Skalpel
http://www.skalpelsound.com

styles: Polish jazz-hop, downbeat
others: Mr. Scruff, Cinematic Orchestra, Quantic, Bonobo


Konfusion
Ninja Tune, 2005
rating: 4/5
reviewer: filmore mescalito holmes


I'm not sure if the well-observed sophomore curse applies to electronic, sample-based genres as well as it does to rock bands, but a wiser man than I once said assumption is the mother of all fuck-ups so you might as well just listen to the fuckin' thing already. I can't see how anyone would think the second album from this Polish crate-digging duo is not as good as or better than its predecessor. The differences between Konfusion and the self-titled debut are minute, really, while there is no confusing these CDs for work by any other Ninja Tune act. But (and that's a fairly impressive but) because their first album a year and a half ago was such a high-quality, chill outing, that's not a bad thing at all. As I'm sure most of us are with Portishead, Skalpel could make the same album every year and I'd still buy it. The power and passion of those dusty communist backlash recordings speak to the spirit of a repressed freedom, freshly liberated through altruistic jazz by people who knew and lived a time that forced the meaning of music – a time where, by the words of George Carlin, it's not so important you know what notes to play as to why they need to be played. Yet, despite the seriousness of the originals, Skalpel's music has been and remains its own brand of unmistakable frosted jazz. "Deep Breath" is a sure highlight, with the subtle build-up of female vocals joining in at the beginning. It is certainly Konfusion's catchiest track, but I wish you the best of luck in trying to figure out those lyrics stoned.

1. Shivers
2. Flying Officer
3. Long Distance Call
4. Hiperbole
5. Deep Breath
6. Konfusion
7. Test Drive
8. Wooden Toy
9. Split
10. Seaweed


Skalpel
Ninja Tune, 2004
rating: 3.5/5
reviewer: filmore mescalito holmes


From the label that just weeks before brought us the first instrumental hip-hop outing of Blockhead comes some vocal-less, atmospheric jazz-hop by way of Polish based DJ duo, Skalpel. I found the album to be somewhat enchanting often playing out like the mellower, funky drums and upright bass sections off Herbaliser's Blow Your Headphones. This has the signature Ninja Tune sound which I can't get enough of but others may find a bit tiresome given the ever growing Zen back catalogue and Cinematic Orchestra cutting the lounge-effects gig years before. But where the C.O. swells a fully instrumented jam band with light electronic touches, Skalpel treads the trip-hop pool, creating a dark and creaking ambiance while experimenting with smoothly transitioned turntablism, at one point using a short sample of a male droning on "Not Too Bad," which, I was to discover, was previously used on Dan the Automator's Handsome Boy Modeling School. Wroclaw natives, Marcin Cichy and Igor Pudlo may not aspire to turn the world on its head, but their self-titled debut is sharply produced, broadly accessible, and completely inoffensive, which makes it quite handy in a variety of social situations. This, my friend, is a mood setter designed to instill the chill and does everything but light the joint for you. So, it's a trade off; you'll have to light your own joint, but your skull and those of your friends will neither collapse from boredom nor shatter from over stimulation. Safety first!

1. High
2. Not Too Bad
3. 1958
4. Together
5. So Far
6. Break In
7. Quiz
8. Asphodel
9. Theme From 'Behind The Curtain'
10. Sculpture
11. 1958 (video)
12. Break In (video)
13. Sculpture (video)