Current 93 plan new release for early next year; David Tibet says, “The apocalypse is actually going to happen this time, I swear”

Current 93 plan new release for early next year; David Tibet says, "The apocalypse is actually going to happen this time, I swear"

Alright, no one freak out, but FACT is reporting that Current 93 have a new record coming out February 8 of next year. It’s called I Am the Last of all The Field That Fell a title which, yeah, I know, is kinda murdery in that special-plan-for-this-world-perfect-mind-thundering-David Tibet-y kind of way. Beyond the date and title, there’s not much detail on the album just yet. Trust me, I understand going into the apocalypse with information so scant can seem a little intimidating. I mean, I have a wife and kids at home too (and I actually told my wife I’d pick up some organic milk on the way home so I’m double screwed if we all get consumed by a spontaneous lava flow or whatever), but please try to remain calm.

Pay no mind to the hooded figure that just handed me a package. He’s just here to drop off my advance copy of the book of Tibet’s lyrics, Sing Omega, that’s also coming out on February 8 of next year. That’s right, review copy, bitches! Even in the apocalypse, being a part of the liberal media has its perks. I also got some advance tickets to the Current 93 performance on the day that’s also on February 8 at London’s Union Chapel. To be honest though, I’m probably going to throw them up on StubHub or something. I’ve heard from an anonymous source close to Satan himself that the whole apocalypse thing will be full speed ahead by then, and the Union Chapel will be at the bottom of a crater and filled up with beasts whose taste for human flesh cannot be slaked. A Current 93 concert at the bottom of a crater combined with the opportunity to use the word “slaked” in a sentence? Yes please! Attending that concert while beset by unearthly beasts on every side? Thank you very much, sir, but I think I’m busy that night.

• Current 93:

People on a budget finally permitted to hear the decay of a nation with new Disintegration Loops CD-only box set

In the decade-plus since their release, William Basinski’s Disintegration Loops have become the artistic embodiment of the grief and transformational furor felt in the wake of 9/11, a status which is both burdensome and gratifying for their creator. As Basinski told TMT last year when asked about his now ubiquitous association with the tragedy:

It’s such a mixed blessing. It… I wish I never had to talk about 9/11 again, you know? But, you can’t ever forget it, and everything changed that day, the world…

I do feel like it was such an honor that was given to me, at a time when I was completely broke and didn’t really know what would happen next. I felt like I was somehow being given this incredible task. With the Disintegration Loops there came a whole new level of meaning that up until that day wasn’t part of it. Filming the last hour of daylight that night and bouncing it to the computer next day, pairing it with “dlp 1.1,” it became an elegy, and over the next weeks and months, seeing everyone in New York falling into their own disintegration loops — fear, terror, very odd ways — it felt like it had to be an elegy of some kind.

Around the time of this interview, Basinski was promoting the box set reissue of The Disintegration Loops. This 9-LP/5-CD behemoth includes a live performance DVD as well as a 148-page book chronicling September 11, 2001’s waning daylight. While no doubt exhaustive, the set is also expensive: a number of copies are still available at Temporary Residence for $225 (prepare to fork over even more on Discogs.) Thankfully, for those in need of some post-9/11 reflection in this post-2008 economy, The Disintegration Loops is being reissued in box set form again with everything except the vinyl. While this may not sit well with audiophiles, the $80 price tag should make this exquisite set accessible to more people. Plus, a portion of the profits will go to the National September 11 Memorial Museum, which will soon formally induct the loops into its collection. Preorder the set in anticipation of its November 12 release here.

• William Basinski:
• Temporary Residence Ltd.:

Arbouretum and Cass McCombs announce winter tour, seek to rectify global warming by force

Grab your parkas, your ski masks, and your little hand warmer things, friends, because Arbouretum are going on tour this winter and it’s gonna get hella cold. Imagine if Lance, that guy from your office who always turns the thermostat way down because he “runs hot,” was a band. The band you are imagining is Arbouretum. Shiver, right? Double shiver, even. I mean, I would imagine the fellahs in Arbouretum talk a little bit less about their mother-in-laws than Lance does, but the comparison’s pretty close. At any rate, they’ve definitely got one thing in common: the ambient temperature in the office park drops several degrees when they’re around. I bet you didn’t think doomy psych-inflected folk rock had the ability to actually effect the weather, did you?

