Editions Mego creates new label Spectrum Spools, debuts with Bee Mask and Fabric albums

Editions Mego creates new label Spectrum Spools, debuts with Bee Mask and Fabric albums http://www.tinymixtapes.com/sites/default/files/news-11-01-spectrum-spools.png

Are you still working on your quest to own all of the albums on TMT’s recent Favorite Albums of 2010 year-end list? If you are, then you better thank your lucky stars that Editions Mego have created a new label, Spectrum Spools, which plans on releasing Bee Mask’s Canzoni dal Laboratorio del Silenzio Cosmico, our #43 pick, for your listening and spending pleasure. The label, which has a self-imposed goal to release “past and future electronic music works of the highest quality,” will also release Fabric’s A Sort Of Radiance, another album that the label says showcases the “talent shining up out of the North American synth underground.”

Both albums will be pressed on high-quality vinyl and are limited to 500 copies. They’re also available for pre-order now. Then all you have to do is wait until March to receive an album that we described as “a dazzling display of synthesizers and haunting sound collage.”

• Spectrum Spools: http://www.editionsmego.com/spectrum-spools
• Editions Mego: http://www.editionsmego.com

Sharon Jones rocks America on extended US tour

Across America, a voice cries out. “Give me jobs,” it says. “Or an end to war. Or improved infrastucture or more civilized politics.” The voice considers. “Oh f*%$ it,” it says, “Just give me a really long Sharon Jones tour of the southern United States and we’ll call it even.”

Alright, USA, here you go. Ms. Jones and band have had a busy 2011 already; they’ve opened for Prince at Madison Square Garden, rocked at his afterparty, and now they’re extending their spring tour to include the South, including a jaunt so Sharon’s hometown, Augusta, Georgia. So, my fellow Americans, bring me your tired, your poor, your teaming masses yearning to GET DOWN, and let’s get this tour started.

02.03.11 - Ithaca, NY – State Theatre of Ithaca*
02.04.11 - Buffalo, NY – Town Ballroom*
02.05.11 - Cleveland, OH – Beachland Ballroom*
02.10.11 - Pawtucket, RI – The Met*
02.11.11 - Burlington, VT – Higher Ground
02.12.11 - Hartford, CT – The Webster
03.10.11 - Knoxville, TN – Bijou
03.11.11 - Charlotte, NC – McGlohon Theatre
03.12.11 - Augusta, GA – Imperial
03.15.11 - New Orleans, LA – House of Blues
03.17.11 - Pensacola, FL – Vinyl Music Hall
03.19.11 - Tampa, FL – The Ritz Ybor
03.20.11 - Miami Beach, FL – The Fillmore Miami Beach
03.21.11 - Orlando, FL – Beacham Theater
03.23.11 - Tallahassee, FL – The
03.24.11 - Savannah, GA – Savannah Music Festival
03.24.11 - Charleston, SC – Music
03.26.11 - Raleigh, NC – Lincoln
04.15.11 - Live Oak, FL – Wanee Festival
06.03.11 - Ozark, AR – Wakarusa

* Charles Bradley

• Sharon Jones: http://www.sharonjonesandthedapkings.com

RIP: John Barry, composer of James Bond music

From Pop & Hiss:

John Barry, the Academy Award-winning film composer whose idiosyncratic and iconic compositions over the course of a lifetime in the movies – including some of the best known James Bond music and the themes to “Midnight Cowboy,” and “Out of Africa,” among dozens of others – died in New York on Sunday at age 77. The British-born composer not only helped define the feel of the Bond films but crafted music that served as a 1960s soundtrack to a new kind of jet-setting lifestyle. With his wildly adventurous arrangements and instrumentation, his music’s devil-may-care feel will forever be connected to fashionably mod cocktail lounges of the era.


[Photo: Geoff Leonard]

matt pond PA tours with Rocky Votolato, because sensitive dudes with guitars need to stick together

When you have a penchant for writing heartfelt songs on an acoustic guitar, it’s best to stick with other sensitive dudes so you have someone to back you up in any bar fights that occur on the road. And by “bar fights,” I mean strongly-worded disagreements, because I think Matt Pond and Rocky Votolato are more likely to play devil’s advocate than punch someone in the face. You can decide for yourself this winter when they head out on tour together, with Matt Pond supporting his new album, The Dark Leaves, and Votolato supporting his new album, True Devotion.

