Fiona Apple announces big North American tour for June and July; another viral fan letter to be discovered in May

Fiona Apple announces big North American tour for June and July; another viral fan letter to be discovered in May

The idler wheel may be wiser than the driver of the screw, but the rotating wheel is definitely FUNNER! In fact it must be the MOST FUNNEST, because Fiona Apple just can’t get enough of that tour/press circuit, announcing via Pitchfork (suddenly her most ardent supporter and promoter…) a full-on North American tour that sweeps across this broken land + Canada during June and July. I think I just heard Feist punch a wall :(

The tour is in support of Apple’s forthcoming album on Epic, The Idler Wheel is wiser than the Driver of the Screw, and Whipping Cords will serve you more than Ropes will ever do, out June 19 and falling way short, title-wise, of 1999’s When the pawn hits the conflicts he thinks like a king what he knows throws the blows when he goes to the fight and he’ll win the whole thing ‘fore he enters the ring there’s no body to batter when your mind is your might so when you go solo, you hold your own hand and remember that depth is the greatest of heights and if you know where you stand, then you know where to land and if you fall it won’t matter, cause you’ll know that you’re right. In between those two albums was 2005’s Extraordinary Machine, which famously scrapped its original Jon Brion production for a completely different sound in the hands of megaproducers Scott Storch, Scott Stapp, Scotch Storp, and Staph Scars. See the tracklisting for The Idler Wheel followed by the tourdates below, and be sure to RSVP on Facebook so Apple and Zuckerberg know you’re coming.

The Idler Wheel is wiser than the Driver of the Screw, and Whipping Cords will serve you more than Ropes will ever do tracklisting:

01. Every Single Night
02. Daredevil
03. Valentine
04. Jonathan
05. Left Alone
06. Werewolf
07. Periphery
08. Regret
09. Anything We Want
10. Hot Knife


06.19.12 - Ithaca, NY - State Theatre
06.20.12 - Baltimore, MD - Lyric Opera House
06.22.12 - Mashantucket, CT - MGM Grand Theater at Foxwoods
06.23.12 - Holyoke, MA - Mountain Park
06.24.12 - New York, NY - Governors Ball, Randall’s Island
06.26.12 - Washington, DC - Warner Theatre
06.27.12 - Upper Darby, PA - Tower Theatre
06.29.12 - Danbury, CT - Ives Concert Park
06.30.12 - Boston, MA - Citi Performing Arts Center
07.01.12 - Portland, ME - State Theatre
07.03.12 - Montreal, QC - Olympia Theatre
07.04.12 - Toronto, ON - The Sound Academy
07.06.12 - Cleveland Heights, OH - Cain Park
07.07.12 - Detroit, MI - The Fillmore Detroit
07.10.12 - Chicago, IL - Chicago Theatre
07.11.12 - Indianapolis, IN - Murat Theatre
07.13.12 - Nashville, TN - Ryman Auditorium
07.14.12 - St. Louis, MO - Peabody Opera House
07.16.12 - Minneapolis, MN - Orpheum Theatre
07.17.12 - Kansas City, MO - The Midland by AMC
07.20.12 - Denver, CO - Paramount Theatre
07.21.12 - Salt Lake City, UT - Kingsbury Hall - University of Utah
07.24.12 - Vancouver, BC - Orpheum
07.25.12 - Seattle, WA - Paramount Theatre
07.26.12 - Portland, OR - Arlene Schnitzer Concert Hall
07.28.12 - Oakland, CA - Fox Theater
07.29.12 - Hollywood, CA - Hollywood Palladium

• Fiona Apple:
• Epic:

Acid Mothers Temple and Phantom Family Halo will use North America as their psychedelic playground for about a month

Uh oh, mom! Looks like somebody spiked my morning kombucha with peyote buttons again. Oh wait. I just realized The Acid Mothers Temple & Melting Paraiso U.F.O. are in town, thus making the day-glo spaceship that’s currently landing in the backyard not, in fact, a hallucination but simply the band’s interstellar tour van. Good to know! Hang on a damn minute, what’s that otherwordly din coming from up the street? Shit, it’s The Phantom Family Halo’s Hell Bus, the mighty bus from Hell!

I guess since they’re gonna be on tour with Acid Mothers for the next month or so they’d want to stick pretty close together. Everybody knows you don’t want to leave too much distance between your lead vehicle on a cross-country caravan trip. Getting separated on the road can lead to a bad time if hemophiliac worm oyster splatter into a fresh grave’s Taliban I was born with the vision of gods! Saaaaay, I guess this is just a regular ol’ freaky peyote trip after all! Mother, you jokester! I could paint Gnostic Christian poems all over the walls and spend nine hours looking for Donovan’s email address so hard right now! Tie-dying the dog will keep us safe from Obama!


