The Bell House; Brooklyn, NY
Thirty-two years since they formed in Dunedin, New Zealand, The Clean still seem like just another band — and that’s meant in the most complimentary of ways. Following sets from Brooklyn’s Coasting and fellow Kiwi group Dimmer, the band nonchalantly took the stage at the Bell House, picked up their instruments and leaned into a set of tunes spanning their three decades of existence.
That the group can do this is a testament to their timelessness. When the Pixies reunited in 2004, they dusted off a repertoire of late eighties/early nineties material. When Pavement reconvened this year, they summoned up a discography that, as amazing as it is, will always bear a “Made in the Nineties” stamp. The Clean … well, they’re not beholden to any of the decades in which they’ve dipped their feet, and 2010 is no exception. The band’s set moved seamlessly from tunes like 1982’s “Beatnik” to “In The Dream Life U Need A Rubber Soul,” from last year’s Mister Pop.
All three members of Yo La Tengo were in the Bell House audience, a fact that inspires a comparison between the two stalwart trios. If there’s any American band that most resembles The Clean in sonic approach and career arc, it’s Yo La Tengo. But while the latter has built that arc with an LP every few years and fairly regular touring, The Clean’s equation is a little sparser, calling for a couple of albums per decade and a smattering of live dates whenever they find the time.
The band didn’t play their most well-known “hit,” their debut single “Tally Ho,” but it didn’t matter. In an era that runs artists through the hype cycle at a breakneck pace and systematically cashes in on our fond memories of tunes from another time, it’s refreshing to see The Clean still jangling along, impervious to it all.