Just When They Were About To Be Exploited, Bonde do Role Loses Marina Ribatski

Maybe this is for the best. With Rolling Stone and Pitchfork dedicating quite a bit of press to the favela stars, it could have only been a matter of time before Bonde do Role were forced to stop breaking U.S. copyright laws and stop singing about licking people's assholes. I believe very strongly that you should not stop liking a band simply because they begin to attract a wider audience, but my principles could have been tested if Bonde do Role had played the VMAs. “It is better to burn out,” they say, “than it is to record an album produced by Timbaland.”

Their recent press release explains that the band, now consisting only of D'eyrot and DJ Gorky, would be continuing under the name Bonde do Role and recruiting a new member. Perhaps they’ll actually get a guitarist, as they’ve mentioned in the past (I recommend going for Buckethead). As for Marina, she’s already made a solo appearance on the latest Go! Team album, so perhaps she can start a solo shouting career. The release also says that they are all still friends, so I wish them all the best, although I’m fairly sure that means nothing to them.

Crystal Castles Set to Bring Their Magical Blend of Unicorns and Shrieking to a Venue Near You

Well, I've been home for the holidays for a few weeks now, dealing with the transition from noisy, crowded London to the eerily quiet, suburban strip mall haven where I was born and raised. I'm unemployed and broke, but I have access to ‘free’ wireless from my parents' neighbor's houses and a large stash of vegetarian TV dinners! It has been a long and cold three weeks, and as the needles begin to drop from the Christmas tree and the holiday cookies start to disappear, my interest in fairly painful, but also pretty damn spectacular scream-y music is totally SKYROCKETING.

As a result, I have been listening to the tracks on Crystal Castles' MySpace page almost obsessively. (Okay, there's no "almost" to it, just a whole lot of "obsessively.") It's all Atari noises, aggressive dance beats, and screaming. And it's the perfect soundtrack to that "Yes, I have an MA, but what I really want to do is work at your chain coffee shop!" post-holiday malaise! Of course, there is also the fact that I truly like magical things like unicorns and She-Ra, and therefore if you name your band "Crystal Castles," I am probably going to be super into your music.

The Toronto duo is embarking on a six-week tour that will serve as a taster for their upcoming full-length, set to be released March 18, 2008 on Last Gang Records. The band has toured extensively in Japan, Australia, Europe, and the UK over the past year. On this upcoming North American tour, the LA awesomeness that is HEALTH will open all dates.

A Kiss on the Hand Might Be Quite Continental, But Silje Nes Is a Girl’s (and Boy’s) Best Friend

Everybody should have a happy place or a tranquil spot to retreat to whenever life throws a curve ball. If an idyllic cottage on the lake isn’t at your disposal, you could always “pull a Vashti" and leave for the highlands and sidelands of Scotland and Ireland like Ms. Bunyan did at the onset of the 1970s after her solo career failed to materialize the way everybody expected. Note: one can suppose that if Bunyan had a particular taste for fur rugs and [Mars Bars like another of Andrew Loog Oldham’s ingénues, she might have made a bigger splash, but that's another speculative story for another speculative time.]

One of Bunyan’s labelmates at FatCat is Norwegian artist Silje Nes, who creates similarly spectacular intimate “feel” music, proving handily that while guys may have the wussy mall-rock market cornered, the gals just cannot be beat at crafting highly integrated, emotive, personal, inviting, heartbreaking, berserk... well, you get the picture. Then there is Nes' pitch witchery; she makes someone like Hope Sandoval sound like a mongrel dog with a throat box and a bad case of crotch rot. She cannot be heard without envisioning an angel astride a gossamer-winged unicorn swooshing around near a silk-tasseled rainbow. Yes, that good.

Nes’ debut album, Ames Room, was written and recorded in spontaneous creative bursts using a healthy host of instruments, electronics, and found sounds. It is, frankly, peerlessly beautiful. Those with a particular penchant for imported models can pick up the UK/European album now, but those who prefer to build anticipation and wait for such things in a timely manner can realize their delay-engrossed goals on February 26 in North America.

“…an angel astride a gossamer-winged unicorn swooshing around near a silk-tasseled rainbow”? What the hell? One week in, and it looks like I have already blown my resolution to actually make some sense this year!.

