Efterklang announce mighty morphin’ final show in Denmark after which they will either cease to exist or evolve into extra-dimensional beings. Those are the only two possibilities.

Efterklang announce mighty morphin' final show in Denmark after which they will either cease to exist or evolve into extra-dimensional beings. Those are the only two possibilities. http://www.tinymixtapes.com/sites/default/files/1401/news-14-01-efterklang.jpg

It’s been a decade since Efterklang’s debut Tripper (TMT Review) and like a butterfly or an animorph, the Danish group has decided it’s time to “fundamentally change what it means to be Efterklang and how we operate, create and perform.” They’re planning to play “one final show to celebrate them all,” which, Lord of the Rings reference notwithstanding, actually sounds a lot more like “breaking up” than “changing shapes à la a popular young adult science fiction series” to me, but then again I guess they did tweet that this “is not the end,” (TMT Review). According to the NME, a spokesperson from 4AD (the band’s current label) said that the band will likely take a “lengthy break,” possibly followed by a return “under a different name in the future.”

The mighty morphin’ final show is planned for February 26 at Alsion Concert Hall in Sønderborg, Denmark. They’ll be joined by Thomas Husmer and Rune Mølgaard from the band’s original five-member lineup, as well as the local symphony Sønderjyllands Symfoniorkester (conducted by Hans Ek) and girls choir. They’ll be playing songs from throughout their career, including many from the band’s early days that have never before been heard live. If you’d like a little more information about the performance, and you’d like for that information to be in Danish, you can click the link I’ll embed in the next sentence. Click here if you haven’t changed your mind about wanting more information. Tickets are available here.

• Efterklang: http://efterklang.net
• 4AD: http://4ad.com

Afterhours persuades healthy transitions to a nocturnal lifestyle on upcoming Lowlife LP via Not Not Fun

If the majority of employers around the world hadn’t blindly submitted to the daytime fascism imposed by the sun, we as humans might more readily appreciate the tranquility that’s almost synonymous with the night. Actually, scratch that. More humans awake during the post-midnight hours would definitely have a ruinous effect on that tranquility, as retailers would quickly conform their operations to this newly-appreciated time of day. Silent neighborhood strolls would lose their appeal when insensitive passersby start indiscriminately shining their flashlights en masse, creating an artificial sun, of sorts, and eventually throwing off the elaborate processes of the entire global ecosystem! Don’t you tell me about science!

Less severe, artists like Los Angeles-based Nicholas Crozier Malkin a.k.a. Afterhours might lose a tiny bit of inspiration. Here he is. The photo is time-stamped to assure us of his nocturnal authority, and going even further on that front, he’ll be releasing his debut LP Lowlife on January 28 via Not Not Fun (who also released his Sleepwalker 12-inch in 2012). Afforded a preliminary listen, it’s already one of my early favorites of 2014, and while it certainly isn’t the darkest album to ever exist, neither is that the point, as much as creating a tone utterly congruous with a city (mostly) asleep. Genres traditionally associated with this feeling, such as a trip-hop and deep house, are somewhat prominently referenced, but a welcome variety prevents the album from falling firmly into either category. Additionally: reverberant piano? Will I ever not be into it?

Malkin also hosts a radio show on Sundays called “Field Recordings of the Afterhours.” Check it out here.

Lowlife tracklisting:

01. Spit at the Mirror
02. Sixty Forty
03. Lovesick
04. Outcome
05. Defragment #2
06. Night and Day

• Afterhours: http://afterhours.kchungradio.org
• Not Not Fun: http://www.notnotfun.com

The Knife manage a few scattered dates around North America, shaking their habitual disgust for being around other people

You guys! Serious Art is fucking HARD.

How hard?

This hard:

04.11.14 - Indio, CA - Coachella Music Festival
04.15.14 - Oakland, CA - Fox Theater
04.18.14 - Indio, CA - Coachella Music Festival
04.21.14 - Denver, CO - Fillmore
04.23.14 - Chicago, IL - Aragon
04.25.14 - Toronto, ON - Kool Haus
04.26.14 - Montreal, QC - Metropolis
04.28.14 - Boston, MA - House of Blues
04.30.14 - New York City, NY - Terminal 5

• The Knife: http://theknife.net
• Mute: http://mute.com

[Photo: Ian Pearce]

Hobo Cubes to capture and encase your MIND, readies Apex Ideals LP on Debacle Records

Fabulous scientific breakthroughs are a regular feature of today’s technologically advanced (relative to the past) and advancing society, but in between all of the worthwhile, seemingly altruistic research being done, were you aware of our fully-fleshed capabilities as revivers of historical figures? I don’t mean in a zombie sense — because what would be the benefit of personally chastising Ronald Reagan if he was always trying to catch a gnaw? — but in the completely normal sense, albeit with slightly different motivations now that some time has passed. Francesco De Gallo… wait, they’re telling me that the 18th-century Spanish painter spelled his name slightly differently. Well. This guy’s cool too. C’mooon science.

