Faint Wild Light debuts on Digitalis; cuddling revealed as just another of James Ginzburg’s many talents

Faint Wild Light debuts on Digitalis; cuddling revealed as just another of James Ginzburg's many talents http://www.tinymixtapes.com/sites/default/files/1310/news-13-10-faint-wild-light.jpg

Thank the alphabet lords for zed; otherwise, I would have had nary a clue as to James Ginzburg’s electronic preoccupations as one half of the sonically challenging Emptyset, and one whole of the founder of Bristol-based music publisher Multiverse Music, which has overseen releases from Tectonic, Kapsize, and presently, Subtext. See, ignoring the bundled press release’s mentioning of all of this, ‘z’ radiates a certain edginess (just look at those sharp corners!), whereas ‘s’, particularly in the less-assaulting “Ginsburg,” just makes me think of hippies and meadow-frolicking. Allen, what a profound effect you’ve had on the world! In other words, absent the buzzing sound, the presumption would’ve been of only Faint Wild Light, Ginzburg’s folksy undertaking, which has just recently seen its official emergence.

Just released on Digitalis, the self-titled debut album from Faint Wild Light has… lyrics. It also, giving credence to the SoundCloud classification, seems to be a genuine foray into folk, with a few strays here and there. Thoughts of Benoît Pioulard enter the contemporary mind, while those harkening back may notice a vocal style similar to Simon & Garfunkel. There’s no need to remark and mislead on the supposed rarity of electronic musicians waxing acoustic or finding their voice, so to speak, these days. Examples compile somewhat regularly, but who knows if there’s a common motivation. Let’s say cats. Here’s where you can purchase the album.

Faint Wild Light tracklisting:

01. Debris
02. Echo
03. Firmament
04. Halfsleep
05. Speak, Memory
06. Shattered Stars
07. Squares Become Lines
08. Darker
09. Fallow

• James Ginzburg: https://www.facebook.com/james.ginzburg
• Digitalis: http://www.digitalisindustries.com/music

Tindersticks release 10th album, entitled Across Six Leap Years; I totally knew a guy whose birthday was leap day, it really wrecked him emotionally

Tindersticks are about to get all “We’ve been around for two decades what have you done recently?” on y’all with their 10th studio album, out October 12, called Across Six Leap Years. I mean, to be fair, two decades is a long time. I mean how long does it take to do most things? Like not more than a day, right? I’m really struggling right now to think of something that takes more than a day to do. I just Googled “things that take more than a day to do,” and came up pretty empty handed. So, taking into account the six leap days in the album’s title, that’s 7,306 days to get stuff done. Subtract like 2,086 days for weekends and you get about 5,220 getting-stuff-done days, which means I’d conservatively guess that the folks in Tindersticks have gotten anywhere from 6,000 to 10,000 things like soundtrack work, studio albums, and laundry done in the last two decades. Wow! That’s a lot! (Please don’t check my math, just marvel with me at the large numbers I generated.)

With all that stuff having been gotten done, Tindersticks decided it was time to celebrate their 21st anniversary in the only way they know how: getting more stuff done. That’s where Across Six Leap Years comes in. The album, which was recorded between April 6 and 9 of this year at Abbey Road Studios, features re-recorded versions of songs from their history, songs that got “lost along the way,” or that they never managed to record in quite the way they envisioned. Read about the genesis of the tracks and learn about the many ways you can get your grubby paws on the album over on the band’s website, or maybe listen to a stream of the album on RTE Ten while you’re cleaning the house or finally finishing that puzzle of that lighthouse that you bought last spring when you were feeling a weird combo of loneliness and hunger. Tindersticks are also going on a brief European tour in celebration of their anniversary, check the dates below. And, if you were feeling a little left out from all the stuff Tindersticks have been getting done, you can watch a trailer for the album below that gives you a camera’s-eye view of the recording process at Abbey Road.

Check out the full stream of the album here:

Across Six Leap Years tracklisting:

01. Friday Night
02. Marseilles Sunshine
03. She’s Gone
04. Dying Slowly
05. If You’re Looking for a Way Out
06. Say Goodbye to the City
07. Sleepy Song
08. A Night In
09. I Know That Loving
10. What Are You Fighting For?


10.20.13 - Rennes, France - Carre Sevigne
10.21.13 - Paris, France - Olympia
10.22.13 - Brussels, Belgium - Cirque Royale
10.24.13 - Dublin, Ireland - Vicar St
10.25.13 - London, UK - Barbican Centre
10.27.13 - Copenhagen, Denmark - Koncertsalen
10.28.13 - Berlin, Germany - Admiralspalast
10.29.13 - Amsterdam, Netherlands - Concertgebouw
10.31.13 - Barcelona, Spain - Barcelona Jazz Festival
11.01.13 - Lisbon, Portugal - Coliseum

• Tindersticks: http://www.tindersticks.co.uk

Gabriel Saloman (ex-Yellow Swans) announces new album, headbutts Pete Swanson in the chest

It’s been five years since Yellow Swans disbanded, three years since they left us with their final album, the massive Going Places (TMT Review). Since then, the Pete Swanson half of Yellow Swans has kept busy with some fairly high-profile releases, like his Man with Potential LP and the pair of EPs that followed. The duo’s other half, guitarist Gabriel Saloman, has kept a somewhat lower profile, putting out only the occasional smaller release. Last year, he released Adhere, his first LP under his own name. Now, he’s got two plans. One, to release a follow-up LP called Soldier’s Requiem on November 8 through Miasmah Records. Two, to headbutt Pete Swanson in the chest really, really hard.