04.09.12 - Salt Lake City, UT - Urban Lounge #
04.11.12 - Tucson, AZ - Club Congress #
04.12.12 - San Diego, CA - Soda Bar #
04.13.12 - Los Angeles, CA - Echo #
04.14.12 - San Francisco, CA - Bottom Of The Hill #
04.16.12 - Portland, OR - Holocene #
04.17.12 - Seattle, WA - The Tractor Tavern #
04.18.12 - Vancouver, BC - The Media Club #
04.21.12 - Minneapolis, MN - 7th Street Entry #
death is a lie might makes right death is a lie might makes right
04.22.12 - Madison, WI - The Frequency #
04.23.12 - Chicago, IL - Empty Bottle #
04.24.12 - Cleveland Heights, OH - Grog Shop #
04.25.12 - Detroit, MI - Magic Stick #
04.26.12 - Toronto, ON - The Garrison #
04.27.12 - Montreal, QC - Il Motore #
04.28.12 - Allston, MA - Great Scott #
04.30.12 - Brooklyn, NY - Knitting Factory #*
05.01.12 - New York, NY - Mercury Lounge #*
05.02.12 - Philadelphia, PA - Johnny Brenda’s #*
05.03.12 - Baltimore, MD - Ottobar #*
05.04.12 - Washington, DC - Red Palace #*
05.05.12 - Chapel Hill, NC - Local 506 #*
05.06.12 - West Columbia, SC - New Brookland Tavern #*
05.07.12 - Atlanta, GA - Drunken Unicorn #*
05.08.12 - Birmingham, AL - Bottletree #*
05.09.12 - New Orleans, LA - One Eyed Jacks #*
05.10.12 - Houston, TX - Fitzgerald’s #*
05.11.12 - San Antonio, TX - The Korova #*
05.12.12 - Austin, TX - The Mohawk #*

# Phantom Family Halo
* Clang Quartet

• Acid Mothers Temple:
• Phantom Family Halo:

Broken Water to release Tempest in May via Hardly Art. Did you know that their favorite ice cream flavor is mint chocolate chip?

Jon Hanna would rather fiddle around on his laptop than talk to other people, but when Kanako Pooknyw started hanging out at the house he shared with one of her friends sometime prior to 2009, she wouldn’t let him hide. After a few months of smoking and playing board games and crafting, the idea of a band seemed to make sense. Pooknyw played drums and Hanna played guitar, so they really only needed a bassist, and before long they scooped up Pooknyw’s pal Abigail Ingram and became Broken Water.

The trio definitely digs alt-rock from the 80s and 90s as well as the vibe of their hometown, Olympia, but that doesn’t mean they’re a group of flannel-clad nostalgics. They’ve honed a distinctly haunted post-punk sound, and their upcoming album, Tempest, came from thoughts on “Russian punk-rock poets, the ocean, drowning, the Occupy movement, touring, nightmares, dreams, memories; relationships to privilege, substances, and other powers.” Tempest follows last year’s EP, Peripheral Star (TMT Review) and 2010’s TMT fave Whet LP, and you can check out the first single, “Drown,” here.

In case you were wondering (and I’m positive you were), Olympia had the world’s first soft-serve ice cream machine. I’m thinking when Tempest comes out on May 29 via Hardly Art, we should all get Blizzards to celebrate.

Tempest tracklist:

01. Drown
02. Coming Down
03. Orange Blossom Stains
04. Yanka Dyagileva
05. Underground
06. Thread to Connect
07. Paranoid
08. River Under River
09. Chantal Seder
10. When You Said

• Broken Water:
• Hardly Art:

Doseone (cLOUDDEAD, 13 & God) to release solo album G Is for Deep on anticon., criticizes alphabet conformism

As our knowledge of the Universe increases, a central question seems to loom even larger in the minds of physicists, astronomers, and non-scientists alike: if extraterrestrials exist, why is there no definitive case of them ever having made physical contact with us? Of course, I can already feel the tinfoil-hat wearers around Roswell, New Mexico, channeling their disagreement with my premise, and to a degree, they have a point; we do know of at least one alien life form who continues to shock and mystify human beings around the world. That would be Anticon co-founder and exemplar of eccentricity, rapper Doseone a.k.a. Adam Drucker. His lyrics are more philosophically confusing than an Ayn Rand novel, and his vocals give rise to suspicions that his nose has been permanently clamped, but any listener who feels less than enamored by all of this is, quite frankly, lying, or an alien themselves. That’s right, I just called you an alien.