Acknowledging the accuracy of referring to Apex Ideals as his debut LP, the Montreal-based De Gallo a.k.a. Hobo Cubes has certainly earned the “prolific” adjective over the past five years. At least a dozen cassettes and recorded collaborations, many of which were released through his own Hobo Cult label, have bolstered his musical persona as one of genuine complexity, borrows as he does from a variety of electronic sub-genres. De Gallo’s collaborations elsewhere have sometimes been more blatantly beat-oriented, but the music of Hobo Cubes tasks to envelop in a way that avoids the “ambient” label alone. It’s an abstract style that earned him a spot at Mutek last year, and one that is currently making me salivate. And I’m not even in the mood for salsa.

Apex Ideals comes out February 11. Here’s a neat excerpt reel:

Apex Ideals tracklisting:

01. Structures in Stasis
02. Fluidity
03. Subtle Sleep
04. Escape
05. Infatuation
06. Unit
07. Restless
08. Synchronicity
09. What Seemed to Be Nothing

• Hobo Cubes: http://hobocubes.tumblr.com
• Debacle: http://debaclerecords.com

Kraftwerk announce extensive tour, like some sort of touring man machine

Personal anecdote time. A few months back, I was meeting with Ralf Hütter, who you may know best as one of the founding members of pioneering electronic group Kraftwerk. Me, I know him from a mutual hobby that Ralf has insisted his involvement with stay private. Anyway, we had met in a cafe in Vienna to discuss, well, I really can’t say what we discussed. Halfway through the meal, though, Ralf’s face opened up, revealing a bed of circuits and wiring.

“Hey Ralf,” I ventured. “If you don’t mind me asking, are you some sort of robot?”

“Robot?” he responded. “Eric, that is crazy. You are being crazy. Are you saying that your face does not suddenly detach once-to-twice a day, revealing the circuitry that makes you the man you are? Of the two of us, I think it is you who is the strange one.”


I can’t prove it, but I am fairly sure the members of Kraftwerk are robots. At the very least, they’re some sort of man machine. Just look at these tour dates, as reported by Pitchfork. For men in their 60s, that’s quite a lot of touring. And some of these dates have both early and late shows? No man could perform so much music in one night. But a man machine, one built to perform the music we mere humans are not capable of recreating, could. Oh, how that man machine could play.

Kraftwerk dates:

01.21-23.14 - Stockholm, Sweden - Cirkus
03.13-15.14 - Mexico City, Mexico - El Plaza Condesa
03.18-21.14 - Los Angeles, CA - Walt Disney Concert Hall
03.23-25.14 - Oakland, CA - Fox Theater
03.27.14 - Chicago, IL -Riviera Theatre
03.29.14 - Toronto, ON - Sony Centre
03.30.14 - Montreal, QC - Metropolis
04.24-25.14 - Asheville, NC - Moogfest
05.18.14 - Vienna, Austria - Festwochen
07.10.14 - Tremčín, Slovakia - Pohoda Festival
07.18-20.14 - Salacgriva, Latvia - Positivus Festival
08.02.14 - Rattvik, Sweden - Dalhalla

• Kraftwerk: http://www.kraftwerk.com

Evian Christ announces new EP Waterfall and London launch party details, invites you to come to his house to watch the Winter Olympics in the meantime

Boy, the more I poke around on the internet, the more everyone keeps telling me that the work of Evian Christ (a.k.a. UK producer Joshua Leary) “eludes any sort of easy categorization.” And you know what? Who the hell am I to argue with pretty words like those? I’m just not even going to try to discover or explain shit to you about what he sounds like.

Instead I’m just going to say that the dude (who has apparently recently spent his time working on Kanye’s Yeezus, collaborating with conceptual artist Matthew Barney, and performing around town with peeps like Purity Ring, Actress, and Four Tet) has got a new EP coming out on March 17. It’s his first release since 2012’s Kings and Them mixtape (I know, I know; there’s probably some descriptions of the “sound” of that mixtape in that piece, but just ignore those); and it’s all coming at us via Tri Angle Records as a digital download and limited-edition vinyl. I’ll also tell you that he recorded some of it in his hometown of Ellesmere Port, UK and some of it out in New York, and that it was subsequently mixed by Noah Rubin (Pusha T, Wu-Tang Clan) and mastered by Heba Kedry (The Mars Volta, Liturgy, Fis); but THAT sure as heck doesn’t clear too much up, now does it?

Nope, to truly find out what this guy’s all about, you’ll just have to attend the celebratory “Trance Party” that he’ll be throwing at London’s Oval Space on March 21. Travis Scott, Millie & Andrea (Andy Stott and Miles Whittaker), Lil Silva, Sophie, Powell, and Mssingno will all be doing stuff there. You know some of them, maybe, right? Ooh, isn’t the suspense is just killing you!?

(Okay, fine; I suppose you could grab the first single, “Salt Carousel”, off of iTunes right now, or even just listen to it below and spoil the mystery now and forever. Me? I’m gonna keep this willful ignorance going for a while. It’s fun.)

Waterfall tracklisting:

01. Salt Carousel
02. Fuck Idol
03. Propeller
04. Waterfall

• Evian Christ: https://www.facebook.com/evianchrist
• Tri Angle: http://tri-anglerecords.com