Club Europa; Greenpoint, NY
With plumes of volcanic ash spewing forth from the unpronounceable Eyjafjallajökull volcano in Iceland, a major havoc was wrought upon air travel and, as nearly all flights in and out of Northern Europe were frozen, many musicians on their way to major festivals and gigs were forced to change their plans and cancel scheduled concerts worldwide. On Friday morning, a number of performers (including Mighty Boosh star Gary Numan) announced they would be unable to catch their scheduled flights to the Coachella Festival in California. Later, around midday, it was announced the mighty stoner super-group Shrinebuilder would be stranded in New York, and wouldn’t be playing at the legendary Roadburn Festival in Tilllsburg, Holland. It was bad news for Roadburners but good news for us in New York, as Shrinebuilder would attempt to appease the volcano by booking a last-minute show at Club Europa, the Polish disco in Greenpoint, Brooklyn, where they would deliver their own brand of volcanic spew.
Scott Kelley of Neurosis, Al Cisneros of Om and Sleep, Dale Crover of The Melvins, and Scott “Wino” Weinrich of the seminal groups Saint Vitus and The Obsessed took the stage in what would ordinarily be a nocturnal-emissions-causing dream for napping doom fans. But the site was indeed real, and the cadre of slow-metal pioneers would proceed to barrel through an incendiary set that set the sparse but dedicated crowd ablaze in a firestorm of Hawkind-inspired space rock, punishing metallic riffs, and shamanic grooves. As Wino shook a head full of long, gray hair, Cisneros grooved righteously to the slinking karma loops of his own bass. Scott Kelley pounded away on his wood-grain guitar while bellowing deeply in his inimitable and proprietary growl. As a gestalt, the group was unbelievably tight and had the chops to change gears on a dime, going from pummel mode to cryptical envelopment in a heartbeat. The sharing of vocal duties between the four added a depth to their sound unheard in each members’ flagship projects. On tracks like the epic “Solar Benediction,” Shrinebuilder stretched to the great reaches of inner space, allowing plenty of room for some long-form, free-rock exploration. As an extra treat, Scott Kelley, after stating his unpreparedness to play their third show in NYC in six months, announced they would try something they had not tried live before. It turned out to be an absolutely electric version of Creedence Clearwater Revival’s blues-laden “Effigy,” which had the crowd unequivocally roaring for more.
It may seem a somewhat inevitable observation, but it’s at least a bit noteworthy that, in the end, not even a giant volcano could stop the mighty Shrinebuilder.