Aside from his role in the founding of Anticon, Doseone has historically built up his name recognition through collaborative projects based within the label itself; albums from cLOUDDEAD, Subtle, Themselves, and 13 & God all feature his schizophrenic delivery, and all were warmly received by fans who almost certainly had no idea what was going on, but knew that it sounded both ridiculously awesome and awesomely ridiculous. On May 29, Doseone will be releasing G Is for Deep, his first truly solo album on the label.

A disclaimer for those expecting a mirror image of his previous work: a press release notes that on this album, “he veers away from the tourettic, breathlessly fast rap that brought him to prominence and toward a bent form of electronic pop music.” Get an immediate sense of what that means right here:

Doseone - “Last Life” by anticon

G Is For Deep tracklisting:

01. Dancing X
02. Last Life
03. I Fell
04. Thy Pattern
05. Therapist This
06. End&Egg
07. OwlShark
08. SEE Answer
09. Arm in Armageddon
10. The Bends

• Doseone:
• anticon.:

Kraftwerk releasing limited-edition version of The Catalogue via MoMA starting tomorrow

Boing boom tschak, by way of introduction. You would like to know about a limited-edition version of Kraftwerk’s The Catalogue being released via MoMA starting tomorrow, and you made the right decision clicking through for more details, because here comes old gal Ms. Info: Kraftwerk released a box set in 2009 of all their not-first-three albums as The Catalogue, remastering the sounds and swapping the artwork (for a bunch of ugly icons). Starting next Tuesday, Kraftwerk will be performing all five classic albums + Techno Pop a.k.a. Electric Café, The Mix, and Tour de France Soundtracks, in an eight-night residency at MoMA.

To commemorapitalize this occasion, a limited-edition swankier CD version of The Catalogue will be sold exclusively in the MoMA gift shop, the MoMA PS1 store in Long Island City, and the MoMA online store starting tomorrow, April 7. The new set, limited to 2,000 copies, will come in a black box with slightly different artwork. This may in fact be the only difference; each album still comes in a “mini-vinyl card wallet” and includes oversized individual booklets with total “flaunt mode” glossy snaps of Florian Fricke. Pick one of these up after the eighth night if you want to be like Drake.

Kraftwerk—Retrospective 1 2 3 4 5 6 7 8 @ MoMA schedule:

04.10.12 - Autobahn (1974)
04.11.12 - Radio-Activity (1975)
04.12.12 - Trans Europe Express (1977)
04.13.12 - The Man-Machine (1978)
04.14.12 - Computer World (1981)
04.15.12 - Techno Pop (1986)
04.16.12 - The Mix (1991)
04.17.12 - Tour de France (2003)

• Kraftwerk:
• MoMA:

EMI officially breaks up with Grooveshark, Grooveshark tells its friends that it actually broke up with EMI, so there!

It was announced this week that EMI, the only major label to have set up a legitimate licensing deal with the shady service, is severing its ties to Grooveshark. While EMI’s impending merger with Universal probably helped support this move (seeing as how Universal as well as the other two majors, Sony and Warner Music Group, are already suing Grooveshark for use of their artists’ content without compensation), EMI put forth a simpler explanation, stating that Grooveshark failed to make any payments on a $450,000 promissory note signed at the time of the original licensing deal, way back in November 2011. Apparently the first payment of $100,000 was due this past March 15, and when Grooveshark failed to pay, the jig was up.

So how has Grooveshark responded? Well, let’s just say they’re being their usual polite, adult self. A statement released by the streaming site in response to the break with EMI noted that, “Grooveshark was recently forced to make the difficult decision to part ways with EMI due to EMI’s currently unsustainable streaming rates and EMI’s pending merger with Universal Music Group, which we consider monopolistic and in violation of antitrust laws. To date, Grooveshark has paid over $2.6 million to EMI, but we have yet to find sustainable streaming rates. In spite of this, Grooveshark’s dedication to artists and rights holders remains the same.”

Oh, that wily Grooveshark, always turning the tables! Of course it was you who broke up with EMI and not the other way around. And why would you owe them anything, anyway, since you gave them WAY more money than you were supposed to already? Stupid EMI, wanting compensation for use of their artists’ music as agreed upon in a legal contract.

Grooveshark does have a valid point with the whole “monopoly” claim, not that it seems particularly relevant to the issue at hand. A lack of licensing deals hasn’t stopped Grooveshark from doing its thing thus far, and the lack of one with EMI probably isn’t going to slow it down either. Until governments start throwing some weight behind the label’s desire to see the site go down in flames (which they’re likely to do sooner than later), Grooveshark will continue to operate in the weird delusional bubble that keeps them seemingly guilt free as they rake in the advertising dollars.

It appears Grooveshark may be legitimately scared this time, though, putting continued pressure on Digital Music News to fork over information about a potential whistleblower from within the Grooveshark Organization that may have contributed to the suits filed against the site by the major labels. Stay tuned as this story develops!

• Grooveshark:



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