What’s a Coachella? Desert Daze Festival to feature Liars, Blonde Redhead, Unknown Mortal Orchestra, and more

What's a Coachella? Desert Daze Festival to feature Liars, Blonde Redhead, Unknown Mortal Orchestra, and more http://www.tinymixtapes.com/sites/default/files/1402/news-14-02-desert-daze.jpg

If sweating under the piercing desert sun with no shade in sight, extremely overpriced beers, and the entire Hipster-American population of L.A. doesn’t seem like a good time to you, well, Desert Daze is back to save you from the Coachella blues. These people have a MUSIC FESTIVAL in the DESERT with ACTUALLY GOOD BANDS and it is LITERALLY IN AN OASIS. (Well, I don’t know what the exact scientific definition of an oasis is, but it’s got a lake with trees, and it looks like HEAVEN.) This one-night boutique of music is turning 3 on April 26 (the weekend after the Big Festival) this year.

This year you got Blonde Redhead, The Raveonettes, Liars, Autolux, Unknown Mortal Orchestra, Vincent Gallo, Diiv, The Allah-las, Night Beats, Cosmonauts, Disappears, Deap Vally, Mystic Braves, Kiev, Mr. Elevator and the Brain Hotel, Terakaft, Corners, Froth, Fever the Ghost, Kiki Pau, Al Lover, Kikagaku Moyo, Habits, Liphemra, Church of Sun, Supertall Paul’s Jive Joint, Young Old Man, and my personal favorite band name, LA Witch. The festival takes place at Sunset Ranch in Mecca, CA. More info is available online.

• Desert Daze: http://desertdaze.org

Avey Tare’s Slasher Flicks take a stab at a debut album, Enter the Slasher House, kill it on first single, mutilate fans on spring tour!

Hey there! In case you clicked on this link by accident, let me show you around and explain what’s going on before you leave. See, this dude Avey Tare (a musician who used to be famous for singing and gesticulating-around in a strange and silly-sounding band called Animal Collective) recently teamed with keyboard player and singer Angel Deradoorian (of Dirty Projectors and Deradoorian), and drummer Jeremy Hyman (of Ponytail and Dan Deacon) to form a new band. From there, they basically did what people always do: gave the band an obvious name (Avey Tare’s Slasher Flicks), moved to Los Angeles, and banged out an album together based on Avey’s acoustic-guitar demos. Then together, the goofy “jazz power trio” (that’s really what the press release says) went and co-produced and recorded the songs together live at the Lair studio “using only minimal overdubs,” which apparently resulted in a “spooky dynamism.”

I know what you’re thinking, and no, the resulting album unfortunately isn’t called Spooky Dynamism. It’s actually called Enter the Slasher House, and it’s coming out via Domino on April 8 in the US (and April 7 every place else) on vinyl, CD, download, the whole works. And heck, if you’re still reading this, you’ll probably also be interested to know that you can check out the first single, “Little Fang”, down below. In addition, you can totally pre-order the album from Domino on CD and “double heavyweight vinyl” and get an instant download of the single right now! (Wow, you’re actually gonna do it, aren’t you? I guess I must be absolutely killing this story!)

Oh, and the band is also going on tour soon. And since I’ve convinced you to stay and read all this and become a HUGE fan of this band you’ve never heard of before just now, you’ll probably also be interested to know that they’re selling ticket + album combo-paks at their website right now as well. Enjoy. And you’re welcome! No need to thank me. Just doing my job.

Enter the Slasher House tracklisting:

01. A Sender
02. Duplex Trip
03. Blind Babe
04. Little Fang
05. Catchy (Was Contagious)
06. That It Won’t Grow
07. The Outlaw
08. Roses on the Window
09. Modern Days E
10. Strange Colores
11. Your Card

Avey Tare’s Slasher Flicks dates:

04.17.14 - Madison, WI - Majestic Theatre *
04.18.14 - Ann Arbor, MI - The Blind Pig *
04.19.14 - Toronto, ON - Lee’s Palace *
04.21.14 - New York, NY - Bowery Ballroom *
04.22.14 - Boston, MA - Brighton Music Hall *
04.24.14 - Philadelphia, PA - Johnny’s Brenda *
04.25.14 - Washington, DC - U Street Music Hall *
04.26-27.14 - Asheville, NC - Moogfest
04.28.14 - Columbus, OH - Ace of Cups *
04.29.14 - Exit In - Nashville, TN *
04.30.14 - Atlanta, GA - Masquerade (Purgatory Stage) *
05.02.14 - New Orleans, LA - Parish at House of Blues *
05.03-04.14 - Austin, TX - Austin Psych Fest

* Dustin Wong

• Avey Tare’s Slasher Flicks: http://www.entertheslasherhouse.com
• Domino: http://www.dominorecordco.us

Florian Hecker announces Articulação on Editions Mego, two out of two cats already poised to pounce at the speakers

Get your brains ready, because German head-scrambler Florian Hecker just announced that he’s back with another full-length brain-whisk entitled Articulação on Editions Mego. I just played the excerpt from “Modulator (… meaningless, affectless, out of nothing …)” that’s up on SoundCloud on my stereo and let me tell you, my cats are super excited. And when I say “excited” what I actually mean is “they somehow plotted a tandem attack against my speakers that I was only barely able to prevent before they ripped the cones to shreds.” I’ll embed the track below if you are in the mood for a cool sonic experience paired with a possible cat attack.

Anyhow, I’m getting ahead of myself. Maybe you’re all like, “Who the heck is Florian Hecker?” not because you don’t know who he is but because you think you’re funny and good at puns. You’re not. Florian Hecker, though, is an experimental producer who, through a series of releases, including 2011’s Speculative Solution (TMT Review) and 2009’s Acid in the Style of David Tudor (TMT Review), has plumbed the depths of noise and psychoacoustics. Most recently he released 2012’s Chimerization, a three-part collaboration with Iranian philosopher Reza Negarestani who provided an “experimental libretto” for the piece in English, German, and Farsi.

Articulação finds Hecker collaborating with Negarestani yet again on the libretto for “Hinge,” which conveys a “complex scene in which the two obelisks of the script — one from the perspective of nature and one from the perspective of culture — are recited simultaneously in an informational yet dramatic style.” Different versions of “Hinge” open and close the album. Included as well on these tracks are vocal contributions from vocalist and composer Joan La Barbara, as well as Sugata Bose and Anne Kohler. Mastering is by Rashad “Obviously can time travel because how else could one human do as much cool stuff as he does” Becker. The album is due out March 31 and is available for pre-order right here.

Articulação tracklisting:

01. Hinge*
02. Modulator (… meaningless, affectless, out of nothing …)
03. Hinge**

• Florian Hecker: http://florianhecker.blogspot.com
• Editions Mego: http://editionsmego.com

Mastodon plan spring Segway tour of the United States

And lo, there was a long and steady rumble from the west, for the Mastodon had awakened from its wintry slumber. The deep thuds of distant footsteps put fear deep into the hearts of men and women alike. The rumble grew as the footsteps grew closer and harder. And then silence. For as it is known, the stomping of the Mastodon results in significant knee damage, particularly when the Mastodon neglects the stretching regimen recommended by its doctor and makes a habit of skipping exercise.

And thus it came to pass that the constituents of the Mastodon, the beastmen Troy Sanders, Brent Hinds, Bill Kelliher, and Brann Dailor, totally wrecked their knees trying to do the whole “stomp so hard mere mortals can hear you coming for miles” thing, and as such found themselves dearly in need of knee surgery. As it was written, the best way to raise the much-needed funds for four knee surgeries is to go on a spring tour. AND SO IT SHALL BE! Many voices may be heard to wonder, “How now shall these beastmen with their ruined knees dare to travel and perform upon such wounded appendages?” The answer will come forth from the clouds, loud and strong: “The beastmen will use Segways!” Accompanying Mastodon will be fellow terrifying stomping beasties on one way trips toward knee damage, Gojira and Kvelertak. Tickets are on sale now, and those that find themselves desirous of a preview might do worse than to check out Mastodon’s recent Live at Brixton release.

And then I looked, and lo, a second scroll unfurled. It contained but scant information, promising a rider on a white horse from the east bearing a follow-up to 2011’s The Hunter (TMT Review). It contained hints of work being done even now, though drawing soon to a close, in Nashville, Tennessee under the guidance of one Nick Raskulinecz. Beyond assurance that further details would be soon forthcoming, there was little. And then nothing. And then only darkness.

Dates:

04.28.14 - Seattle, WA - Showbox SoDo
04.29.14 - Portland, OR - Roseland Theater
05.01.14 - Oakland, CA - Fox Theater
05.02.14 - Los Angeles, CA - Nokia Theater
05.03.14 - Las Vegas, NV - House of Blues
05.04.14 - Salt Lake City, NV - Depot
05.05.14 - Denver, CO - Ogden Theater
05.07.14 - Minneapolis, MN - First Avenue
05.08.14 - Chicago, IL - The Riviera Theater
05.09.14 - Pittsburgh, PA - Stage AE
05.10.14 - Toronto, ON - The Sound Academy
05.12.14 - Buffalo, NY - The Town Ballroom
05.13.14 - Washington, DC - 9:30 Club
05.15.14 - New York, NY - Terminal 5
05.16.14 - Boston, MA - The Palladium
05.17.14 - Philadelphia, PA - Electric Factory
05.18.14 - Columbus, OH - Rock On The Range

• Mastodon: http://www.mastodonrocks.com
• Warner Brothers: http://www.warnerbrosrecords.com

Xiu Xiu cancel/postpone North American tour due to Jamie Stewart throat issues

Is it… maybe… within the realm of possibility to love abortion too much? I’m not talking about an addiction to the physical act, which would inspire personal abhorrence to the point of vomiting, but rather a simple spoken enthusiasm. Or should I say a yelled enthusiasm. Or should I say an indirect-effort-to-pop-a-blood-vessel enthusiasm. That was a microcosmic takeaway from the one time that I experienced Xiu Xiu in concert, but really, anyone familiar with Jamie Stewart’s recorded work would, I imagine, acknowledge his ongoing penchant for vocal bipolarity. That’s why we love him. That’s why Stewart’s a chronic ruiner of movies, both inside and outside the theater. That’s why Xiu Xiu has motherfucking cancelled (or postponed) the entirety of the North American tour celebrating new Polyvinyl album Angel Guts: Red Classroom (TMT Review).

Excuse the pure speculation. Here’s the statement from Stewart himself, where he merely alludes to throat troubles, which could have a myriad of causes:

I am disappointed and very sorry to say that Xiu Xiu will have to postpone our upcoming tour. I have been having increasing trouble with my throat for years, and this week my doctor advised me not to sing for at least two months or risk losing it permanently. Hopefully, as soon as possible, we will be able reschedule these dates. Thank you to our fans for continuing to support us. We love you all and look forward to seeing you all soon.

Refunds available at the point of purchase, folks.

(Once, but no longer) dates:

02.19.14 -Santa Barbara, CA - Soho Restaurant & Music Club
02.20.14 - Fresno, CA - Fulton 55
02.21.14 - Felton, CA - Don Quixote’s International Music Hall
02.22.14 - San Francisco, CA - Bottom of the Hill
02.24.14 - Seattle, WA - Barboza
02.25.14 - Portland, OR - Doug Fir Lounge
02.26.14 - Vancouver, BC - The Media Club
02.28.14 - Salt Lake City, UT - Kilby Court
03.01.14 - Denver, CO - Larimer Lounge
03.02.14 - Kansas City, MO - The Record Bar
03.03.14 - St. Louis, MO - Firebird
03.05.14 - Minneapolis, MN - 7th St. Entry
03.06.14 - Madison, WI - The Frequency
03.07.14 - Chicago, IL - Schubas Tavern
03.08.14 - Detroit, MI - Magic Stick Lounge
03.09.14 - Toronto, ON - The Garrison
03.10.14 - Montreal, QC - Il Motore
03.11.14 - Cambridge, MA - Middle East Upstairs
03.13.14 - Brooklyn, NY - The Knitting Factory
03.14.14 - Washington, DC - Rock & Roll Hotel
03.15.14 - Philadelphia, PA - Boot & Saddle
03.16.14 - Richmond, VA - Gallery 5
03.17.14 - Raleigh, NC - Kings
03.18.14 - Atlanta, GA - The Earl
03.20.14 - Houston, TX - Fitzgerald’s
03.21.14 - Austin, TX - Holy Mountain
03.22.14 - Dallas, TX - Club Dada
03.24.14 - Phoenix, AZ - Rhythm Room
03.25.14 - San Diego, CA - Soda Bar
03.26.14 - Los Angeles, CA - The Echo

• Xiu Xiu: http://xiuxiu.org
• Polyvinyl: http://www.polyvinylrecords.com

Hark! Cinema glory! Jonny Greenwood and Paul Thomas Anderson team up for Inherent Vice!

Jonny Greenwood’s office/recording studio/weeping willow beneath which he composes evocative, sensitive music is like the figurative Pearly Gates of Film Scores; you kill yourself working on some movie, spend some time wandering around in a bunch of clouds with singing people (I have no metaphor for what this is, but it obviously just has to be part of the narrative), and then you make your approach to the Big Man himself. If he says yes, it’s a one-way ticket to Film Score Heaven. If he says no, well, fuck your movie. It’s all sensitive coffee shop guitar guys and Skrillex beats for your crappy movie soundtrack.

But Paul Thomas Anderson has been a very good boy here in this cinema veil of sin, so it’s no wonder that FACT are reporting that he and Jonny will be frolicking through the heavens together once again for his forthcoming film Inherent Vice. Based on the Thomas Pynchon novel about seedy 60s Los Angeles (is there another kind?), the flick stars Joaquin Phoenix, Benicio Del Toro, Reese Witherspoon, Josh Brolin, Owen Wilson, Jena Malone, Martin Short, and Maya Rudolph. Greenwood has worked on Anderson’s previous two films, There Will Be Blood and Philip Seymour Hoffman-starring The Master (TMT Review). Greenwood’s score will be recorded by London’s Royal Philharmonic Orchestra later this month, with the film itself set to hit the festival circuit later this year.

• Jonny Greenwood: http://www.radiohead.com

  

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