Animal Collective to premiere Centipede Hertz on Animal Collective Radio this Sunday, undoubtedly as part of the Obama Administration’s fiendish plot to destabilize the Christian Sabbath

Animal Collective to premiere Centipede Hertz on Animal Collective Radio this Sunday, undoubtedly as part of the Obama Administration's fiendish plot to destabilize the Christian Sabbath

Say, readers, would you like a Centipede Hz donut? If you answered “yes,” then you’ll want to tune your computer’s digi-dial into Animal Collective Radio at the pretty typically do-nothing hour of 9 PM EST this Sunday night for what promises to be a real hoot: the premiere stream of the band’s new jazz-based album, Centipede Hz, in full! I know, I know: hearing an album that hasn’t come out yet doesn’t make any sense, so let me try to explain things a little bit. Like, you know how the album is coming out September 3 (in the UK) and 4 (in the US) on Domino? Right, well this is like a “promotional” thing that they’re doing that will actually enable you hear the songs on that very same album — all of them — JUST as they’ll appear sequenced on the real album, before those release dates make the album available for purchase or streaming to the general public. And you don’t even have to pay any money to listen to them. Hurts, don’t it??? HAHAHAHAHA.

Actually, no. Shut up and stop laughing, because it doesn’t hurt at all. In fact, it’s free, easy, and totally legit. I mean, it was announced last night on ACR (that’s what Animal Collective Radio is called to save time) on lead singer/bass player Avey Tare’s radio show, which incidentally, featured guest DJ mixes by some totally legit bands/bloggers like “Atlas of Sound,” “Tres Blackouts,” and “Ghost-ish Capital,” which you can also totally listen to for free right now on that very same and obviously worth-clicking-on radio page that I told you about earlier even though you were giving me a hard time about it. Heck, Tare even played a few previously unheard songs of his own on that very same show that featured, aside from some rocking instruments, vocals by erstwhile Dirty Projectors vocalist Angel Deradoorian, and there’s no way that name is made up. It sounds too real. So, to summarize my position here, this is all real and cool and worthy of your attention. So stop suggesting that it’s not.

• Animal Collective:
• Domino:

Matt & Kim create a fan club only for people named Matt and Kim, announce a tour for everybody!

Matt and Kim: are they the most powerful duo named Matt and Kim in the world? Probably. More importantly, it is their sole mission in life. They didn’t get into indie rock to spread their excitable brand of keyboard and drum music, they did it to be the best Matt and Kim of all time. To keep the other Matts and Kims in check, the duo has created a fan club called The Scream Team accessible only to people named Matt and Kim. That’s not true. The club part is true. The “Matts and Kims Only” part is not. But, look, if that’s your name, I bet they’ll be keeping an eye on you. Regardless, people who join the club for free at their website are privy to pre-sale tickets, reduced service charges, VIP packages, merchandise, a dragon, and more.

Hey, here’s a thing you could use those reduced service charges for: Matt and Kim’s fall tour! In support of their forthcoming record Lightning on the Fader label, the band is going on tour immediately after its October 2 release date. They’re hitting the vast majority of North America, so if you’re a member of SCREAM TEAM, then you’ll probably have a chance to see them. Also, if you’re not a member of SCREAM TEAM. Also, SCREAM TEAM just seems like something that should naturally be capitalized.

Matt and Kim dates:

10.03.12 - South Burlington, VT - Higher Ground
10.04.12 - Syracuse, NY - Westcott Theater
10.05.12 - Toronton, ON - Phoenix Concert Theatre
10.06.12 - Buffalo, NY - Town Ballroom
10.07.12 - Philadelphia, PA - Electric Factory
10.09.12 - Washington, DC - 9:30 Club
10.11.12 - Charlotte, NC - The Fillmore
10.12.12 - Atlanta, GA - Variety Playhouse
10.13.12 - Orlando, FL - The Beacham Theatre
10.14.12 - Miami Beach, FL - The Fillmore at Jackie Gleason Theatre
10.16.12 - Tallahassee, FL - The Moon
10.17.12 - Tampa, FL - The Ritz Ybor
10.18.12 - New Orleans, LA - House of Blues
10.19.12 - Houston, TX - House of Blues
10.20.12 - Austin, TX - Stubb’s
10.21.12 - Dallas, TX - House of Blues
10.23.12 - Tempe, AZ - Marquee Theatre
10.24.12 - San Diego, CA - House of Blues
10.25.12 - Los Angeles, CA - The Wiltern
10.26.12 - Oakland, CA - Fox Theater
10.27.12 - Portland, OR - Roseland Theater
10.28.12 - Vancouver, BC - Commodore Ballroom
10.30.12 - Seattle, WA - Neptune
11.01.12 - Salt Lake City, UT - In The Venue
11.02.12 - Denver, CO - Ogden Theatre
11.03.12 - Lawrence, KS - Liberty Hall
11.04.12 - St. Louis, MO - The Pageant
11.06.12 - Omaha, NE - The Slowdown
11.08.12 - Milwaukee, WI - The Rave
11.09.12 - Indianapolis, IN - The Vogue
11.10.12 - Chicago, IL - Congress Theater
11.11.12 - Detroit, MI - Majestic Theatre
11.13.12 - Cleveland, OH - House of Blues
11.14.12 - Columbus, OH - Newport Music Hall
11.15.12 - New York, NY - Terminal 5
11.16.12 - Boston, MA - House of Blues
11.17.12 - Montclair, NJ - Wellmont Theater

• Matt and Kim:
• Fader:

Interpol frontman Paul Banks releases a tribute to lending institutions on his new LP Banks

It takes a bold man to name his new solo album after himself. We’re not talking “self-titled album” here. We’re talking full-on, “this is one of the names on my birth certificate and let’s be honest, it’s a total baller name, so I’m gonna let it blaze in all its fire hot glory”-titled album. And now, in the grand tradition of Madonna, Fabio, and Bates from Downton Abbey, Interpol’s Banks — Paul Banks — is giving props to one of his names and going the James Bond route for his new LP, which is simply called… Banks. No word on the impetus behind the album title, however, so let’s not make assumptions. Perhaps Paul Banks (also known as a solo artist under his Julian Plenti moniker) is just a big fan of the large corporate entities that hold his savings? Or maybe he’s just really, really into the sloping sand/dirt leading down to a river. Heck, I don’t know, maybe dude just thinks it’s time to steep natural inclines their due. We just don’t know. Because like many a rogue cop who solves crimes in unexpected (yet snappy!) ways, Paul Banks is a LOOSE CANNON.

I mean, all the signs say “loose cannon.” This is a man who, on his last Julian Plenti EP, covered three tracks of varying levels of “ok I can see that” to “wait, what?”, including a J Dilla track, a Sinatra joint, and… the theme song from the 1987 Schwarzenegger flick The Running Man. Is it only a matter of time before Paul Banks solves MUSIC in unexpected (yet snappy!) ways? Peep the single “The Base” at Pitchfork and hear for yourself. Banks the album makes its steep incline into record stores come October 23 via Matador.

Banks tracklisting:

01. The Base
02. Over My Shoulder
03. Arise, Awake
04. Young Again
05. Lisbon
06. I’ll Sue You
07. Paid For That
08. Another Chance
09. No Mistakes
10. Summertime Is Coming

• Interpol:
• Julian Plenti:
• Matador:

Google takes further steps to control your internet experience by altering search rankings based on copyright infringement

Google’s mighty PowerGlove hand will tighten ever more constricting ‘round the neck of the internet in the coming week as the Artificially Intelligenced search engine firm begins Phase 18 of its plan to control everything you click and right-click on throughout the internet.

What Google plans on doing, according to Billboard is this: it will start looking at the number of copyright infringement notices that websites get from the respective copyright holders and, based on those notices, lower or raise the website’s search ranking. In other words: if a website has a lot of illegal media, it will be harder for the average person to find it, and, on the flipside, the websites with legal content will be much more visible. Let’s let Google clarify even more: the change “should help users find legitimate, quality sources of content more easily — whether it’s a song previewed on NPR’s music website, a TV show on Hulu or new music streamed from Spotify.”

