — with a shiny interior and with a calm and collected voice telling you which floor you are stopping at next — to some people it’s still just a confined metal room that’s hoist above the ground by a set of traction cables. There’s a gut-wrenching cocktail of claustrophobia and vertigo that settles in when the doors close and it has the potential to fill those individuals with a distinct and uncontrollable sense of terror.

Constellation Botsu harbors none of that modern sheen — there aren’t even breaking systems in place here. It takes on the ramshackle form of a cold, metallic isolation; a grave and sickening sense of alarm that washes over those who suffer most in constricted spaces.

ギャルちょれ~~~~~~!! is the second release to come from Botsu this year. It’s a formidable sonic detritus, pulling viciously on asphyxiated voices, frustrated beat loops, and shuddering bass tones. During the course of half an hour, the album soundtracks a menacing depth charge of psychotic techno that’s equally thrilling and addictive, depending on your disposition.

There’s a gut-wrenching cocktail of claustrophobia and vertigo that settles in when the doors close. ギャルちょれ〜〜〜〜〜〜!! is what it sounds like when all of the traction cables snap.

• Constellation Botsu:

Maxmillion Dunbar

Woo Daps [mixtape]

As Maxmillion Dunbar considers his last release House of Woo (TMT Review) an “island” now, he departs from it with a new hour-long mixtape Woo Daps. The mixtape is filled with remixes/-imaginings of House of Woo tracks, some contributions from Protect-U, Co La, and Aaron Coyes, and “three unreleased tracks not far from the Woo universe.” But I wanted to keep this post short-and-simple ‘cause it’s Tuesday, and we all probz tryna raise our work roofs, or time to waste, so grip on Woo Daps asap for MAX[million Dunbar] groov-/weird-age, via RVNG Intl., who released the mixtape about an hour and a half ago! And if it doesn’t satiate your desire to GET DOWN, scope Dunbar’s March FACTmag mix here.

• Maxmillion Dunbar:
• RVNG Intl.:

DJ Hennessy Frontman

“CVS Bangers”

DJ Hennessy Frontman released this dope mixx back in April, but seven months later, it still feels as current as the day it was released. A 30-minutes plus mix of soft rock, coffeehouse pop, and dancehall horns, “CVS Bangers” is described by its creator as:

-“The audioscape for when you’re buying tampons or a 12 pack of condoms”
-“A sampling of those magic tunes that play when you’re contemplating how ridiculous you would look carrying 24 rolls of toilet paper on the train”
-“Those bittersweet tunes of yesteryear that skip through your mind as you read the nutritional information on the back of a box of frozen pizza and opt for a pint of ice cream instead “
-“Those special ditties that accompany your smashing the bar code of a can of Red Bull against the scanner of a broken self-checkout machine”

Fun fact about yr girl zcamp: I actually worked at CVS for one fateful summer, and it will be with me for the rest of my life because I acquired many skills (brandishing box cutters, stocking nail polish by color, shooing teenagers away from the cough syrup). This mix provokes a strong Proustian flashback to those glory days, probably a direct result of my listening to muzak for eight hours a day, every day, for three months. But you know, muzak is the soundtrack of capitalism, and it is my duty as an American to support capitalism, no matter what.

Pardon the digression. Enjoy the mix:

• DJ Hennessy Frontman:

BUN / Delofi

Colors Tape / Winter Tape

Not long ago, as Dirty Tapes first started making a name for themselves through pop-up posts and embeds across the [semi-]permanent threads of the internet, the label boasted an enormous list of upcoming releases — something like 20-tapes deep. It felt like a real statement. “Dirty Tapes: get ready.” Well, that list disappeared into the data stream somewhere, and the current list is much more representative of the releases actually available to us, as the label currently stands. Of that initial list , this long-awaited BUN / Delofi split is finally seeing its physical release. Its mid-range beat highlights are perfectly and barely audible through the piles of tape hiss and vinyl crackle. “Dirty” Tapes is right!

Listen to a couple of the tracks below and buy the full tape over at the label’s website.

• Dirty Tapes:
• Delofi:
• BUN:


RECORTES [2008-2012]

Pop music has never been this serene since Michael circa Free Willy. E+E (Elijah Paul Crampton) is now here to propose that same feel, but reimagined on RECORTES [2008-2012]. Basically, RECORTES [2008-2012] (translation: Cuts) takes everything you wanted in pop and flips ya, for real. Like, he got birds and bells both signaling off in the middle of songs that sound all at once daring, bold, and fluid. It’s non-stop and can be played as such. Too much musical and/or verbal weird worlds in your years? Satiate that pain and ease into E+E’s RECORTES [2008-2012]. I got a mini-exclusive bit from Elijah about how this release came to be, and the words exactly match the songs’ adventures and poignancy. Read about it in the block quote and stream RECORTES [2008-2012] below:

These works sum up a time in my life spent moving through the United States, a time abounding with pure romanticism and sorrow. Back then, I was engulfed in the flames of such poets as Saint John of the Cross, Paz, and of course my beloved Jimenez. These songs were quite literally love letters written to different boyfriends and to God. Not originally intended for any form of public gaze, they laid with my secrets. They stood ash-dusted as a testament to a violent reclaiming of my past and their posture remains in that light. Their formation came wholly at times, flung out and blasted into being; in other moments they seemed to materialize shadowy and scarcely existing. From their inception these songs have remained in motion, in constant arrival. May you find solace in these crude constellations. May you find yourself dragged down into love’s orbit, removed- however momentary- from the abysm of your freedom, pulled out by a great weight of wings.”

• E+E:


CHOCOLATE GRINDER is our audio/visual section, with an emphasis on the lesser heard and lesser known. We aim to dig deep, but we'll post any song or video we find interesting, big or small.