No Doctors
http://www.nodoctors.com
styles: noise rock, bar music
others: Comets on Fire, 90 Day Men, Frank Zappa
ERP
Saints EP
No Sides, 2004
rating: 4.5/5
reviewer: matt weir
This year Chicago saw a mob of good rock records: the M's released a
Kinks-worshipping debut, 90 Day Men surprised the universe with the prog-rocking
Panda Park, and the Ponys slashed into prominence with their
punk-psychedelic Laced with Romance. These records proved to be wonderful
little pieces of Chicago, each encapsulating not the entire city, but maybe an
elevated track or two.
And now No Doctors have released the best and most encompassing Chicago document
of the year: ERP Saints, an EP dedicated to the East Rogers Park area
they inhabited for two years.
No Doctors have spent three years sputtering around Chicago generating equal
amounts of love and hate with the unhinged sexuality and confusion of their live
shows. They dress and act like a middling bar band, but onstage they play an
almost structure-less form of rock and roll riffage. At their best, No Doctors
appear to be playing as many songs as they have band members simultaneously. And
it's no wonder such a live show has garnered so much praise in Chicago; their
ethic speaks to the city's blues tradition while releasing an unfiltered urban
and Midwest fervor.
Their two previous records (2004's Hunting Season and 2002's self-titled
debut) tried to document the colossal pain and awe of the No Doctors' live show.
The audacity of these records thrust No Doctors into critical prominence, but
these records also failed because recreating the live show on tape is simply
impossible.
For ERP Saints, though, the band finally went into the studio and got
recorded by professionals; the results are nothing short of astounding. Before
this record, some fans questioned whether No Doctors could even play their
instruments. Now it's obvious: No Doctors are a serious avant-garde rock talent.
On ERP Saints, they concentrate on the possibilities of a two-guitar,
saxophone, and drums set-up, exploring the noisy rock and roll possibilities of
such a configuration. Such clarity will shock any long time No Doctors listener
just as much as any previous No Doctors record will terrorize your grandparents.
The EP's opener, "Biggest," starts with an amateur Rolling Stones riff and
atypical drumming before transforming into a devastating guitar lick and
exciting saxophone skronk. Then, suddenly, a truly Zappa saxophone line meets
the guitar halfway and the song becomes nothing less than a baby-killing beast
of rock tension. "Floating Woman" is a serious blues power ballad, a bold
statement from these power noise freaks. It crashes smoldering guitar noodling
against Chauncey Chaumpers' excellent vocal range to create a truly epic classic
rock love song. It's an exciting moment for any No Doctors fan: the discovery
that the band doesn't just want to blow up or debauch your girlfriend, but also
make a powerful emotional statement.
The true centerpiece of this EP, however, is the closing track: the ten-minute
long "Future Awaken Widen," easily one of the best songs of the year in any
genre. The song's chaotic and bizarre noise builds to reveal a band so tight
they can make almost any musical choice. It's as if years of playing totally
disconnected ramblings onstage has given the members a musical voice so singular
and relentless only now are they willing to unleash its power. The guitars, sax,
and drums react and anticipate every powerful yelp from Chaumpers, and the band
earns every noise meltdown with focused and inspired musicianship.
I cannot further describe this song except as a trashy wind; it's a gigantic,
murderous wind blowing through the streets and starting fires. I don't know how
the wind creates flame, but it does. Newspapers and Coca-Cola bottles jump
through the streets and flatten people walking to the "El." Wrigley Field
unearths itself, flops over on its side, and rolls down Clark Street. A giant
spider builds a spider web through the always-disconcerting waffle ceiling of
the newly opened Millennium Park. The Sears Tower rockets away. Lake Michigan
drinks itself.
Earlier this year -- I'm not sure when -- No Doctors moved to San Francisco.
ERP Saints will remain their final Chicago record, and they definitely bled
this city out of them. I can only imagine how the teeming SF noise scene will
change and challenge the divisive and unruly No Doctors. But this fearsome
farewell EP has positioned them as what they've always acted like: a band on the
verge of greatness.
1. Biggest
2. Floating Woman
3. Future Awaken Widen

|