1. Over All
2. Drown
3. Shapes, Electric
4. Ames Room
5. Giant Disguise
6. Dizzy Street
7. Long Shadows Left Behind
8. Bright Night Morning
9. Recurring Dream
10. Searching, White
11. Magnetic Moments of Spinning Objects
12. Melt
13. Escape
14. No Bird Can

Kenyan Extra Golden Members Need Your Money More Than You Need It To Buy That Cold Cut Trio

With Kenya in a disputed-election situation gone increasingly south, those who were once making a steady living in the country -- and especially the nation's capital -- have seen their businesses destroyed or shut down and their lives reduced to day-to-day survival. One group in particular has been struggling since the start of the riots: musicians. Because of the spreading violence, curfews have been put in place that have effectively put an end to the career of anyone making ends meet via evening gigs.

Opiyo Bilongo, Onyango Wuod Omari, and Onyango Jagwasi, 3/5ths of the Obama-loving, Kenyan/American hybrid group Extra Golden, are three such musicians who live in Nairobi. Fellow bandmates Alex Minoff and Ian Eagleson, have put a message up on the band's website, appealing for financial help:

Opiyo Bilongo, Onyango Wuod Omari and Onyango Jagwasi [...] all have large extended families for whose well-being they are entirely responsible. Of course, as musicians, that well-being is provided for through nightly work at clubs. With dusk-to-dawn curfews in place, these men are all unable to work, and a subsistence that was already hand-to-mouth has become non-existent. They have been forced to leave their homes, which have subsequently been looted. Their families have almost no food and no clean water. Even with the swiftest possible resolution to the country's debilitating political situation, it is hard to foresee a time in the near future when these men will be able to go back to work.

As the bandmates and friends of these exceptional men, we are used to helping them out of financial jams but, as musicians ourselves, this critical situation is one that is simply beyond our own means. While the plights of Bilongo, Omari and Jagwasi are by no means unique in a country full of desperation, it is within our power to help them and their families directly. We are asking for donations of $5. Of course we will accept any amount you can muster, but we believe that with enough contributions of $5 we can make a huge difference in our friends' lives.

To make a donation, please go to http://www.paypal.com and choose "send money". When asked for the email address of the recipient, enter service [at] kanyokanyo.com. Please feel free to forward this message. We thank you in advance for your compassion and we hope that your help will enable us to compose a song of thanks for our next album.

The band's latest LP -- the excellent Hera Ma Nono -- was released last year on Thrill Jockey and should definitely be picked up after sending the band a much-needed donation.

As reunion-mania rolls on through the times we live in, people often make proclamations as to which bands from the past they wish would reappear in the present. From my unofficial research (the status of which will likely remain that way), I have found that some of the most desired reunions would be Pavement, Charm Farm, and Hüsker Dü. While I cannot argue on the first two (hearing Perver in its entirety would be Heaven on a stage), the last one is a waste of a wish. Bobby M is on his own (vocoder-laced) trip these days -- plus, to put it bluntly, it would probably suck. Distortion-filled, punk-indebted rock is a young man's game, so why would you want the Dü around when you already have Parts & Labor at your fingertips?

Parts & Labor are performing music with vitality and spirit that resonates better in 2007 than Bob, Grant & Greg would be, and that is without the aid of performance-enhancing nostalgia, which is all too common in the reunion-lousy 21st Century. As an added bonus, you won't have to put up with all the old-timers from the ‘80s, which includes a reprieve from the liquor-filled rants about how they are a tougher breed because they didn't have the internet and things of that nature back then. Those Guitar Center employees can stay home and listen to Candy Apple Grey; fans of active bands can go see Parts & Labor and maybe pick up a few of their albums, including this year's Mapmaker (Jagjaguwar) and bassist/keyboardist BJ Warshaw's more electronic side project, Shooting Spires, which just released a self-titled LP on the P&L label Cardboard Records.

As insatiable music fan Gautama Buddha (563-483 B.C.) once said, "Do not dwell in the past, do not dream of the future, concentrate the mind on the present moment."



First release for Wham City Records: a Dan Deacon 7-inch featuring a live version of "Silence Like the Wind" from his forthcoming February 8 performance at the Whitney Museum of American Art.

Now hover your mouse over the pic above to watch a special, distorted, awesome Wham City amination!