New Capital City Music Hall; Ottawa, Canada
I fought through a freak rain storm and horrifying drivers to arrive at the Chromeo show, just as Holy Ghost from Brooklyn were taking the stage. The four-man opening act was low on energy, yet high on dance-ability, slowly winning over the crowd that was patiently waiting for the headliners. Holy Ghost sounds like Holy Fuck if you stripped away the funk, the groove, and just left the electro. Sprinkle in some spacey lyrics and you’ve got Holy Ghost.
After a lengthy equipment change-up, Chromeo hopped on stage, with the crowd chanting in rhythm with the opening track of their breakthrough album, Fancy Footwork. Both David Macklovitch and Patrick Gemayel were all smiles, as the former set up behind a guitar and mic while the latter behind synths, a vox box, and a stand-up drum kit. Chromeo have dubbed themselves the only successful Arab/Jewish partnership in the history of mankind, and it’d be tough to argue otherwise, as the duo ripped through bits and pieces off their debut album (“Needy Girl”) and a majority of their follow-up records (“Tenderoni,” “Fancy Footwork,” “Bonafied Lovin’”). The order of the setlist was impeccably chosen too, as it’s no secret people love what they know. Playing true to the album order is a surefire way to ignite a crowd of fans, especially if your last album came out three years ago and the new isn’t released until September.
Sure, Chromeo don’t add much to their sound in a live setting, but they were clearly having a boatload of fun. The enthusiastic audience, of course, ate it right up.