Non-Prophets
styles: underground hip-hop, independent hip-hop
others: Sage Francis, A Tribe Called Quest, Native Tongues
Hope
Lex, 2003
rating: 4.5/5
reviewer: wolfman
The game of hip-hop can be a cruel monster. Some make it, many don’t; but what
is evident is that the hip-hop game is a continuous evolving vessel and with
that comes an enormous commitment to the changes and adaptation of the styles.
Many remain in grandeur for their entire career and do not exemplify any growth
or acceptance. Others, usually the more talented performers, adjust and are
extremely fearless when attempting to keep their listeners attentive with
ongoing mutations and metamorphoses of their personal style. Sage Francis,
legendary for his impressive and necessary solo record on Anticon Personal
Journals, is one of those evolving emcees that truly adapts and commits
masterful and unforgettable work each time he performs.
Non-Prophets is comprised of Sage Francis’ lyrical cadence and Joe Beats’ bass
and treble old school beats. The two are perfectly matched on their newest album
Hope. But what has made this collaboration a success is the acceptance
and change of Sage Francis from an avant-garde, distorted, in-your-face
performer to a smooth and linear emcee. This may be a complexion of the Sage
Francis character, but this stylistic change bears an uncanny resemblance to
hip-hop from about ten years ago and exactly matches the beats of Joe Beats.
Drawn to Native Tongues influences, Joe Beats pounds each track with heavy bass
and simplistic sampling. His styles are extremely refreshing and futuristic yet
remain nostalgic after several listens. “Disasters” is minimalist bass drop
while “Spaceman” is reminiscent of the Jungle Brother’s Done By The Forces of
Nature, with its piano loop and rhythmic beat. And with Sage Francis’
altered rhyming acceptance, Non-Prophets have released one of the most
refreshing and admirable hip-hop albums of 2003.
Perhaps the title of the album conjures what Sage Francis and Joe Beats are
trying to portray. That there is ‘hope’ for hip-hop if we focus on the success
of the past and move it to the future.
1. Intro
2. Any Port
3. Damage
4. That Ain't Right
5. Disasters
6. FRESH
7. Mainstream 307
8. A Mill
9. Spaceman
10. Xual Zan's Heart
11. New Word Order
12. Tolerance Level
13. The Cure
14. Outro

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