Bonnaroo To Release Live DVD; What's Not Included: That Time You Ate A Lot Of Mushrooms And Accidently Watched The String Cheese Incident For Five Hours

Want to remember all those Bonnaroo performances that you were too, uh, far gone to remember? Well, lucky for you and your stoned companions, Bonnaroo is releasing a live DVD on December 15 via Superfly and A.C. Entertainment, entitled Live From Bonnaroo 2009. The cost for the DVD will be $16.95, and a limited number will be available for pre-order for $15 through the Bonnaroo website. You can check out a trailer for the DVD here.

The complete tracklisting of performances is as follows:

1. Bruce Springsteen and the E Street Band - Outlaw Pete
2. Phish - Down With Disease
3. Beastie Boys - Intergalactic
4. Snoop Dogg - I Want To Love You
5. Elvis Costello with Jenny Lewis and Her Sound - Go Away
6. Ben Harper and Relentless7 - Fly One Time
7. Andrew Bird - Fitz and the Dizzspells
8. The Decemberists - The Wanting Comes In Waves/Repaid
9. Del McCoury Band - Moneyland
10. Coheed and Cambria -Welcome Home
11. Amadou & Miriam - Masiteladi
12. Santigold - LES Artistes
13. Zac Brown Band - Who Knows
14. Passion Pit - Little Secrets
15. Raphael Saadiq - Keep Marching
16. Cage the Elephant - Ain't No Rest

Evangelicals Announce Fall Tour, Refrain from Appearing on EWTN

One of my favorite things to do around 3 AM is watch televangelists on EWTN (Eternal Word Television Network, for those not hip to the lingo). Overly excited folks are always entertaining, but the fervor those guys get from the good lord is especially ace. To awkwardly transition into the point of this story, “Midnight Vignette” from Evangelicals’ second record, The Evening Descends (TMT Review), was one of my favorite songs of last year. No matter how you look at it, evangelicals get a thumbs up in my book.

Only one kind of Evangelicals is going on tour, though, and it’s the band. Good news for psych-rock fans, bad news for Jesus fans, I suppose. Anyway, Oklahoma’s other favorite sons are hitting the road, starting with a hometown Halloween show and charging through November. Word has it they’ll be premiering some new material from their forthcoming new album on these dates, most of which will be opened by Tallahassee’s Holiday Shores

10.31.09 - Norman, OK - Opolis
11.02.09 - Phoenix, AZ - Modified Arts *
11.03.09 - Los Angeles, CA - Echo ^
11.04.09 - San Francisco, CA - Hemlock Tavern *
11.05.09 - Portland, OR - Holocene *
11.06.09 - Seattle, WA - The Vera Project *
11.07.09 - Missoula, MT - The Palace *
11.08.09 - Salt Lake City, UT - Kilby Court *
11.09.09 - Denver, CO - Hi Dive *
11.11.09 - Kansas City, MO - The Record Bar *$
11.12.09 - St. Louis, MO - Firebird *
11.16.09 - Washington, DC - The Red and the Black *
11.17.09 - Philadelphia, PA - Kung Fu Necktie *
11.18.09 - Brooklyn, NY - Union Hall *
11.19.09 - Allston, MA - Great Scott *
11.20.09 - Buffalo, NY - Mohawk Place *
11.21.09 - Cleveland, OH - Beachland Tavern *
11.22.09 - Chicago, IL - Schubas *
11.23.09 - Bloomington, IN - The Bishop *

* Holiday Shores

^ Port O’Brien

$ Eli August

Judge Declares Ringtones Not Considered Performances, Cell Phone Companies Need Not Pay Royalties

This federal court ruling goes out to all those idiots who think anyone would actually want to hear their cell phone blast the new Kid Cudi song through their shitty one-inch speaker: this week, a federal court ruled that ringtones that are played aloud in public are not an actual performance of an artist’s song, so therefore cell phone providers do not have to pay royalties on them. In the ruling, U.S. District Judge Denise Cote acknowledged the fact that the cell phone provider both has no control over when a ringtone is played and earns no money when it is played.

Oddly enough, what would seem like an obvious case was actually an argument brought to light by the American Society of Composers, Authors, and Publishers (ASCAP) earlier this year when it decided to sue several U.S. cell phone providers in order to force them to pay royalties whenever a “performance,” or ringtone, was played. Its argument was that the download rights that providers were already paying weren’t enough. But the court shot down ASCAP because it failed to show infringement of providers or its customers, ruling that a ringtone is not a public performance, like how a radio on the beach blasting the new Kid Cudi song is not considered one either.

Cursive Announce Fall Tourdates, Your Turn-of-the-Millennium Inner-Child is Getting PUUUMPED

Oh, Cursive, Cursive, Cursive... What are we supposed do with you? On the up side, literally almost everyone I know used to listen to you religiously eight or nine years ago. On the down side, that was, you know, eight or nine years ago...

But hey, you’re still here! Rockin’ out, then, are you? How is post-rock these days? “Good?” That’s super. And you released a new record this year after a few years’ absence called Mama, I’m Swolen (TMT Review) on Saddle Creek? What does that sound like, man? Oh right... Cursive... Oh well, hopefully I’ll have a chance to get it from Napster a little later or something. Shouldn’t take too long with my T1 line. I’m not sure what else I have going on today, though.

