Machine and the Synergetic Nuts
http://www.cuneiformrecords.com
styles: instrumental prog, fusion, post millennial funk
others: Weather Report, Soft Machine, The Muffins, Eighties vintage Miles
Davis
Leap
Second Neutral
Cuneiform, 2005
rating: 4/5
reviewer: christian carey
Fusion and instrumental prog both get a bad rap; critics frequently use the
terms "noodling," 'indulgent," and "bloated" with a lazy abandon that suggests
rampant stylistic prejudice. Machine and the Synergetic Nuts' latest album,
Leap Second Neutral, suggests that most of these folks should eat their
words; they won't: stylistic prejudices are slow to change. Fortunately, those
who bypass the hype to listen with their own ears should find many musical
delights here.
Machine's musical approach features particularly lively rhythmic gestures.
"Neutral" is downright funky, setting a fusion bass-line against Fender Rhodes
syncopations; Mahi-Mahi's overdubbed sax "section" peppers the environment with
sweetly delivered harmonies. The saxophonist, guest guitarist Matsue Jun, and
keyboardist Iwata Noriya engage in a vibrant colloquy on "M-B;" all the while,
the rhythm section cooks behind them, employing the polymetric constructs of
jazz-rock. The second section is decidedly proggy, featuring rolling keyboard
arpeggios and an off-kilter, yet laser beam precise, solo from Jun.
Drummer Sudoh Toshiaki and bassist Suzuki Hiroyuki fill the background on the
brief but punchy "Monaco." Noriya plays a faux-Hammond for some jazz licks and
Mahi-Mahi interpolates a repeating melody comprised of short notes punctuated by
rests. "Trout" is the most ear-catching piece on the album. Noriya lays down a
piano shuffle, supplemented by another funky bass line construction from
Hiroyuki and fill-laden fury from Toshiaki. Over this, a soaring soprano
saxophone provides exhilarating solos. Two brief middle sections reverts to a
'70s ambience, with Hammond chordal thrusts, Rhodes filigrees, and R&B saxophone
gestures; the second also features a fetching solo from Hiroyuki. We return to a
rhythmically charged version of the opening which closes the piece
energetically. This is high octane, exciting, and creative music-making --
better than a triple espresso to get you going!
1. M-B
2. Monaco
3. Trout
4. Neutral
5. Stum
6. Oz
7. Solid Box
8. Texas
9. Normal

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