Local Natives to release new album and tour in January, to the guffaws of Mayans everywhere

Local Natives to release new album and tour in January, to the guffaws of Mayans everywhere http://www.tinymixtapes.com/sites/default/files/1210/news-12-10-local-natives.jpg

Confident-as-balls that the Mayans were wrong-as-balls and that the world isn’t going anywhere any time soon because the U.S.A. is the greatest-as-balls country on Earth, L.A.’s first (and best) Dodos cover band Local Natives have decided to throw down hard for next year in the most American way possible. Oh yeah, baby, I’m talking about the release of a super-sized new album, a big old deep-fried tour, and a whole gratuitous slew of Monster energy drink-sponsored pool parties, family barbecues, and backyard screenings of the movie Point Break. Suck it, country of Maya!

Specifically, the new album, which follows 2010’s Gorilla Manor (TMT Review), is called Hummingbird, and it’s dropping un-a-fucking-pologetically on January 29, 2013 on Frenchkiss/Infectious (and it’s actually coming out on January 28 in Europe, but Europe is not the U.S.A., so I’m only going to mention that parenthetically). According to Pitchfork, the band used the brilliant system known as American Capitalism to their advantage and constructed their own studio space in the Silverlake neighborhood of Los Angeles to woodshed tracks for the record, which they subsequently recorded in Brooklyn, America and Montreal, America with The National’s Aaron Dessner co-producing. Check out the first track, “Breakers,” below and brace yourselves for some upcoming Local Natives tourdates, candy-apple-pie-sandwich-eating contests, and some even funnier third thing! BEST 2013 EVER!

Hummingbird tracklisting:

01. You & I
02. Heavy Feet
03. Ceilings
04. Black Spot
05. Breakers
06. Three Months
07. Black Balloons
08. Wooly Mammoth
09. Mt. Washington
10. Colombia
11. Bowery


11.04.12 - Tokyo, Japan - Zepp
11.28.12 - Hamburg, Germany - Molotov
11.29.12 - Berlin, Germany - Comet
12.01.12 - Paris, France - Point Ephemere
12.04.12 - Amsterdam, Holland - Bitterzoet
12.05.12 - Brussels, Belgium - Rotunde
12.06.12 - London, UK - Hoxton Bar & Kitchen
12.08.12 - Camber Sands, UK - All Tomorrow’s Parties
01.29.13 - Los Angeles, CA - El Rey
01.30.13 - Oakland, CA - Fox Theatre
02.01.13 - Brooklyn, NY - Music Hall of Williamsburg
02.02-03.13 - New York, NY - Bowery Ballroom
03.18..13 - Nashville, TN - Marathon Music Works
03.19.13 - Asheville, NC - Orange Peel
03.22.13 -Milwaukee, WI - Turner Ballroom
03.23.13 - Minneapolis, MN - First Avenue
03.25.13 - Covington, KY - Madison Theatre
03.26.13 - Columbus, OH - Newport Music Hall
03.30.13 - Boston, MA - House of Blues
04.01.13 - Providence, RI - Fete
04.04.13 - Philadelphia, PA - Union Transfer
04.05.13 - Washington, DC - 9:30 Club
04.25.13 - Portland, OR - Crystal Ballroom
04.26.13 - Seattle, WA - Neptune
04.27.13 - Vancouver, BC - Commodore Theatre

• Local Natives: http://thelocalnatives.com
• Frenchkiss: http://frenchkissrecords.com

James Ferraro to release Rainstick Fizz Plus (or Shoop2DaDoop) Sushi in November via Hippos in Tanks

Making music in high definition also means living the high life for James Ferraro: Sphnyx cats in L’OREAL bubble baths, Polo neck tats, Neti Pot with Smart water, IHOP delivery, and apparently making eco-themed music. While we recently announced a new album called Rainstick Fizz Plus as James Ferraro, then updated the story to include possible album title Shoop2DaDoop and possible moniker ☣ NEW AGE PLAYBOY ☣, we’re now happy to report that the new album is actually called Sushi and will in fact be released as James Ferraro.

Who knows, maybe there’s more to come from the man hopped up on hi-speed mind candy and who measures his serotonin peaks per minute — several tracks released this year aren’t in the tracklist, unless he’s renamed those too — but for now, we’ve got Sushi, and it’s out November 7 digitally and December 10 physically. Pre-order from Hippos In Tanks now and listen to the album’s first single, “SO N2U”:

Sushi tracklist:

01. Powder
02. Jumpshot Earth
03. Flamboyant
04. Playin Ya Self
05. Baby Mitsubishi
06. Lovesick
07. E 7
08. Jet Skis & Sushi
09. SO N2U
10. Condom
11. Booty Call

• James Ferraro: https://twitter.com/#!/JFerraro_zip
• Hippos In Tanks: http://hipposintanks.net

ISPs to implement Copyright Alert System within weeks, may or may not come with deafening sirens

The Center for Copyright Information (CCI) — it almost sounds like an official, non-partisan, harmless government agency, doesn’t it? I was immediately disabused of my naivety as soon as I checked out the organization’s Wikipedia page; on the very first line, it talks about how the CCI was started by Satan, with the apparently all-too-publicized goal of utilizing copyright laws to bring about social unrest, and ultimately, geological hellfire. I’m paraphrasing of course. What it actually says is: “The Center for Copyright Information (CCI) is an American organization created by the Motion Picture Association of America (MPAA) and Recording Industry Association of America (RIAA)… ” Really, what else do you need to know?

Well, now that I’ve effectively preconditioned you for outrage at the following news, let’s begin: in a blog post last Thursday, the CCI announced that, “over the course of the next two months,” participating ISPs (according to Billboard, this includes Time Warner Cable, Verizon, Comcast, AT&T, and Cablevision) will begin implementing what’s known as the Copyright Alert System (CAS).

The CAS is basically a series of alerts (six in total, which you can review here) designed to inform (some would say terrorize) supposed copyright infringers of their nefarious online, peer-to-peer activities. The alerts range in severity, from the first and second, which are a combination of online notifications and educational material about how to “avoid copyright infringement,” to the fifth and sixth, which include “Mitigation Measures” — euphemistically named, but you active web users out there will know this as throttling — the deliberate reduction of internet speed.

One thing that the blog post flatly denies is the possibility of an ISP outright terminating your connection, as a kind of Final Solution, shall we say, to a person’s refusal to comply. So that’s nice.

As to how the CAS goes about identifying infringed material with any degree of accuracy, MarkMonitor handles that. According to the CCI, the brand protection and anti-piracy company “uses both trained professionals and automated processes to identify illegal downloading of whole movies, TV shows and musical recordings, and the system is designed to eliminate false positives.” And if it turns out that MarkMonitor’s methodology isn’t as foolproof as the CCI would like you to believe, guess what? According to The Verge, if you believe that you were wrongfully targeted by the CAS, you only have to pay a $35 billing fee in order to request an independent review of your network behavior.

Already, those with superior technical knowledge are talking about using VPNs as a workaround, so it’s unclear what, if any, effect the CAS will have on persistent file-sharers. It does introduce a slew of new privacy concerns, however…

• CCI: http://www.copyrightinformation.org

John Cale, contemporary adult, announces West Coast tourdates with Cass McCombs in support of adult contemporary music

Ever wonder just what the hell you’d write pop songs about when you’re 70 years old if you’re not all Johnny Cash-religious (or Scott Walker-insane)? Not me. I’d write some lusty-ass songs about boning. Like John Cale just did. Heck, I’d probably even add in some “modern” and/or “experimental” touches to my old man sex songs, like synth squelches, Auto-tune, drum programming, all that jazz. You know, because I’d be 70, and to my mind, that crazy stuff would sell the sex. And who doesn’t want to buy some sex?

