Interpol and David Lynch collaborate on short film; and now for a crappy Unsolved Mysteries-style dramatic reenactment

Interpol and David Lynch collaborate on short film; and now for a crappy Unsolved Mysteries-style dramatic reenactment http://www.tinymixtapes.com/sites/default/files/news-11-07-interpol-david-lynch.jpg

INT. KITCHEN — DAY

Famous director, coffee grower, and transcendental meditation enthusiast DAVID LYNCH is seated at a table, drinking a damn good cup of coffee. A red light flashes intermittently in the background, where a giant rabbit person is seen taking notes on the day’s meeting. The members of INTERPOL, an icy post-punk trio from New York City, enter one by one.

INTERPOL

This is a social call. We are simply here to discuss coffee and our appreciation for your work, as further elaborated upon in this Huffington Post article.

DAVID LYNCH

Thank you, gentlemen. Have you tried my delightful David Lynch Signature Cup Coffee?

Close up on rabbit taking notes for future Huffington Post article, as conversation continues in the background. The band gets up from their chairs to to leave the kitchen and go do rock ‘n’ roll stuff. Lynch picks up the phone and gestures at the steaming pot of delicious David Lynch Signature Cup Coffee sitting on the table.

DAVID LYNCH

Get the boys some beans! Some beans in bags!

…And CUT! That’s how the first David Lynch/Interpol encounter happened. Or at least a moderately realistic dramatic reenactment of it. That was just the opening scene, however. The real action happened a few years later, when Interpol was putting together their audiovisual aids for their big Coachella performance. The group and the director met up in L.A. and Lynch presented them with his vision: a simple sketch of something known only as “I Touch a Red Button Man.” Using this sketch and Interpol’s song “Lights,” forces aligned and magic appeared, in the form of this short. “I Touch a Red Button” DID originally appear at Coachella, and is now available on Matador’s website for your viewing pleasure. A slightly less animated version of the band can be witnessed on the dates listed below. And that’s a wrap!

07.15.11 - Atlantic City, NJ - Borgota Music Box
07.17.11 - St. Louis, MO - Busch Stadium
07.18.11 - Cleveland, OH - House of Blues Cleveland
07.20.11 - East Rutherford, NJ - New Meadowlands Stadium
07.22.11 - Indianapolis, IN - IN The Vogue
07.23.11 - Minneapolis, MN - TCF Bank Stadium
07.25.11 - Detroit, MI - The Fillmore Detroit
07.26.11 - Pittsburgh, PA - Heinz Hall for the Perf. Arts

• Interpol: http://www.interpolnyc.com
• David Lynch: http://davidlynch.com

Leyland Kirby, your favorite uncle, stops by your dad’s house to say hi and release Intrigue & Stuff Volume 2

Mom says it’s wrong to play favorites with family, but Uncle Leyland Kirby is my favorite! Uncle Leyland’s always putting out highly acclaimed records as The Caretaker along with ambitious solo work at a prolific rate. All my other uncles just want to watch football and play catch. It’s a bummer. I hate my other uncles.

Just the other day, Uncle Leyland dropped by our house, just to say hi! I was so happy to see Uncle Leyland! But I was even happier when he told me he had a present. He told me that, at that very moment, he was releasing Intrigue & Stuff Volume 2, the second part of his four-part 12-inch series. Then he told me not to tell anybody (but that if I told everybody on the internet then that was okay) the record was available in a limited run of clear 12-inches through his History Always Favours the Winners label.

What I like most about Uncle Leyland is when he tells me stories. He told me a story about the B-side of Intrigue & Stuff Volume 2, about how it was a 20-minute song called “Complex Expedition.” I liked that story a lot, but I wanted to know more about the next two volumes of Intrigue & Stuff. “Well, young man, you’ll just have to wait,” he said. “Those are in, well, various states of construction, but they will be out by the end of the year.” I hate waiting and I hate cliffhangers. But I love Uncle Leyland!

Intrigue & Stuff Volume 2 tracklist:

01. Eventually, it eats your lungs
02. Speeded up slow motion
03. Complex Expedition

• Leyland Kirby: http://brainwashed.com/vvm

Rilo Kiley break up; The Wizard shoots up Netflix queues

Rather popular pop-rock outfit Rilo Kiley have broken up. This is not entirely surprising, considering that they haven’t put out a record since 2007 and frontwoman Jenny Lewis (you know, that girl from Troop Beverly Hills) is arguably more successful than her now-former group. But, evidently, the band didn’t just fade peacefully into non-existence. Guitarist Blake Sennett (you know, Pinsky from Salute Your Shorts) told Spinner the following: “I just felt like there was a lot of deception, disloyalty, greed and things I don’t really want to submit myself to. I had related that frustration to music but I just thought, ‘I’m not going to put myself in that position again,’ so I said, ‘Fuck that, I can’t do this anymore.’”

Deception! Disloyalty! Greed! Cursing! Any dreams you had of Rilo Kiley returning and, arm-in-arm with Cursive and Bright Eyes, ushering in a new Omaha golden age (even though Rilo Kiley were from LA, but you always kind of lumped them in with all those Saddle Creek bands anyway) have been dashed by anger and in-fighting. That said, Sennett did state that he hopes the band has one last release in the future, namely a 40-track compilation of unreleased tracks. Currently, there are no concrete details on the possibility of such a release. For now, let’s have a moment to reflect on all the child actor quips and puns that could have been.

• Rilo Kiley: http://www.rilokiley.com

British popstars rile up Kill Rock Stars: Comet Gain ready US release of newest album, and KRS slashes prices on the back catalog

Currently Kill Rock Stars’ band of the week, Comet Gain recently released a new full-length in the UK for the first time in six years, and the album, Howl of the Lonely Crowd, is officially reaching the States this fall on What’s Your Rupture?. Those who are new to Comet Gain may have lately found an entrance through Crystal Stilts, with whom they both toured and released a split 7-inch this year (there’s also the Comet/Stilts band collaboration, Cinema Red and Blue). Older fans, however, know that of the two, Comet Gain are the original purveyors of sweet, sloppy pop rock, and they have enthralled pop enthusiasts since their debut Casino Classics in 1995, which had — depending on the singer — alternate touches of twee and jangly power pop, with liner notes from Television Personalities’ Dan Treacy (which, yes, does say something). To quickly finish up the history lesson: Kill Rock Stars picked up the group in 1998 with Tigertown Pictures, also releasing the US version of City Fallen Leaves (2005, with Track & Field) and 2002’s Realistes (which included a particularly recognizable KRS thumbprint in the form of a guest appearance from Kathleen Hanna, going back to the riot grrrl roots everyone attributes to the group’s early years).

Though the new Comet Gain isn’t an official Kill Rock Stars release, KRS are so excited about the news that they’re selling the last three studio albums at bargain-bin prices. The vinyl version of Tigertown Pictures, for example, is running $3.99, which still includes the accompanying 7-inch in the deal (“Hate Soul” b/w “When You Come Back I’ll Feel Like Jesus Coming Off the Cross”). Check out more details for Howl of the Lonely Crowd at Fortuna POP!, which, as we said, has already released the album in the United Kingdom.

• Comet Gain: http://www.myspace.com/thecometgain
• Kill Rock Stars: http://www.killrockstars.com
• Fortuna POP!: http://www.fortunapop.com

Amen Dunes releasing second LP Through Donkey Jaw in August; let someone else’s anxiety supplant your own!

Amen Dunes a.k.a. Damon McMahon is back and this time he’s coming for your children with a knife. No, I’m sorry, that’s not true at all! I meant to say that he has a new album! Please, put those thoughts of Amen Dunes rushing up to your daughter on the playground with a wild look in his eyes out of your mind. There’s nothing to substantiate those rumors. In fact, making an album is a really positive, non-violent thing to do, so I’m glad Amen Dunes chose that path instead of choking a toddler before he/she had a chance at life. It would be just terrible if Amen Dunes chose the alternative. I commend him for narrowly escaping this conundrum again.

Back in the halcyon, murder-less days of 2009, Amen Dunes’ debut album Dia was released on Locust and (privately) loved by many here at TMT. Interestingly, those recordings were made way back in the fall of 2006 and left to rot until somebody smart came up to him and said, “Were you harassing my child at the supermarket, he’s been sobbing in his room all week!” No, shoot, I’m sorry. That’s not what they said. It was more like, “You better release those recordings pronto because you have a unique voice and you can conjure really dense songs that sound like they’re beamed from the past and the future at the same time.” Mr. Dunes also released the Murder Dull Mind EP on Sacred Bones last summer, comprised of recordings he made after he moved to Beijing (but before Dia was released!). Those songs were also a delight and the lyrics in no way resembled detailed instructions on how to snuff out the life of those with yet-undeveloped brains.

Now it’s the present day, no one involved in this story has yet been charged with infanticide, and Sacred Bones is proud to put out Amen Dunes’ sophomore album on August 16, entitled Through Donkey Jaw. Because of the lag time between recording and releasing the last album/EP, these are actually the first Amen Dunes recordings in nearly five years, so they should sound quite a bit different — almost as if the artist had gone through a troubling, life-changing experience during that time. Word on the press release street is that the songs on Through Donkey Jaw are bigger and badder compared to the acoustic, improvised-on-the-spot nature of Murder Dull Mind (setting aside the noise cloud memory eraser “Ruined Girlies”), and they’re described as the “winter” to that EP’s “summer.” I wouldn’t rule out a bunch of these songs slaying, and even the recording engineer agreeing that he killed them. The songs.

Through Donkey Jaw tracklist:

01. Baba Yaga
02. Lower Mind
03. Swim Up Behind Me
04. 1985
05. Not a Slave
06. Jill
07. Sunday
08. For All
09. Good Bad Dreams
10. Bedroom Drum
11. Lezzy Head
12. Christopher
13. Gem Head *
14. Tomorrow Never Knows *

* CD only

• Amen Dunes: http://www.myspace.com/amendunes
• Sacred Bones: http://www.sacredbonesrecords.com

RIP: Travis Bean, legendary guitar maker

From L.A. Weekly:

​Guitarmaker Travis Bean died earlier this week at his home in Burbank. His guitars were played by everyone from Jerry Garcia to Steve Albini to Slash, and were known for their sustain and durability. You just can’t break one of them.

Born in San Fernando, his eponymous Valley-based company was founded in 1974, and featured solid aluminum necks — rather than wood. They were a hit with bands including the Grateful Dead and the Rolling Stones, and in ensuing decades members of acts including Sonic Youth.

Bean passed away on Sunday, from cancer. His legacy is secure, as evidenced by the rapid online trade his guitars do, and the YouTube shredders who worship his brand.

A memorial service will be held a week from Saturday, on July 23, at 10:30 am at First Christian Church in Studio City.

IFC also has some words on Bean and his guitars from members of Sonic Youth, Earth, and Sunn O))).

• Travis Bean: http://www.travisbeanguitars.com

News

  • Recent
  • Popular


TMT IS SEEKING NEWS WRITERS

Click here to apply