02.25.11 - Anaheim, CA - Chain Reaction
02.26.11 - Los Angeles, CA - Troubadour
02.27.11 - Phoenix, AZ - Rhythm Room
03.01.11 - Austin, TX - Stubb’s BBQ [indoors]
03.02.11 - Oklahoma City, OK - Conservatory
03.03.11 - Springfield, MO - Outland Ballroom
03.04.11 - Memphis, TN - Hi Tone Café
03.05.11 - Nashville, TN - Exit/In
03.07.11 - Atlanta, GA - Drunken Unicorn
03.08.11 - Gainesville, FL - Common Grounds
03.09.11 - Ybor City, FL - New World Brewery
03.10.11 - Orlando, FL - Back Booth
03.11.11 - West Columbia, SC - New Brookland Tavern
03.12.11 - Carrboro, NC - Cat’s Cradle
03.13.11 - Charlottesville, VA - The Southern
03.15.11 - Washington, DC - Black Cat
03.16.11 - Philadelphia, PA - First Unitarian Church
03.17.11 - Hamden, CT - The Space
03.18.11 - Poughkeepsie, NY - The Loft
03.19.11 - New York, NY - Bowery Ballroom
03.20.11 - Boston, MA - Middle East [downstairs]
03.22.11 - Montreal, QC - La Sala Rossa
03.23.11 - Toronto, ON - Drake Hotel
03.24.11 - Lansing, MI - Mac’s Bar
03.25.11 - Chicago, IL - Subterranean

• Matt Pond: http://www.mattpondpa.com
• Rocky Votolato: http://www.rockyvotolato.com

[Photo: J. Kendi]

Jim O’Rourke and Christopher Heemann team up on Plastic Palace People Vol. I

King of Prolificness Jim O’Rourke has teamed up with Christoph Heemann (Mirror, Mimir, H.N.A.S.) for a new record titled Plastic Palace People Vol. I. The album is a sound documentation of the working relationship between Heemann and O’Rourke that dates back to 1991, described as “a mix of granular synthesis and concrete sounds, drawing from a wide-range of of interests and backgrounds, reshaped and reassembled after all these years.” It’s also been described as a “heavy, spooky, three-part journey,” which, hey, kinda sounds like the last decade.

Heemann, who has also worked with O’Rourke (and Lee Ranaldo) in the past on Bloomington, Indiana…Autumn, will be releasing the album February 22 on his own Streamline Records, with distribution by Drag City.

Plastic Palace People Vol. I tracklist:

1. untitled 1
2. untitled 2
3. untitled 3

• Streamline: http://www.dragcity.com/store/label/st
• Jim O’Rourke: http://tisue.net/orourke

RIP: Milton Babbitt, avant-garde composer

From The New York Times:

Composer Milton Babbitt, who was known for his complex orchestral compositions and credited with developing the first electronic synthesizer in the 1950s, died Saturday. He was 94.

Paul Lansky, a composer and Princeton University colleague who was once a student of Babbitt’s, told The Associated Press he died Saturday at a Princeton hospital. Lansky said he did not know the cause of death.

Born in Philadelphia, Babbitt earned degrees from both Princeton and New York University. He joined Princeton’s faculty in 1938 and became a professor emeritus of music there in 1984.

In the 1950s, RCA hired Babbitt as a consultant as it was developing the Mark II synthesizer. He became a founder and director of the Columbia-Princeton Electronic Music Center, where the synthesizer was installed.

He blended electronic music with vocal performances in compositions such as “Vision and Prayer” and “Philomel” in the 1960s and “Reflections” in 1975.

Princeton awarded Babbitt, then 75, a doctorate in 1992, 46 years after his dissertation on the 12-tone system of modern composers was rejected.

“His dissertation was so far ahead of its time it couldn’t be properly evaluated at the time,” Theodore Ziolkowski, dean of Princeton’s graduate school and a close friend of Babbitt, said at the time.



• Milton Babbitt: http://en.wikipedia.org/wiki/Milton_Babbitt