“I don’t have anything against Pete,” Saloman may or may not have said. “I just really want to headbutt him.” There you have it, the scoop on Gabriel Salomon possibly headbutting Pete Swanson sometime in the near future. As for Soldier’s Requiem, the scoop there is that it consists of four intense but restrained tracks constructed out of piano, guitar, and drums. Listen to one of those four haunting requiems, “Boots on the Ground,” below (via a stream from FACT). Then headbutt another person.

Soldier’s Requiem tracklist:

01. Mine Field
02. Marching Time
03. Boots on the Ground
04. Cold Haunt

• Gabriel Saloman: http://gabrielsaloman.bandcamp.com
• Miasmah: http://www.miasmah.com

Bardo Pond announce new LP Peace on Venus for all the Paracelsus superfans out there

Paracelsus fans! Now is your time to shine! It seems like every year, album after album comes out, without even one touching on the works of 16th-century German-Swiss physician Paracelsus. Considering every album that is released each year, you’d think at least one would mention this titan of Renaissance thought. And, yet, no! Until now. Philadelphia psych mainstays Bardo Pond are returning with a new album, their first since 2010’s self-titled album (TMT Review). On October 29, Fire Records will release the band’s ninth album, Peace on Venus.

What does this have to do with Paracelsus? It’s a matter of Quintessence. Don’t ask a lamebrain like me to explain this concept, take it from Paracelsus himself:

Nothing of true value is located in the body of a substance, but in the virtue thereof, and this is the principle of the Quintessence, which reduces, say 20 lbs. of a given substance into a single Ounce, and that ounce far exceeds the 20 lbs. in potency. Hence the less there is of body, the more in proportion is the virtue thereof.

In the context of Peace on Venus, Bardo Pond member Michael Gibbons says that the band is following Quintessence by attempting to make an album as potent as possible while being confined to a single LP. Keep that in mind while listening below to the record’s second track, “Taste.”

Peace on Venus tracklist:

01. Kali Yuga Blues
02. Taste
03. Fir
04. Chance
05. Before the Moon

• Bardo Pond: http://www.bardopond.org
• Fire: http://www.firerecords.com

Autechre announce L-event EP, because downtime is an outdated concept

Ugh. Fine, since nobody else seems to want to cover this totally worthwhile (no sarcasm) news, I guess I’ll do the nice thing here and take the reigns, despite the fact that coverage serves as a personal reminder of my hopelessly delayed schedule of music-listening. Autechre’s massive double album Exai saw its release earlier this year, to much critical acclaim. Elaborate beyond that, I wish I could, but I’m still trying to determine the philosophical depth of Ace of Base’s “The Sign” while wearing a flannel shirt and jean shorts. The legendary electronic duo’s prolificacy — referring to Autechre now — avoids surprise among the acquainted, and just as appreciated is their surgically-attached relationship with Warp. Twenty years on, and the bed’s still shaking on the regular.

Following up on and serving as an extension to the already lengthy Exai, Autechre have announced new EP L-event, out October 29 on…. Check out the neat packaging here. You might be able to stream the entire thing here.

Justifying my earlier lack of elaboration, an epiphany: it’s gotten to the point where Autechre don’t need journalistic elaboration. Their legend has been established, and their style of music, reliable and reliably innovative. For lack of a better analogy, they’re like your favorite obscure alcoholic beverage, for which the formula may change slightly, but never enough to prevent you from getting classily inebriated whenever the situation warrants. You know what to expect — oh yes, liquid deliciousness.

L-event tracklisting:

01. tac Lacora
02. M39 Diffain
03. Osla for n
04. newbound

• Autechre: http://autechre.ws
• Warp: http://warp.net

Noveller announces dreamy new full-length No Dreams, out next week on Important Records

Sarah Lipstate and her guitar have agreed to polyamory, though it’s only the former who’s taking advantage, because guitars don’t have brains and can’t actively seek out different hands. Meanwhile, despite offering her own description of Noveller as a “solo electric guitar project,” her newest album No Dreams promises the extra-utilization of synths, “pulsing throbs of electronic beats,” and “haunting piano,” all the while maintaining her distinct sound of… something not quite drone (in my opinion), but we’ll call it drone, because genre pigeonholing is the name of the game, sir/madam!

Her name might be relatively new, but in terms of accomplishment, Noveller is inching in on veteran territory. No Dreams, set for release October 22 via the humbly named Important Records, is her sixth full-length album, and it supplements the film scoring and film producing that Lipstate does under her own name. So the story goes, it was her collaborative film score work with Nathan Larson that inspired the incorporation of new elements on Noveller’s new album. Listen to some of that film score work over here, and frowningly tilt your head as you wonder why we haven’t heard more of this lovely piano playing until now, apparently.

Eh, I guess this is a tolerable explanation:

For me, that’s really exciting, as well, combining these different elements. But guitar is still the instrument that fascinates me the most. There’s so much you can do, and even if there are a million people out there playing it, or even if every sound that’s possible has been created, for me, there’s still things I find that keep me in love with this instrument. I think there’s a lot more to explore.

No Dreams tracklisting:

01. Fighting Sleep
02. Mannahatta
03. No Dreams
04. Purchase
05. Gathering the Elements
06. Rue de Montmorency
07. The Fright
08. Outro

• Noveller: http://www.sarahlipstate.com
• Important: http://www.importantrecords.com