1970: Harbinger - Second Coming

To those of us under the age of 30, Dave Bixby’s spiritual hippie-folk songwriting will likely elicit a collection of grimaces. To those who attended liberal arts colleges where ‘townies’ trolled about campus with their white-boy dreadlocks and secondhand garb, Harbinger’s Second Coming isn’t going to do much to gratify. Let’s face it: we’ve been dealing with this shit for years. There’s no possible way that some dude with an acoustic guitar and ‘spiritual’ (but not religious!) lyrics could break through our calloused anti-hippie disposition. But while Harbinger’s Second Coming (recently re-released on Guerssen) will be an easy record to overlook, it doesn’t have to be.

Taken earnestly, Second Coming really is quite beautiful. Although you might have to circumvent a few temporal biases in order to enjoy it, Dave Bixby’s songwriting is a powerful product indeed. He hopes, he mopes, but above all else, Dave Bixby feels god’s influence in his every movement. A similar spiritual affinity characterized Bixby’s previous work (the devastatingly lonesome Ode To Quetzalcoatl), but on Second Coming we discover that he’s finally pulled himself together.

As a result, the work is much more optimistic than its predecessor; instead of appealing to god through his isolation, Bixby expresses his spirituality more directly. He’s not writing explicitly for himself anymore — Second Coming finds a recovered Dave Bixby, and he wants to tell you about what he’s seen.


There’s a lot of good music out there, and it’s not all being released this year. With DeLorean, we aim to rediscover overlooked artists and genres, to listen to music historically and contextually, to underscore the fluidity of music. While we will cover reissues here, our focus will be on music that’s not being pushed by a PR firm.