The Internet Radio Royalty Payment Blues by Willie ‘PR Machine’ Bottoms (as recorded on June 26 by TMT field reporter/Dr. Seuess character The Lorax on what should have been a really nice DAT but, after The Lorax spent his stipend on trinkets and po’ boys while visiting New Orleans, turned out to be a TalkBoy)
By The Friz on 07-11-2007
That Sound ExchangeMade an offer today
To try an’ make internet radio stations’ worries go away
But Save Net Radio still ain’t happy
No, no they ain’t happy at all
Just like
Both of them ain’t happy
And happiiiineeeeessssssssss
[The recorded portion of the tape slowly crawls to an unintelligible stop as our intrepid field reporter has once again failed to account for his TalkBoy’s brief but brilliant battery life with a fresh pack of Duracells... Garbled static cuts to the shortwave polka broadcasts previously recorded on the cassette.]
Notes: Play to the tune of Sweet Home Chicago, except substitute any reference to “California” with Sound Exchange’s proposed $2,500 cap on the minimum $500 per station/channel payments for any one online internet service, which, as part of the Copyright Royalty Board’s (CRB) ruling on the matter, is set to go into effect July 15. Swap any references to “Chicago” with Save Net Radio and DiMA’s polite decline of the “California” offer, describing the proposed offer’s discontinuance in 2008, two years before the CRB’s decision expires, as “a stay of execution for Internet radio.” And any meetings said to take place at “the crossroads” will most likely occur on Capitol Hill or some reasonably accommodating and mutually agreed upon hill that may or may not be a crossroads. Or perhaps even some metaphorical crossroads of internet tubes, organized in, of course, series.
R Kelly: It’s been real.
By Alex Carusillo on 07-11-2007
Dear Mr P,
I apologize, but consider this my two-weeks notice. I have loved my time at Tiny Mix Tapes®. I have impressed some girls, received some torrent tracker invites, and heck, I like to think that the legs of my jeans are just a little tighter now that all is said and done. However, I cannot in good faith stay at this operation when the funniest thing I can conjure is the truth.
I have been waiting to write an article on the Pied Piper Of R&B, R. “Kells” Kelly, since before I knew Tiny Mix Tapes existed. I have watched the Trapped In The Closet DVD in full no less than 30 times. I can more or less quote “Kells Commentary Remix” (normally known as director’s commentary in Criterionspeak) word for word. So when I heard there was new R. Kelly information, I jumped on it. I had jokes. Oh did I ever have jokes. I was going to talk about how in apparent manic states he drops remixes before the actual tracks. I was going to mention the song "Sex Planet" and its hilariously half-baked space-themed innuendos (he rhymes painless and Uranus and makes copious references to his “giant rocket”). I even had something prepared about the sunglasses he wears in the “I’m A Flirt” video that are literally covered in diamonds. Covered. As in the lenses... he looks like a bug.
While you were keeled over thanking God that you hired me, I was going to shred your face off via hilarity by discussing Trapped and its numerous flaws, its subtle racism, its lack of continuity, its green screens, the fact that “Kellz” wasn’t clever enough to name the protagonist (played by himself), so he just called him Sylvester... his real name. While you were on Orbitz buying a ticket to Chicago to shake my hand, I was going delve into the director’s commentary where he sits in a leather chair, smoking a cigar watching Trapped, for what seems to be the first time, and says things like “most people don’t even notice... but this is actually rhyming the whole way through... I don’t know how that happened.” Or when he claims that Trapped will go on forever, that other rappers will take over after he dies (what), that it will turn into a TV series (what?), and a talk show (WHAT?). Additionally, he has claimed that after the nuclear holocaust, all that will exist will be cockroaches, Twinkies, and Trapped. I imagined around 35,000 Digg hits in the next two days just for my article.
So, with all of this prepared, I went to the source article to find MAYBE two facts to give my article the credibility it would need to finally snag TMT that Pulitzer we’ve been waiting for. Upon actually opening the article, it became VERY clear that I stood no chance of topping R. Kelly’s real life, even with my finest humor and wry observations.
Read it. I know, clicking a link can be painful, but there is no way for me to supplant the absurdity of R. Kelly’s life with my own words. HE HAS A CHEERS REPLICA PUB IN HIS HOME CALLED ROBERT'S BAR AND GRILLE. HE OFFERED TO PAY HIS BROTHER TO TAKE THE RAP FOR THE SEX TAPE. HE COMPARED HIMSELF TO ALI, MLK, MARVIN GAYE, AND BOB MARLEY. I... I... I’m just speechless...
Trapped In The Closet Chapter 13-30 come out July 24.
I’m going to go see if there’s still time for me to change my major to finance.
Regards,
Alex Carusillo
The Go! Team Team Up with Chucky D of Public Enemy, Conflicting Tourdates UNVEILED
By snarehatkickcrash on 07-11-2007
As recently reported, The Go! Team are gearing up to release a new album, Proof of Youth, September 10 in the UK on Memphis Industries and September 11 via Sub Pop in the U.S. It was co-produced by the band along with Gareth Parton (Thunder Lightning Strike, The Killers, The Cribs, The Futureheads), includes a B-side titled Myself, a cover of Sonic Youth's Bull in the Heather, a Black Affair remix, and many cameos, including one from Chuck D of Public Enemy (hey, you never know).
The Go! Team are gearing up for a tour, but various sources are reporting different tourdates (we won't name names, but errors probably stem from Sub Pop's incorrect dates). We believe these to be the correct dates:
Shoot us if we're wrong.