Except for the first date in mid-November, Arbouretum are joined for the length of their winter jaunt by none other than the human puffy-coat himself, Cass McCombs. McCombs has an album of his own coming out pretty soon. It’s called Big Wheel and Others and it’s out October 15 on Domino. I’m telling you right now you’d better bundle up for this one. Seriously, I recommend layering. Watch Arbouretum’s video for the title track to this year’s Coming Out of the Fog below to get a sense of whether or not your parka is going to cut it. Honestly, it probably won’t.


11.16.13 - Baltimore , MD - Ottobar #
12.02.13 - Cambridge, MA - The Sinclair
12.03.13 - Montreal, QC - Il Motore
12.04.13 - Toronto, ON - Great hall on Queen Street
12.06.13 - Chicago, IL - Empty Bottle
12.07.13 - Louisville, KY - Zanzabar
12.08.13 - Nashville, TN - High Watt
12.09.13 - Atlanta GA - The Earl
12.12.13 - New York, NY - Bowery Ballroom
12.13.13 - Philadelphia, PA - Boot and Saddle
12.14.13 - Baltimore, MD - The Ottobar

# Wooden Shjips, Purling Hiss

• Arbouretum:
• Cass McCombs:
• Thrill Jockey:

RIP: Philip Chevron, guitarist for The Pogues

From The Guardian:

Philip Chevron, who played guitar for the Pogues, has died at the age of 56. He had been treated for head and neck cancer in 2007 and was given a clean bill of health in April 2012. A new tumour appeared in August 2012, however, and was deemed inoperable. He died on Tuesday morning.

Chevron joined the Pogues following the release of their debut album, Red Roses for Me, initially on a temporary basis. He was a full-time member by the time they recorded their second album, Rum, Sodomy and the Lash. Although the Pogues’ songwriting was dominated by Shane MacGowan, Chevron contributed one of the band’s best-loved songs, Thousands Are Sailing.

• Philip Chevron:

Southern Lord announces Noothgrush/Coffins split release, Oakland and Tokyo are now one

According to the online distance calculator I just consulted, Tokyo, Japan and Oakland, California are 5,127 miles away from each other. It doesn’t take a distance scientist to realize that the capital of Japan and the eighth-largest city in California are pretty far away. Really a shame, isn’t it? Though the two are so different, I feel like Tokyo could really learn a lot from Oakland and vice versa. Good thing we’ve got Southern Lord among us to make the two a little closer. On November 11, the venerable metal label will release a split 12-inch between Oakland’s Noothgrush and Tokyo’s Coffins.

Not only will this split bridge distances, it shall also bridge time. (Pulitzer Prize, here I come!) This release will act as Noothgrush’s first studio recording since 1998. Jeez, can’t get more historic than that, right? Wrong, you corn-eating bozo. As it turns out, the split also marks their first recording with Dino Sommese, formerly of sludge/crust legends Dystopia, on lead vocals. Dystopia’s first full-length was titled Human = Garbage, so expect misanthropy.

Having just put out a full-length last year (March of Despair), this release will prove somewhat less historic for Coffins. However, that shouldn’t matter, since the split’s press release describes the group’s music as the kind that “you would feel comfortable having as your soundtrack whilst riding a Harley Davidson into hell like you own the place.” Truly, that says it all.

• Noothgrush:
• Coffins:
• Southern Lord:

Young Jeezy announces new album The Statue of Limitations is Over With, then quickly announces that that’s not a typo

Rap, man. It’s a thing. And, on top of it being a thing; there’s also different kinds. One kind is definitely from Atlanta. A guy who does that kind is named Young Jeezy, and according to FACT, he’s got a new album coming out soon that’s chock full of that Atlanta Rap I was just talking about.

When does it come out, exactly? Who knows. Soon. On Def Jam, probably. But, I do know that its title is The Statue of Limitations is Over With and that “statue” is supposed to be spelled that way. Typos are employed a lot in the music industry to cool effect, actually. Just ask “The Beatles.” Or, more recently, “Korn.”

But anyway, I can also show you the new single for the album, “In My Head,” which was produced by Childish Major and, according to this teaser thing I watched, is available via iTunes on October 8. It’s embedded below and employs synths and drum machines a-plenty, to a splendid effect, in my opinion. But, sorry. I’m not here to sell it to you. I just report the news.

• Young Jeezy:
• Def Jam: