Merzbow and Lasse Marhaug to release new collaborative LP in March… and I love it!

Merzbow and Lasse Marhaug to release new collaborative LP in March... and I love it! http://www.tinymixtapes.com/sites/default/files/news-12-01-merzbow-marhaug.jpg

You know what I hate? When people say shit like, “my true self” or “we’ll touch base.” I also hate when I’m stuck next to law school students projecting at high volumes about the philosophical foundations of tort law. But you know what I love? Noise. Brutal, gut-wrenching noise to drown out the obnoxious chatter of the world. I love it like black metal kids love spiked gauntlets. I love it like indie filmmakers love anti-climatic story lines.

I love Merzbow. What’s better than Merzbow? Not much, but when you put Merzbow (Masami Akita) and Lasse Marhaug together, you get something like Megazord. And on March 13, Megazord will be unleashed on the unsuspecting public via Editions Mego. Merzbow and Marhaug’s collaboration, Mer Mar, was recorded at GOK Sound Studios in Tokyo in 2010 and is finally set to be released in luminous and highly flammable vinyl; pre-order here.

According to Editions Mego, the record was “made using a combination of scrap metal screeching, analogue synths, and enough effect pedals to give you overweight with most airline companies.” That’s nuts.

Noise trivia:

  • This isn’t the first time Akita and Marhaug have worked together. In 2001, Merzbow and Jazzkammer (Marhaug’s project with John Hegre) released a live album.
  • The first release on Marhaug’s label Jazzassin Records in 1995 was the “First Rock” split single.
  • Masami Akita is a hardcore vegan and has pet chickens.
  • Marhaug is responsible for Mer Mar’s beautiful album art.

• Merzbow: http://merzbow.net
• Lasse Marhaug: http://www.lassemarhaug.no
• Editions Mego: http://editionsmego.com

RIP: Winston Riley, reggae musician and producer

From the Washington Post:

Winston Riley, an innovative reggae musician and producer, has died of complications from a gunshot wound to the head. He was 65.

Riley died Thursday at University Hospital of the West Indies, where he had been a patient since November, when he was shot at his house in an upscale neighborhood in the capital of Kingston, his son Kurt Riley said Friday.

[…]

He worked with musicians including Gregory Isaacs, Johnny Osbourne, Sister Nancy and Buju Banton.

Musicologist Kingsley Goodison, who knew Riley for more than 40 years, said he was one of the people responsible for introducing reggae to England.

“Winston Riley is an unsung hero,” he said. “He was one of the hardest workers in the business.”

Riley also is credited with creating the stalag rhythm, which later influenced hip-hop and dancehall. Unlike his contemporaries who shunned dancehall music, Riley embraced contemporary reggae and had several big hits during the 1980s.

• Winston Riley: http://en.wikipedia.org/wiki/Winston_Riley

PIPA voting postponed after online protest; SOPA/PIPA slapped by the internet’s dick, but not dead yet

After some convincing from a full-day blackout from numerous web presences and demands from internet bigwigs, as well as the possible realization that many older legislators didn’t even know what the internet was, the anti-piracy bills SOPA and PIPA have been postponed indefinitely, shelved in the dark corners of Washington, where they will possibly fester and grow eviler each day.

Senate Majority Leader Harry Reid announced the postponement of a planned ballot for the Protect IP Act just two days after Google’s logo was boxed out, and Republican chairman of the House Judiciary committee Lamar Smith then reported that his panel had also caved and would delay any action with the Stop Online Piracy Act until more agreement on the legislation could be coerced out of techies and major internet companies.

Reid was rumored to have become quite upset that he couldn’t download the latest episode of Celebrity Wife Swap due to Megaupload being shut down. We’ve received word from an anonymous source that he admitted that he “did not realize Wife Swap would be affected” and that he really doesn’t “get how the internet works.” Reid encouraged the authors of the bill to redraft their tool of fascism with the online community in mind, so that it forged a “balance between protecting Americans’ intellectual property, and maintaining openness and innovation on the internet.” Film studios and major record labels then realized that Congress may no longer be their bitch, for now.

Obama also protested the bills by singing a copyrighted Al Green song right in Al Green’s fucking face, as if to say “fuck you, and those fucktards at ASCAP, too.”

• Strike Against SOPA: http://sopastrike.com

Nite Jewel and Chairlift do their best Salt-n-Pepa, reveal extraordinary dance moves on tour this spring

Get your favorite twirling shoes on! There will be lots and lots and lots and lots and just LOTS of that going on when Nite Jewel and Chairlift embark on their topsy twirly tour this spring! Do you even have enough lung room to breathe in all your excitement?!? Better shape up to shake out some shapes. Nite Jewel, a.k.a. everyone’s favorite pseudo-80’s electro sweetie Rrrrrrramona Gonzalez (tongue-rolling used for dramatic effect purposes), will join forces with the equally sassy Chairlift this March.