But for real though, good luck with your headlining dates next month, beginning November 24 at the good old Bottleneck in good old Lawrence, KS. I wonder if that one sticker is still there? You know the one I mean. Ah, and I see that you’re wrapping up on the 13th at the Waiting Room in your home town of Omaha, Nebraska, that magical manila-colored City that my friends and I used to want to visit. How’s the scene there, anyway? Post-rocky, I bet.

Oh, but I hear that the Omaha show is for this Lash's 6th Annual Toy Drive thing and that it’s an annual benefit show organized by Omaha musician Larry Dunn for the children of the Porcupine District of the Pine Ridge Indian Reservation in South Dakota, a.k.a. one of the most impoverished communities in the U.S. Apparently, donations (a.k.a. toys) will be accepted at the show and 100% of those proceeds will go toward buying additional gifts and holiday stockings. Okay, now that’s pretty unassailably cool.

Anyway, I’ll catch you later, Cursive. Right now I’ve got to set up my VCR to record Who Wants to Be a Millionaire? tonight, and programming that thing just always takes for EVER.

Cursive tour:
10.26.09 - Tokyo, Japan - Shibuya O-Nest
10.27.09 - Tokyo Japan - Shindaita Fever
11.24.09 - Lawrence, KS - Bottleneck
11.25.09 - Springfield, MO - Outland Ballroom
11.27.09 - Denton, TX - Hailey’s
11.28.09 - Austin, TX - Mohawk
11.29.09 - McAllen, TX - Cine El Rey
12.03.09 - Mobile, AL - Alabama Music Box
12.04.09 - Pensacola, FL - Sluggo’s
12.05.09 - Orlando, FL - The Social
12.06.09 - Gainesville, FL - Common Grounds
12.07.09 - Atlanta, GA - Lenny’s
12.08.09 - Oxford, MS - Proud Larry’s
12.09.09 - Little Rock, AR - The Rev Room
12.10.09 - Fayetteville, AR - George’s Majestic Lounge
12.11.09 - Columbia, MO - Mojo’s
12.13.09 - Omaha, NE - Waiting Room (Lash's 6TH Annual Toy Drive)

Starfucker Randomly Decide to Drop Name, and Go with PYRAMID Instead

Starfucker, Portland's electro-pop project, have decided to change their band name to PYRAMID, after launching a "name change contest," in which fans suggested new ideas for what Starfucker's name should be. (Other suggestions that didn't make the cut: Rad Stewert, Emergency Landing, $.89 for a Taco, and LVLS.)

Starfucker-- oops, I mean, PYRAMID will be playing one last show as Starfucker at Portland’s Wonder Ballroom this coming Halloween (oh wait, so I did mean Starfucker). PYRAMID's first action as their new persona will then be to self-release their first UK single, titled "Medicine," which currently appears on the Jupiter EP.

If you ask me, Starfucker are in a strange place to be changing their name so suddenly. They've gained moderate attention via their original name and have nowhere to go but up by using it. I suppose they aren't quite well-known enough to gain LOTS of attention, which I'm guessing is their reason for making the switcharoo in the first place. I'm also guessing that the most this name change will do is baffle people. So, here is Starfucker: caught between a famous-but-not-famous-enough rock and a hard place and wanting to change their name. But it just feels like the awkward turtle attempt to look more accessible. Whatevs!

PYRAMID's leftover tourdates are below.
10.31.09 - Portland, OR - Wonder Ballroom
11.19.09 - Bristol, UK - Start the Bus
11.20.09 - London, UK - The Garage
11.21.09 - Amsterdam, NL - Paradiso
11.22.09 - Paris, FR - Point Ephemere*
11.24.09 - London, UK - Flowerpot
11.25.09 - London, UK - Dingwalls^
11.26.09 - London, UK - Notting Hill Arts Club

* Golden Silvers

^ The Filthy Dukes

Performance Rights Act Approved by Senate Committee

The big congressional news last week was that the Senate Finance Committee voted through a health care plan. Much less publicized (but far more important considering all the historical conflicts and tensions) was the approval of the Performance Rights Act by the Senate Judiciary Committee. A similar bill has already been approved by the House Judiciary Committee.

The legislation aims to compensate artists whose music is played on AM and FM radio stations, one that, according to the Executive Director of the musicFIRST Coalition, Jennifer Bendall, rights a wrong that has existed “over the last 80 years.” She described the Committee’s approval as bringing us “one step closer to winning the fight for fundamental justice that has been waged by countless artists and musicians.” Somebody’s been borrowing Obama’s speechwriters!

According to The Wall Street Journal, the legislation “would force radio companies to pay royalties [fees] of as much as $500 million a year to record labels and artists whose music they play.” A survey conducted by the National Association of Broadcasters (NAB) found that, when the Act was described in this way, 75% of Americans opposed the legislation. Of course, if it was described as “Paying hardworking Americans for their vital labor that entertains millions of radio listeners every week,” then maybe we’d have a different set of results. This correspondent is not biased (bias doesn’t exist on TMT!); I'm just suggesting that NAB could've benefited from a semester in survey design.

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