This is great if you own a website like Hulu, Spotify, or Amazon or if you hold the copyright for a popular song, but, should you believe in the free transmission of ideas, arts, and culture, well, then it’s “THEM” 1, and “US” zero. For example, the RIAA showed their support for corporate strength by saying: “This should result in improved rankings for the licensed music services that pay artists and deliver fans the music they love. This change is an important step in the right direction — a step we’ve been urging Google to take for a long time — and we commend the company for its action.” What a square.

Personally, I started getting mad at Google when they made me have to type, in its entirety, “blonde teen blowjob” every time I wanted to look at porn, and wouldn’t provide me with provided shortcuts if I were to, say, wanting to look up “blonde toner shampoo.” But, that’s a story for next week.

ZS release four-disc retrospective to celebrate 10 years; Sam Hillmer renews vows with himself

When I turned 10, I had developed this oddly disproportionate stomach that made me shy of shirts vs. skins matches. Next month, avant-garde New Yorkers ZS will be a whole decade old, and so far the big 1-0 is looking better for them than my own scarred past.

The band is releasing a four-disc retrospective box set, entitled SCORE – The Complete Sextet Works from 2002-2007 via Northern Spy that will officially hit stores on September 11. According to the press release, the set compiles all the out-of-print works from the band’s first five years of existence, along with a disc of never-released material. There are over four-and-a-half hours of music represented, a 20-page booklet, and four CDs in printed sleeves, all housed in a beautiful 55pt box featuring original artwork by art/design team Fredericks & Mae.

Coinciding with the release is the announcement of a new ZS lineup — now consisting of Sam Hilmer, Patrick Higgins, and Greg Fox — and a big anniversary bash/release show, featuring projects of former Zs members. I imagine that ZS will proudly play ball bareback in their triumphant 10th year.

Release Show:

08.29.12 - Brooklyn, NY - 285 Kent *

* Diamond Terrifier (Sam Hillmer of ZS), Hubble (former ZS member Ben Greenberg), Extra Life (former ZS member Charlie Looker), Wet Ink Ensemble (former ZS members Alex Mincek & Ian Antonio), Mick Barr + Marc Edwards Duo

• ZS:
• Northern Spy:

ATP announces I’ll Be Your Mirror Melbourne, with My Bloody Valentine, Swans, God Speed You! Black Emperor, special screening of The Rescuers Down Under

If TMT is the tiniest mix-tape-that’s-not-really-a-mixtape, then ATP is probably the biggest one. Sure, they don’t divine unbeatable playlists or dish out dick-withering criticism like we do, but their epic festivals and artist-curated I’ll Be Your Mirror events have been basically telling me which bands are cool for years now, and I’m pretty sure that they’re almost as popular as we are, so I think the comparison is applicable. Besides, I can safely say that, without their help, I’d be one tasteless motherfucker. (Seriously, guys; my taste is terrible. I totally LOVE that dumb little theme song from the Spotify ads. What the fuck is that??)

Thankfully, ATP is ready to step in and tell me what’s up once again, as they recently announced their return to the land down under for I’ll Be Your Mirror Melbourne. This one is going down February 16 and 17 of 2013 at Westgate Entertainment Centre and Grand Star Reception in the Melbournian suburb of Altona and will be curated by ATP Records alumni The Drones (who, incidentally, we usually love. That’s tastemaking synergy, y’all). The lineup includes My Bloody Valentine (in their first Australian appearance since 1992), as well as Godspeed You! Black Emperor, Swans, The Dead C, Sleepy Sun, Thee Oh Sees, and several other bands that I’ll soon be telling everyone I know that I’ve been “into for a while.” As always, more details and ticket information is available at the ATP internet word-wide web page. Tickets for this one are going on sale on Monday, August 9, which gives me a few more days to cram in some repeated listens of the “Guile” music from Street Fighter II. Sweet.

• ATP:
• The Drones: