Syreeta Wright started out at Motown records as a receptionist in 1965. By 1966, (like Martha Reeves from the Vandellas) Wright was a secretary for legendary producer Mickey Stevenson. By the end of the 60s she was recording demos for the Supremes. She was even considered to replace Diana Ross when Ross left the Supremes, though Mary Wilson/Berry Gordy chose to go with Jean Tyrell instead.
Wright’s relationship with Stevie Wonder was much more pronounced, as she was one of his backup singers and co-writers during his late 60s run of jazzier soul-funk. She co-wrote The Spinners’ hit “It’s a Shame” with Wonder and co-wrote/sang backup on “Signed, Sealed, Delivered” as well. After being married for eighteen months, the two divorced, but Wonder still handled production duties for Syreeta, Wright’s shamefully out of print self-titled LP.
The song that keeps me coming back to Syreeta is her reworked cover of Wonder’s “I Love Every Little Thing About You.” It’s gorgeous, lush, playful, and overwhelmingly more fun than the original. Wonder has a few backup vocals but Syreeta’s voice steals the show. Her staccato vocal lines during the chorus make the signature funk clav a distant backdrop.
Besides Wonder, Wright’s take on the Beatles’ “She’s Leaving Home” features a talkbox and you can take it or leave it, more or less, depending on how you feel about a talkboxes in the 70s. Her rendition of Smokey Robinson’s “What Love Has Joined Together” is spectacular though, enlivening the original with a much smoother vocal take.
The rest of the songs were written by Wright alone or with Stevie Wonder. It’s an interesting mix because it seems like Wright’s solo songs (“Happiness,” “Black Maybe”) hint at more of a subdued Northern soul sound instead of the Philly soul numbers that Stevie and the rest of the Motown label would veer off into during the 70s. It makes sense that Syreeta gained a lot of acclaim in the UK. It’s a shame that the hits eluded her in the US though, because she did put out a bunch of really good albums throughout the 70s and 80s. You get the feeling that 72’s Syreeta was her chance to establish herself. She never reached Diana Ross status. But after listening to her solo debut LP, it’s impossible to ignore her talent.