On the evening of June 16th I
ventured down to the Bowery Ballroom, friend in tow. I warned him before the
show that he would be helping me to review the show. I just didn't tell him
how. My friend's name is Workweek. Let me introduce you.
Workweek is an Architect, Graphic Designer and DJ living in Greenpoint,
Brooklyn. Two of his all time favorite musicians are Bjork and Fabolous. He is
25 years old and waiting for his time to shine. That time is now – on Tiny Mix
What follows is a serious of 15 questions I made up for him a couple days
after the show, you know, so he had some time to think about it.
1. Do you like the Flaming Lips?
Is this the new Lindsay Lohan slang? Shit, I need to read Gawker more...
2. Do you like My Morning Jacket?
I've never listened to them. :(
3. How familiar are you with their catalog?
4. How familiar are you with the new Band of Horses album?
My roommate forced it into my iPod, and I have been enjoying it in the
mornings, and early evenings on the subway.
5. Did you enjoy the performance?
6. "James," a commenter on Brooklyvegan.com, had this to say about the show:
"don't know about you, but that show at the Bowery was boring. Too much reverb
on the vocals, too jam-bandy, and an "ah shucks, you guys are great, I love
you New York, ah shucks!" was kinda old when it began..."
But then "Nineteen-ninety-never" had this retort: "I disagree. I thought the
show was great. I don't think his happiness to be in NY was contrived at all.
It's a young band playing their first sold-out gig at the Bowery Ballroom, how
can you fault him for being psyched and appreciative? The reverb on vocals is
part of their sound, same as on the record. "Too jam-bandy"?? I don't think
any of the songs lasted more than 5 minutes and there were no segues. Maybe
I'm missing your point."
Who's side are you on, if any?
I feel The Ninety Never homie. I like that name too, being from the class of
99, and beginning to feel kind of old and all, but yeah. What's James talking
about being all "Jam Bandy," like, do those people still even exist? I totally
liked the live show. It was different sounding than my morning commutes, it
was more dancey, and yeah, I loved the energy and the vibe — fuck hating on
the dude for being stoked to be there — SHAKAH BRO!
7. If you could change one thing about the show what would it be? (you can
pick two or three if you want) It would have been nice to come out of there
with a phone number or two. I can imagine the girls who like BOH would be
totally cool. Especially if they liked that TI album they played during their
8. Do you like jam bands? Why or why not? No, I never really liked them, and
especially now that they're passé. Yeah I went to some Phish shows, but
whatever. I never collected
tapes — HA!
9. Would you rather be associated with Jam bands or Christian rock? AHAHAHAHA,
Some Christian rock is aiight. Like, I feel like Jam Band is a much more
pigeonholed genre than Christian Rock.
10. To your knowledge, what instrument was the lead singer playing? He started
with a LAP GUITAR and then played different guitars.
11. How did the music play out live compared to the record? Too alike? Too
different? It came out totally different than the record, and I really liked
that. The NYU Hip-Set was dancing too! I didn't know you could dance to BOH.
You're not going to catch me doing that, except for when the band came out
rapping to Chamillionaire's "Ridin." I like that music SOOOO LOUWWD.
12. What did you think of the reverb on the vocals? Got Old or Got Tingles? I
don't know what that dude was stressin' about. I'm pretty sure it's supposed
to sound like that. Regardless, it was seriously on point. The sound, the
aesthetic, the shaka-ing. I'm not going to say I got tingles or anything, but
yeah, it was tha' shiiiit.
13. Did this show prove to you that Band of Horses have what it takes to stick
around in the new blogged-out-internet-hate/love-two
seconds-of-fame-before/after-the-backlash music industry and world at large?
I'm still trying to figure this shit out. I feel like these bands are always
forced to come up big on following albums, with flipped-scripts and all that,
in order to survive. So yeah, this show kind of proved they had all this
energy and different style that is kind of absent on the album... maybe they
can use that to blow bloggers' minds on their next recorded go-around.
14. Did you find the show meaningful to you? Umm, like some born-again?
15. Being a party DJ you are probably familiar with the type of reaction music
elicits from the crowd; how do you react differently to this type of music
live as you would to say, the Juan Maclean, Rick Ross or Lightning Bolt?
Live it did kind of get to me, but their album doesn't. But like Juan Maclean
and Lightning Bolt rattle my bones in their recordings almost as much as they
do live. I've never seen Ricky live, but I hear he's not afraid to spit
Husslin' more than once in a show which I would be sure to pump ma' fist to.
BOH just elicits a pumped 'shaka' from my rating scale, but a burly one, ya
So, in the constantly evolving, genre spanning, internet-fueled music
industry, the underground has now successfully created its own specific 15
minutes of fame. Whether these 15 minutes lead to a major label contract or a
video aired on MTV is irrelevant. Besides, Sub Pop is practically a major
label at this point sales-wise, right? These 15 minutes are the (let's not kid
ourselves) 'Pitchfork 15.' The modern day Rolling Stone is now lofting
artists to a level of notoriety during the fledgling years which immediately
exposes them to a wider audience, but could potentially create overexposure
and a subsequent backlash. It's like in the mid-'90s when people got all
pissed that Built to Spill signed to a major label, but now you don't even
have to "sell out" to be hated; you just have to be liked by a larger
population of people (see: The Shins). Who gives a shit about the show; should
I like these guys? How do I stay cool? -Rezound