食品まつり a.k.a foodman
Footwork’s reach has long since departed Chicago, but while many people are concentrating on its European practitioners — Addison Groove, Kode9, Om Unit/Philip D Kick, etc. — there’s a whole slew of insane Japanese producers who are taking the footwork/juke sound to a more hyperreal, spastic, mind-fucking level. Perhaps most well-known are DJ Fulltono (who runs the fantastic Booty Tune label) and Satanicpornocultshop, but there’s also Kaoru Nakano, Paisley Parks (whose Geto Galaxy on Pan Pacific Playa is one of my personal favorites of the year), and my current obsession, 食品まつり a.k.a foodman.
食品まつり a.k.a foodman (whose real name is Shokuhin Maturi) makes some of the weirdest footwork out there. His tracks sorta flounder, yet they retain the sharp edges of his sticky-icky samples, a push-and-pull methodology that’s made doubly strange given their seeming disregard for structure or cohesion. There’s forward momentum, but his tracks ain’t going nowhere, and the deadly precision is usually offset by much-welcomed lightheartedness. Check out “La men,” one such example, here:
Meanwhile, plenty more Japanese footworking to be heard on Japanese Juke&Footworks Compilation, a behemoth 45-track compilation that features all of the above and many more, courtesy of Jap Mutation Bootyism. Now, everybody footwork, okayyyy!?
Arsonist Alibi [EP stream]
Denver’s Echo Beds has been terrorizing DIY audiences around town with scrap metal and contact mics for a minute now, forging an industrial aesthetic that catastrophically crashes as much as it crawls across the skin. To boot, though this is certainly noise, it’s important to note the musicality present here as well. Improvised in practice, maybe, shapely and well-composed nonetheless. Still, if you have a comfort zone, get the fuck out of it right now. You there? Now stream/download to your inner-monster’s content.
• Echo Beds: http://www.facebook.com/echobeds
Middle America [album stream]
Ah, Middle America. It’s so easy to fall into the slow-paced lifestyle that prevails between those rolling hills that guide you on the long stretches of highway between college towns. If you don’t fall into the lifestyle, you just end up bored most of the time, which is how so many Midwest kids become vandals and pyromaniacs. What else are you going to do?
Netherfriends (a.k.a. Shawn Rosenblatt) seemed to reach that plateau of boredom at a much younger age than most prolific Midwest kids. He was probably sitting around some huge bonfire in a corn field somewhere thinking to himself, “How about instead of doing this, I just tour the entirety of this country in one year and record a song in every single state?” And the real kicker? He actually did it. I can’t tell you how many ideas I’ve had for bands and music projects that haven’t survived past the hour or two of conversation I got from sharing the idea with a few friends while we shot off fireworks and vandalized things. Oh well, you can take the kid out of the Midwest, but you can’t always take the Midwest out of the kid.
Stream Middle America, Netherfriend’s nine-song musical companion to growing up in any of the included nine Midwestern states, and buy the digital version from Kilo Records. There are 41 more where this came from, so keep your ears open all you coastal kids!
Fatima Al-Qadiri is one of a recent outcropping of soundmakers who increasingly blur the lines between pop music and multimedia installation. These pop conceptualists are more likely to refer to themselves as “multimedia artists” than musicians, and their work is often illegible without reference to their visual and textual components. Sure, you could choose to listen to last year’s Genre Specific Xperience EP in a vacuum and ignore the associated video pieces and experimental web art, but that would be missing the point… no? Maybe not. Al-Qadiri also released the Warn-U EP under the Ayshay moniker last year, and it stood on its own quite well. Still, you are much more likely to catch a FAQ performance at PS1 or the New Museum than Glasslands or Zebulon.
The point is that FAQ is up to something a little more tricky and complex than your average beatmaker, even though her beats are pristine and her command of generic tropes is impressive. For evidence of complexity, look no further than GSX Remixes, released this week on UNO. Here’s what FAQ has to say: “I really liked the idea of the remix album — a polarizing, commercial format that became popular in the 90s. For me, it was a way to explore the concept of genre as a commodity further.” These remixes present the listener with an unorthodox marriage: hyperreal musical virtualities by a conceptual artist, rewired and transformed by forward-thinking producers of largely non-conceptual electronic music.
Listen to three of the EP’s seven remixes below. Just be careful not to disappear into the infinite regress of meta-cognitive levels of commentary.
“With Out Her Hood”
I’m not the kind to wear headphones when I ride my bike. It’s dangerous to fall into the rhythm of a song when your safety depends so heavily on adapting to the rhythms of all the cars and stop lights and holes in the road. The layering of these sporadic rhythms is a soundtrack of its own — the crescendo of buildings and streets falling off into gaps of space allowing cropped pieces of noise and conversation room to play between the layers.
“With Out Her Hood” from the mysterious Sleep Fern, sounds like a field recording from the industrial-laden areas of inner southeast Portland, where only half of warehouses are still used for their intended industry purposes and the other half have been filled with artist studios and music venues. Pieces of mundane conversations breathe in and out between the waves of industrial noise and static bouncing between buildings and the soft guitars echoing out from alleyways and loading docks.
Listen to “With Out Her Hood” below, and buy the tape directly from Sleep Fern.
• Sleep Fern: http://sleepfern.blogspot.com