Maybe you should try to assemble your totally awesomely 80’s ensemble now. It’s a fine line between dorky 80s and so insanely 80s chic it’s fashion all over again! Your BFF’s NJ and CL want you to get it right. If you want to get your “Ahhhh! Push it!” move down, you’ll want to scroll down to the bottom of this article, and click over to Nite Jewel’s website link to stream her latest club nite jam “One Second of Love”.

Tourdates:

03.14-17.12 - Austin, TX - SXSW
03.26.12 - Boston, MA -Brighton Music Hall
03.27.12 - Montreal, QC - Il Motore
03.28.12 - Toronto, ON - Legendary Horseshoe Tavern
03.29.12 - Detroit, MI - Magic Stick
03.30.12 - Chicago, IL - Empty Bottle
03.31.12 - Minneapolis, MN - Triple Rock Social Club
04.03.12 - Denver, CO - Larimer Lounge
04.04.12 - Salt Lake City, UT - Urban Lounge
04.06.12 - Vancouver, BC - Electric Owl
04.07.12 - Seattle, WA - The Crocodile
04.08.12 - Portland, OR -Doug Fir
04.10.12 - San Francisco, CA - The Independent
04.11.12 - Los Angeles, CA - Troubadour
04.12.12 - San Diego, CA - The Casbah
04.14.12 - Phoenix, AZ - The Crescent Ballroom
04.16.12 - Dallas, TX - Club Dada
04.17.12 - Austin, TX - The Mohawk
04.18.12 - New Orleans, LA - One Eyed Jacks
04.19.12 - Atlanta, GA - The Earl
04.20.12 - Chapel Hill, NC - Local 506
04.21.12 - Washington, DC - U Street Music Hall
04.22.12 - Philadelphia, PA - Johnny Brendas
04.24.12 - New York, NY - Bowery Ballroom

• Nite Jewel: http://www.nitejewel.com
• Chairlift: http://www.chairlifted.com

Wooden Shjips set sail toward bad metaphors, awesome remixes

San Francisco space rockers Wooden Shjips are sailing forth into the wild and zany waters of Remixland on February 21 with the powerful winds of Thrill Jockey blowing their latest release into record stores and online shops near and far. The aptly named Remixes 12-inch is the Niña to the band’s Pinta, last year’s critically-acclaimed full-length West LP (TMT Review) …or maybe it’s the Santa Maria. Whatever. What a stupid metaphor. Why am I talking about Christopher Columbus? That guy was a jerk.

Anyway, forget that dude: Wooden Shjips are awesome. If West wasn’t enough for you, well get ready for Remixes, where three tracks get reimagined by the magic hands of Andrew Weatherall, Sonic Boom, and kandodo. Weatherall — a gentleman who has worked his share of remixing wonders with people like New Order, Björk, My Bloody Valentine, and Primal Scream — did a number on “Crossing.” The illustrious Sonic Boom slapped his name on the mash-up “Wiking Stew (aka Red Krayola-ing).” And kandodo (a.k.a. Simon Price from The Heads) whipped a little something special up for “Ursus Maritimus (Last Bear’s Lament).” You don’t need to be a scurvy seaman to know the compass points toward radical on this one.

Remixes tracklisting:

01. Crossing Remix (Andrew Weatherall)
02. Wiking Stew (aka Red Krayola-ing) (Sonic Boom)
03. Ursus Maritimus (Last Bear’s Lament) (kandodo w/Ripley)

• Wooden Shjips: http://www.woodenshjips.com
• Thrill Jockey: http://www.thrilljockey.com

Jeff Mangum stares down the impossible; the impossible blinks; adds Earth and Mount Eerie to already stellar ATP lineup

It’s official: you’ll be hard-pressed to find a better festival lineup ANYWHERE than the one Jeff Mangum (Neutral Milk Hotel, duh) has dreamed up for the ATP Festival spot he’ll curate this March in the UK. ATP had previously announced Mangum’s initial choices, which included such heavies as The Fall, Young Marble Giants, The Magic Band, The Magnetic Fields, Low, Thurston Moore, Jon Spencer Blues Explosion, Joanna Newsom, Mike Watt and George Hurley, Sebadoh, and A Hawk and A Hacksaw. Not a stinker in the bunch, but like a good soup, wouldn’t hurt to add a little something new to the mix.

Mangum’s latest draft picks include Mount Eerie, TMT fave Matana Roberts, the legendary Roscoe Mitchell (Art Ensemble of Chicago), Rafael Toral, Yamantaka and the American Contemporary Music Ensemble (ACME) performing Gavin Bryars’ “Jesus’ Blood Never Failed Me Yet.” Bryars’ piece is a 25-minute 1971 composition (later extended and re-recorded) based around a reoccurring loop of an unknown homeless man singing, and was originally used for a documentary highlighting London street life. It was later re-recorded for Brian Eno’s Obscure record label in 1975.

ATP, in their infinite wisdom, has also gone ahead and invited Blanck Mass, Demdike Stare, and Earth. Very cool. The Mangum-approved ATP Festival is set for March 9-11 in Butlins, Minehead, UK. Tickets available here.

• All Tomorrow’s Parties: http://www.atpfestival.com

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