Jonny Greenwood attempts to score Scientology and P.T. Anderson, gives up and helps score P.T. Anderson’s movie about Scientology

Jonny Greenwood attempts to score Scientology and P.T. Anderson, gives up and helps score P.T. Anderson's movie about Scientology http://www.tinymixtapes.com/sites/default/files/news-11-12-jonny-greenwood.jpg

About a year ago, Jonny Greenwood, eyes a-glitter, wrote down his only resolution for 2011. “Write a score for everything that exists.” Now that we’re in December, the yellowed piece of paper with that single sentence written on it lies in a corner of Greenwood’s lavish study, crumbled and burnt at the edges. “Hey, how’s the resolution going, Jonnny?” asked Mr. Greenwood’s loved ones. “Oh, it’s going great! Making a lot of progress, making a lot of progress,” Jonathan was known to respond. BUT HE DIDN’T MAKE NEARLY THE PROGRESS THAT HE CLAIMED THAT HE MADE. Turns out Greenwood’s first two subjects for scores were Scientology, the religion, and P.T. Anderson, the director. Suffice it to say, it didn’t work out.

Not to be totally defeated, Greenwood has combined his ambitious plans in the fields of person-scoring and religion-scoring into one easier goal. The high priests of the Consequence of Sound religion report that Greenwood is scoring P.T. Anderson’s new film The Master, which may or may not be at least partially inspired by Scientology. Oliver Weindling of British label Babel recently put out a tweet mentioning that the Radiohead guitar-playing guy recorded a track for the soundtrack with jazz outfit Zed-U recently.

If we’re to trust IMDB (and why wouldn’t we?), The Master is about a charismatic cult leader whose religion starts to catch on, along with a drifter who becomes the leader’s right-hand man. It’s also a movie with Philip Seymour Hoffman, Joaquin Phoenix, and Amy Adams set in the 1950s and set to be released in 2013. This isn’t the first time Anderson and Greenwood have teamed up, as Greenwood did the score for There Will Be Blood, nor is it the second time Greenwood has done a film score, since he also wrote scores for Norwegian Wood and We Need to Talk About Kevin.

• Radiohead: http://radiohead.com

Godspeed You! Black Emperor announce limited 2012 tour; additional dates dependent on whether or not they feel like it

If a tree falls in a forest and no one is around to hear it, does it make a sound? Does a tour qualify as a tour if it (so far) only spans two separate venues? That’s debatable, but I think people are willing to forgo a discussion on semantics when the band in question is Godspeed You! Black Emperor — repackaged, but with similar ingredients and the same great taste that had you eagerly anticipating the implosion of society back in 2002, when their last LP was released. 2011 saw the post-rock legends reuniting for a North American tour that many had previously thought would never happen, and thankfully, it looks like 2012 won’t, in fact, correspond with a repeat of the band’s temporary dissolution. On the contrary, GY!BE have just announced their first performance dates for the year: on April 15, they’ll play at the Fernwood Resort in Big Sur, California. In the five days following, they’ll perform five consecutive shows at the Great American Music Hall in San Francisco. Tickets for the show at the Fernwood Resort go on sale this Thursday, December 8 at 12 PM PST through FolkYeah.com. Tickets for the shows at the Great American Music Hall go on sale Sunday, December 11 at 10 AM PST.

And that’s it. No other dates have been announced, but it is worth noting the proximity, both geographically and chronologically, of these California shows with Coachella. It’s also worth recalling stories from this past May, when band member Bruce Cawdon revealed that he and his fellow Montreal misanthropes have indeed been discussing, and perhaps working on, a new album. One might be inclined to think then, that these shows in California may just be a completely acceptable excuse to unveil their new material. If so, it’s reasonable to expect additional dates. If not, well… it is Godspeed You! Black Emperor. You’re obligated to attend.

Dates:

04.15.12 - Big Sur, CA - Fernwood Resort
04.16.12 - San Francisco, CA - Great American Music Hall
04.17.12 - San Francisco, CA - Great American Music Hall
04.18.12 - San Francisco, CA - Great American Music Hall
04.19.12 - San Francisco, CA - Great American Music Hall
04.20.12 - San Francisco, CA - Great American Music Hall

• Godspeed You! Black Emperor: http://brainwashed.com/godspeed
• Constellation: http://cstrecords.com

Scott Walker (the musician) working on new album for 4AD and an opera score; Scott Walker (the politician) working on new ways to fuck over schools

Scott Walker is in the recording booth right now!! I say so because I know so. I know so not because I saw the man wheeling his meat-punching apparatus into the studio but because 4AD, his label for the last few releases, posted this on his timeline: “2011 — Scott begins to record his new album for 4AD Records.” I remember that part of his career!! It was a really exciting time! Most likely set for release sometime in 2012, the album will close a six-year gap since his last album, The Drift, which was our eighth-favorite album of 2006 back when we were all teenagers, and our 28th-favorite album of the 2000s, back when men where men and women loved them for that.