Also, I guess I’d probably go tour those songs a little bit. I’d take it pretty chill though, being 70. Maybe a quick Jools Holland appearance and a hard boiled egg. Then maybe a modest Rough Trade East instore Q&A and some prune juice. And some sunny West Coast shit this December and January, just to get out of the cold and to keep my joints feeling good and all that while I’m out there selling my sex and keeping it real. And yeah, maybe I’d visit the rest of the United States too, but shit, not until the spring, I can tell you that. What am I, one of those what-do-you-call-em, polar bears? Come on. Of course I’m not.


12.04.12 - Portland, OR - Mission Theatre *
12.06.12 - Seattle, WA - Showbox *
12.09.12 - San Francisco, CA - Regency Ballroom *
12.11.12 - Los Angeles, CA - El Rey *
12.16.12 - Brooklyn, NY - BAM (Life Along The Borderline - tribute to NICO)
01.18.13 - Brooklyn, NY - BAM (When Past & Future Collide: Paris 1919)
01.19.13 - Brooklyn, NY - BAM (When Past & Future Collide: Paris 1919)

* Cass McCombs

• John Cale: http://john-cale.com
• Double Six: http://doublesixrecords.com

Stones Throw Records documentary launches Kickstarter campaign, on track to reach its goal in two shakes of a lamb’s tail

Take it for granted that there’s something quintessentially Los Angeles about Stones Throw Records. It was only a matter of time before the widely-respected, independent, and generally hip-hop label received the cinematic treatment, no? Though production reportedly began in 2010, director/producer Jeff Broadway just recently launched a Kickstarter campaign for the feature-length documentary Our Vinyl Weighs A Ton (This Is Stones Throw Records).

Adding upon what you already know — that Stones Throw was the ambassador for critically-acclaimed releases by Madvillain, Quasimoto, J Dilla, and Dâm-Funk — the new documentary compiles “live concert footage, never-before-seen archival material, inner-circle home video and photograph, and in depth interviews” to offer you an entirely new (because nobody’s done this before, so it is entirely new) look at the visionary label’s history.

So what’s the campaign for, if French filmmakers Sébastien Bauer and Lucas Blaya of Media TV have already amassed hours upon hours of footage for the film? Broadway cites the need for “additional shoots and production trips” as the primary reasons. Never underestimate the cost of realizing one’s creative vision.

Here’s the Kickstarter page again. At the time of writing, the campaign has raised a little over $11,000 in less than a week. Yup, I’d say things are looking pretty positive.

Oh, and here’s the trailer for the actual documentary:

• Stones Throw: http://www.stonesthrow.com

Megaupload following Pirate Bay to great big server in the sky

Megaupload has ascended to the heavens. The file-sharing giant is moving away from traditional, physical servers to The Cloud. Whether that means the FBI and RIAA will attempt some sort of foolhardy air raid is yet to be seen. The move itself comes on the heels of a similar announcement from The Pirate Bay.

Megaupload boss Kim Dotcom — “lovable” rapscallion and thorn in the recording industry’s side — has given the new service the name “Mega” (I wonder how they thought of that one). Mega is described as a “unique tool that will solve the liability problems faced by cloud storage services,” according to Dotcom in an interview with Wired. The new service will “enhance privacy rights of internet users and provide themselves with a simple new business.”

Aside from the similar name, Mega will be similar to Megaupload in its general operation. The key difference, according to the Wired article, is “that now those files will first be one-clicked-encrypted right in a client’s browser.” So what that means is that the file is going to be encrypted on your end of things before you, the user, provide a security key of your own. According to Dotcom’s partner Mathias Ortmann, it will be “impossible for Mega to know, or be responsible, for its users’ uploaded content.” That’s twice the encryption and half the none of the liability on Mega’s part!

There’s no official word yet on how this will alter plans for Megabox or if Mega will take the place of Megabox. For anyone keeping Megascore at home, Dotcom is still in New Zealand, awaiting extradition to the US following January’s raid and arrest that led to Megaupload going offline.



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