Also of note on his timeline is the news that Scott is composing a fresh new score for the OperaShots series at the Royal Opera House, to be premiered at an unspecified date in 2012. OperaShots are similar to jello shots, but with more of a focus on commissioning new operatic works outside the mainstream. Walker has worked in the theater realm a few times in the last few years, with the instrumental dance piece And Who Shall Go to the Ball? And What Shall Go to the Ball? — released as a limited album on 4AD in 2007 — and another dance piece earlier this year for a Jean Cocteau-inspired performance at the Royal Opera House, called Duet for One Voice. It seems that Scott Walker and opera go together like meat shanks and a sturdy fist. More details coming when they’re available.

• Scott Walker: http://4ad.com/artists/scottwalker
• 4AD: http://4ad.com

Nurses tour with The Mountain Goats, and they’ll explain the difference between avant-garde folk metal and Viking glam metal

Remember “The Best Ever Death Metal Band in Denton” from the Mountain Goats’ 2002 album All Hail West Texas? Remember that one line about potential band names, “Satan’s Fingers and The Killers and The Hospital Bombers”? Particularly that last name — not the bombers part, just the hospital part. Nurses work in hospitals. So, it’s pretty wild that the psych pop band Nurses will join the Mountain Goats for a tour of the Southern US early next year, right?! Foreshadowing! How did John Darnielle KNOW?

He didn’t know, obviously. Fuck foreshadowing. This isn’t a high school English class. Regardless, Nurses are most definitely hitting the road with The Mountain Goats. Earlier this fall, Nurses released their third album Dracula (TMT Review) on Dead Oceans, and recently they filmed a session with Brooklyn music blog Hooves on the Turf in which they played spare renditions of “New Feelings” and “Trying to Reach You,” both off their latest record. The tour bypasses West Texas, but I have a feeling that Jeff and Cyrus and all the other death metal bands out there will be just fine.

Nurses tourdates:

12.09.11 - Portland, OR - Crystal Ballroom * SOLD OUT
12.31.11 - Portland, OR - Mississippi Studios &
01.14.12 - Salt Lake City, UT - Kilby Court #
01.15.12 - Denver, CO - Hi-Dive
01.19.12 - Austin, TX - Antone’s $
01.20.12 - Houston, TX - Fitzgerald’s $
01.21.12 - New Orleans, LA- Tipitina’s $
01.23.12 - Tallahassee, FL- Club Downunder $
01.24.12 - Orlando, FL - The Social $
01.25.12 - Tampa, FL - Crowbar $
01.27.12 - St. Augustine, FL - The Original Cafe Eleven $
01.28.12 - Atlanta, GA - The Earl $
01.30.12 - Athens, GA - 40 Watt Club $
01.31.12 - Charlotte, NC - Visulite Theatre $
02.02.12 - Asheville, NC - Grey Eagle $
02.03.12 - Greensboro, NC - The Blind Tiger $
02.04.12 - Saxapahaw, NC - The Haw River Ballroom $

* Portugal. The Man
& Radiation City
# Deleted Scenes
$ The Mountain Goats

• Nurses: http://www.myspace.com/nurses
• Dead Oceans: http://www.deadoceans.com
• The Mountain Goats: http://www.themountaingoats.net
• Merge: http://www.mergerecords.com

Ticketmaster forced to acknowledge their own malevolence, issue refunds to customers for questionable processing fees

Frequent concertgoers will likely be all too familiar with Ticketmaster’s habitual reaming of the consumer via the exorbitant and seemingly totally unnecessary fees they tack onto ticket sales. Now, it appears as though customers are about to go all Jennifer Lopez in Enough on the company’s ass, through some much-needed financial retribution. As Business Insider reports, due to a proposed class action settlement, Ticketmaster is being forced to credit $1.50 per ticket order — up to 17 orders — to those individuals who used the ticket retailer between October 21, 1999 and October 19, 2011. The refund will come in the form of vouchers, which can be redeemed a maximum of two at a time. The redemption period itself will last four years and isn’t scheduled to begin until roughly April 2012. Reportedly, if less than $11.25 million is redeemed over that period, Ticketmaster will then donate the difference to charity. How gracious.

Unfortunately, there’s nothing in the settlement that requires Ticketmaster to change their processing fees. All they need now is a fancy disclaimer on their website indicating, “WE ARE ABOUT TO CHARGE THE SHIT OUT OF YOU,” and they can continue doing so. A $1.50 per-ticket refund isn’t much when you consider the actual fees that they bludgeon you with, but I suppose it’s better than nothing. Occupy Ticketmaster!

• Ticket Fee Litigation: http://www.ticketfeelitigation.com

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